Changing World
Well, the world is changing and has changed. What with global warming, the war in Ukraine and Israel not to mention the floods, earthquakes and volcanic eruptions around the world. It's hard to imagine that we will ever reach the targets that will reverse global temperatures. Changing worlds will take you away from the present situation and give you time to reflect and to escape from reality for a short time. 
Enjoy the trip people, and thanks for listening 👽👽😎

Changing World

if your here stay for a while ! 
Email: baezjameel1@gmail.com
https://ffm.bio/4onybjx

ElektRoman The Biomind creates electronic music in Berlin, Germany. Former member of the music projects Radar (R.A.D.A.R.), Biominds, Moonraver and Art Of House. Now, a member of the Music For Cars music collective.

Niacin lives in oxford uk and has long had a passion for edm,more so especially for old school jungle from the very early 90s . In 1987 i fell in love with "acid house" and a seed was sown. My musical influences are huge,taken from everywhere,from dub reggae to 70s and early 80s electro,early 90s jungle and the sounds from Legend records(Gwange,Spinback,The Invisible Man,Dj Lee)LTJ Bukem(glr)Reinforced,Suburban Base,Tom and Jerry,Potential Badboy,Slammin Vinyl,Mike Slammer & Red Alert,Moving Shadow,Fabio,Grooverider,Ellis Dee,Peshay,Ratty,Hype,Total Science & CIA recordings,Micky Finn,Randall,Daddy Almshouse,Strictly Underground,Qbass,Manix,Skeleton Crew and the superb Bay B Kane, Bizzy B and Tango(RIP)(3 of the very best)not to mention the inspirational "white labels" of 1990,91,92,93
(the list of early junglists is just to endless--much luv, respect and thanks to you all)

thank you for taking the time to listen.hope you enjoyed some of what you heard,,,  nuff luv NIACIN

Releases on:
Skankaz Delight
Rancid-Records
Unsigned DnB Dubs
Oversight Recordings
Audio Overload Jungle
Open Source Recordings
Manchild/JunglePress Recordings

Meet Spacey Panda: a cosmic music producer with a knack for blending experimental beats and interstellar vibes that sound like they were produced on the dark side of the moon. This panda isn’t just about trippy sounds—it’s about mixing IDM with grooves so spacey they could pull you straight into orbit. 
Known for epic music collabs with fellow Earthlings and, rumor has it, a few aliens., Spacey Panda’s tracks are perfect for late-night stargazing, dancing in zero gravity, or just to soundtrack your personal voyage to another galaxy. Buckle up, Earthlings—it’s going to be a spaced-out ride!

On a journey to conquer the world with heavy bass!

https://linktr.ee/klubbamusic

Twistedreload is a unique sound coming straight out of London.
Twistedreload has being making music for a number of years, Starting off on Playstation, Fruity loops, Reason and now on Logic.

Twistedreload has been influenced by a lot of artist in Reggae, Soul, House, Rave, Garage, Trance and Dub over the years. In my early years I was going up and down the M1 with Jah Tubbys (Dub Sound system). I think this is shown in my music by the basslines that I write and the vocal delays all of which I loved and still do.

Twistedreload as an original sound that is like no other and I aways start with the drum patterns which all made by me in NI's battery. The synth's I use are Serum, Spire and The Sylenth and mixture of some old synths from Native instruments. I use a number of plug-ins which are waves.

I hope you enjoy my music on this page many thanks

Twistedreload
Loving Psytrance 👽👽

Voltaroxx is the sound of forgotten futures, midnight circuits, and dust-covered dreams rendered in rhythm and noise. Born from the flicker of CRT screens and raised on a steady infusion of cyberpunk cinema, glitchy game consoles, and VHS fuzz, he builds music that’s less about genre and more about atmosphere—audio collages from the back alleys of the imagination.

Growing up, Voltaroxx was glued to the glow of Blade Runner, Akira, Ghost in the Shell, and obscure sci-fi anime taped over Saturday morning cartoons. The worlds were bleak but beautiful, eerie but electric. At the same time, he was living inside the soundchips of machines like the ZX Spectrum, NES, and Mega Drive—systems that hummed, beeped, and crackled with strange life. Those early sounds never left; they just evolved.

His music doesn’t follow rules or trends. One moment it's dusty lo-fi techno, the next it’s eerie ambient, then suddenly it's chaotic 160 BPM jungle with warped pads and broken memories. Tracks like VizzerLine show just how deep the time capsule goes—an atmospheric 90s jungle homage that blends ghosted-out pads with rolling breaks and a dreamlike energy..

Voltaroxx doesn’t believe in “sticking to one style.” He follows moods, fragments, old files, and the static of ideas half-remembered from forgotten arcade cabinets or the background hum of a tube TV. Some days it’s electro with a sci-fi edge. Other days, it’s decayed ambient or synth-heavy jams with melodies that loop like a corrupted memory card.

He never really thought anyone would listen. These tracks were, and still are, made mostly for himself—just an outlet, a way to exorcise digital ghosts. So when people started listening, following, commenting—it was surreal. It still is. Every play, every follow means a lot. No PR machine. No hype. Just raw sound from a bedroom somewhere, echoing into the void and somehow landing in your headphones.

Thank you for tuning in. Really.
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If you enjoyed any of my tracks / sets, please click the [↻ Repost] button + Comment & Like! Thank You!

Contacts Booking / Remix / other : shyneeisfree@gmail.com

Played alongside : Omar Varela , Different heaven , Boiria , Bone n Skin, Pane mua , Anticeptik , Too Vain , Brawler , Punyaso. Funk4mation , Tryple , Extra-Terra , Minzo , Sex whales , Desmeon , Trump , Who came after , Nextars , We killed Hannah , Nasko , Droflam , Neo , Gohma

Owner at @hybrid-theory-project

Release on : 

@tgs-dubstep

@dubstep-diaries

@dropitnetwork

@Kinphonic

@electronyze-me

@troxjedsrecordings

@playmerecords

follow me on Instagram aggiemusic_
TikTok aggiemusic_
add me on Facebook Alex Aggie Aguilar
Spotify Aggie

https://linktr.ee/elaggster

contact me at themostempirical@gmail.com

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.