Changing World
Well, the world is changing and has changed. What with global warming, the war in Ukraine and Israel not to mention the floods, earthquakes and volcanic eruptions around the world. It's hard to imagine that we will ever reach the targets that will reverse global temperatures. Changing worlds will take you away from the present situation and give you time to reflect and to escape from reality for a short time. 
Enjoy the trip people, and thanks for listening 👽👽😎

Changing World

ElektRoman The Biomind creates electronic music in Berlin, Germany. Former member of the music projects Radar (R.A.D.A.R.), Biominds, Moonraver and Art Of House. Now, a member of the Music For Cars music collective.

Niacin lives in oxford uk and has long had a passion for edm,more so especially for old school jungle from the very early 90s . In 1987 i fell in love with "acid house" and a seed was sown. My musical influences are huge,taken from everywhere,from dub reggae to 70s and early 80s electro,early 90s jungle and the sounds from Legend records(Gwange,Spinback,The Invisible Man,Dj Lee)LTJ Bukem(glr)Reinforced,Suburban Base,Tom and Jerry,Potential Badboy,Slammin Vinyl,Mike Slammer & Red Alert,Moving Shadow,Fabio,Grooverider,Ellis Dee,Peshay,Ratty,Hype,Total Science & CIA recordings,Micky Finn,Randall,Daddy Almshouse,Strictly Underground,Qbass,Manix,Skeleton Crew and the superb Bay B Kane, Bizzy B and Tango(RIP)(3 of the very best)not to mention the inspirational "white labels" of 1990,91,92,93
(the list of early junglists is just to endless--much luv, respect and thanks to you all)

thank you for taking the time to listen.hope you enjoyed some of what you heard,,,  nuff luv NIACIN

Releases on:
Skankaz Delight
Rancid-Records
Unsigned DnB Dubs
Oversight Recordings
Audio Overload Jungle
Open Source Recordings
Manchild/JunglePress Recordings

Daniel Lars: Multi-Instrumentalist, vocalist, songwriter, producer. Born, initially grew up in the heart of San Francisco. Music deeply rooted...young age of four. Psychedelic music scene was electrifying. Nevertheless, Daniel Lars was deeply influenced from extensive variety of music. Rock, Hard Rock, Psychedelic, Glam Rock, R&B, Funk, Soul, Motown, late '60s pop music, Progressive Rock, Gothic, Eastern music, Blues, Disco, Bossa nova, Folk, Jazz Fusion, Jazz, Classical, World Music, Techno, Psychedelic Trance, Hip-hop. 

Daniel Lars: "My father would play stacks of vinyl from extensive record collection. Especially, during weekends. Late, through the night. Recall in record collection...early Beatles, Big Band, classical, jazz, Elvis, Frank Sinatra, MC5, Dusty Springfield, Motown. Various country artists in record collection. While my oldest brothers were playing '60s rock, Southern Rock, English psychedelic bands, from vinyl collection. During late '60s psychedelic era, early '70s." 

Young age of twenty, Daniel decided to seriously pursue music career. First band, younger brother on bass. Jammed with various musicians, friends, bands. San Francisco Bay Area, during the eighties. Formed power trio, "Third Eye." Performed various popular clubs in San Francisco. Relocated in the East Bay Area. Small town in Pleasanton. Shortly, after Third Eye disbanded. Joined popular local East Bay Area hard rock band, Most Wanted. Final gig, major benefit concert. Billed with several other popular Bay Area local bands. Such as Black Tiger (former members of Y&T). To support "October 17th, 1989 Loma Prieta" earthquake victims. During late '90s, hired as a professional session guitarist for two years. Major recording studio in Oakland, CA. Where he learned extensive skills in studio production. Left California in 2008. Always creating gems in musical moments of time. His two lovely rescue cats Syd & Ziggy, daily magical hikes in the forest...are current "musical" inspirations. Cheers.

Meet Spacey Panda: a cosmic music producer with a knack for blending experimental beats and interstellar vibes that sound like they were produced on the dark side of the moon. This panda isn’t just about trippy sounds—it’s about mixing IDM with grooves so spacey they could pull you straight into orbit. 
Known for epic music collabs with fellow Earthlings and, rumor has it, a few aliens., Spacey Panda’s tracks are perfect for late-night stargazing, dancing in zero gravity, or just to soundtrack your personal voyage to another galaxy. Buckle up, Earthlings—it’s going to be a spaced-out ride!

On a journey to conquer the world with heavy bass!

https://linktr.ee/klubbamusic

Twistedreload is a unique sound coming straight out of London.
Twistedreload has being making music for a number of years, Starting off on Playstation, Fruity loops, Reason and now on Logic.

Twistedreload has been influenced by a lot of artist in Reggae, Soul, House, Rave, Garage, Trance and Dub over the years. In my early years I was going up and down the M1 with Jah Tubbys (Dub Sound system). I think this is shown in my music by the basslines that I write and the vocal delays all of which I loved and still do.

Twistedreload as an original sound that is like no other and I aways start with the drum patterns which all made by me in NI's battery. The synth's I use are Serum, Spire and The Sylenth and mixture of some old synths from Native instruments. I use a number of plug-ins which are waves.

I hope you enjoy my music on this page many thanks

Twistedreload
Loving Psytrance 👽👽

I make tunes l, release a new one every other week. 

Decided to take a lot of my older tracks off, and put on bandcamp. I appreciate your time for visiting the page and if you stop by, have a listen and see what you think. 

I currently don't have monitors and I only do this as a hobby. I think it's time to be straight about that. Someone asked me if I make a living off this , which they were surprised i said no. I mean, I only started this for fun In the first place. 

building up a solid fan base isn't easy, Repost exchange helped with that and there are some genuine artists on there. Others are not so genuine and are only in it for themselves. I've put time into hearing people's work and enjoy a lot of things on there. //:- But then there is the " I like to repost your tracks but don't like them , I just want the credits brigade" And you know what I think about that? .. I won't write here but seriously, have a word with yourself. you aren't that special. 

I've had my run with people saying they have made certain songs, when clearly it's ai. fair enough if you tell us that, but when you try to pass it off as your own? Seriously, you won't get far doing that. you know who you are. 

Now the good bit // There is a certain collective of people on here I've corresponded with ,and I respect them. I'll be making my following list much shorter in the new year , and we'll see who sticks around. I've no time for game players of the follow up follow crew. 

Keep it 💯 Real, and I will with you. 

follow me on Instagram aggiemusic_
TikTok aggiemusic_
add me on Facebook Alex Aggie Aguilar
Spotify Aggie

https://linktr.ee/elaggster

contact me at themostempirical@gmail.com

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

For Bookings or inquiries: contact.hydrasound@gmail.com

Sound Designer, Sound Engineer, and Eclectic Electronic Music DJ/Producer from Italy. 

My main focus as an artist is what I like to call 'Cinematic Bass Music,' a mix of influences from deep, dark cinematic soundtracks and heavy underground bass music, with special attention on sound design and sonic explorations.

HydraTek is the name that summarizes my artistic vision:
'Hydra' recalls the mythology and is epitomized by an aggressive, distinctive sound that’s become my signature in both sound design projects and electronic music productions;
’Tek’ is about my continuous research for high-tech and futuristic sonic explorations, trying to push
electronic music forward to explore new frontiers.

The different 'heads' of the hydra are a metaphor for my eclecticism. The two polarities in the name can sometimes be found in a harsh contrast between delicate, emotive melodies and twisted, abrasive basslines.

With a strong influence and passion for modern film soundtracks, I strive to provide a concept and storytelling inside my music, even inside club-oriented tracks.

My current production style involves a combination of Dark Techno with a distinct cinematic influence, in which I like to insert melodic, emotional, deep, and a hint of brighter elements.

Seeking The Soul Of Sound
- HydraTek