Φ dɝspɝrat¡ōn k¡ll sw¡tch Φ (relentless mix)

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

typical white brutality
Φ ¡ndustr¡al tɝchnō-funk Φ 
i like my music to sound like it's being played loudly on a cassette in a boom box in 1983.
+++ my playl¡sts cōnta¡n ōnly ¡ndepɝndɝnt art¡sts = thɝ bɝst tracks ōf my fɝɝd

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Musicien depuis l’âge de 13 ans, je n’ai jamais cessé d’être amoureux de la musique.
J’ai participé à un concours international francophone dans les années 80.
Par la suite, j’ai créé le groupe Top-Sonart qui a été en nomination deux fois à l’Adisq,et qui a pris fin en 1987.
J’ai ensuite écrit plusieurs chansons et musiques qui n’ont jamais joué nulle part. C’est pourquoi je les partage maintenant avec la planète par Soundcloud.
Bonne écoute!

Musician since the age of 13, I have never stopped being passionate about music.
I participated in an international Francophone competition in the 80s.
Subsequently, I created the band Top-Sonart who was nominated two times at l’Adisq and which ended in 1987.
I then wrote several songs and music pieces that never played anywhere. That's why I now share them with the planet through Soundcloud.
Enjoy.

Yoshimayo’s music is characterized by a dreamy, experimental, and introspective fusion, blending soft electronic sounds with acoustic and organic elements. Although he remains relatively under the radar in mainstream circuits, what makes his music unique can be described through several dimensions:

🎼 Musical Characteristics of Yoshimayo:
Delicate and deep sound textures:
He creates highly immersive atmospheres, sometimes bordering on ambient music or electronic post-rock. The sound layers evolve slowly, producing an almost cinematic effect.

Emotional minimalism:
Few elements are enough to express a great deal. His music plays with the unsaid, with space and silence, often evoking an inner poetry.

Fragile and nostalgic melodies:
Melodic lines are often simple, almost childlike, yet always tinged with subtle melancholy. They evoke memories, daydreams, or meditative states.

Organic-electronic fusion:
Yoshimayo manages to blend synthetic elements (pads, drones, glitches) with classical instruments (piano, strings, soft percussion) without sounding artificial.

DIY / artisanal aesthetic:
The production sometimes intentionally sounds "handmade," yet with great care. This brings an authenticity that contrasts with the industrial standards of electronic music.

✨ What Makes Yoshimayo Unique:
A sonic identity that is recognizable within the first few seconds, without being showy.

An ability to evoke gentle, intimate, and contemplative emotions, far from mainstream conventions.

A rejection of the spectacular, which gives his music a quiet strength.

A coherent artistic direction, often accompanied by minimalist and poetic visuals.

https://www.instagram.com/yoshimayo317/

Φ dɝspɝrat¡ōn k¡ll sw¡tch Φ (relentless mix)

🏴‍☠️typ¡cal🏴‍☠️wh¡tɝ🏴‍☠️brutal¡ty🏴‍☠️