Always at the forefront with an active role in emerging stylistic nuances Century Media has truly shattered the barriers and exemplified diversity in extremes while remaining rooted in the underground but giving bands opportunities outside of the normal means with major league international touring, commercial radio play, and music placement in high-profile films, TV and commercials. Despite all of the years and breakthroughs the company maintains their organic, family feel and business is still being conducted by fans of the music for fans of the music.

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Fresh out of the fires from one of Metal's finest factories, the creative musician's metropolis that is Stockholm, hails Deathember; A swirling inferno of punch-packed, rancid and almost serenely pure metal cleansed from most prefixes.

Starting as nothing but a sallow seed, shuffed aside with rough force to grow depraved of sunlight in a wayward rehearsal space underneath a towering chimney, founder Elias Ryen-Rafstedt and guitarist Staffan Birkedal started to spend larger and larger amounts of their lives perching their band together with the same set of mind that most great artists pursue: the idea of the band playing just the kind of metal they would like to hear, a kind that not yet existed, but - concerning their hometown's vast quantity of talented musicians - was well within reach.

As the band abhored the name Deathember, and finalized their first lineup in 2010 with guitarist Rikard Bonander, Bassist Pontus Wicklander and vocalist Tobias Sandin, the answer as to what "Deathember" was and how it sounded like started to feel within reach. As they quickly gathered a notable reputation in the town's underground metal scene, their communal taste finally morphed together into the sound resulting in the 2011 EP "A Thousand Flatlines" - hooky and catchy mid-tempo groove metal, occasionally slowing down into menacing and gloomy when not speeding up into hysterical mayhem, picking influences from Strapping Young Lad, SikTh, Daath, Gojira, Protest The Hero and Soilwork. With Tobias departure in 2012, followed up by the newest member Simon Tarasewicz, the band made no hesitation but to dive into the studio, signing to Violent Groove Music Group and ascending into the new year 2013 with one, strong and inevitable goal: show the world what GROOVE is.

The result is "Going Postal"; it takes the heritage from "Flatlines" and updates it heavily, giving more space to direct to-the point songwriting, attitudous groove and foreboding atmosphere. With "Going Postal" Deathember clearly defines their sound. It's not lesser or more than what other bands may bring to the table - but it's different. Deathember continues to stroll down a path of brutality few bands have trodded, and with "Going Postal" they're stating their sound, their message, to the world.
And the world shall listen.

No Sign of Life is a band from Laukaa, Western-Finland. The musical style is a mixture of big melodies, earth shaking rage and original creativity.

NO SIGN OF LIFE signed a record deal Mighty Music! New album called "Embrace Your Demons" featuring tracks like "Walls Melt Down, Meaning of Life and Enemies of Choice"  will be available everywhere on 3rd of December 2012!

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