dun dun dunkadunk // rock :: blues :: folk :: acoustic

Baby, there's demons in the water
I figured I should tell you
Even though I know your sailing days are over because
Baby, their bitter eyes see through me
They're begging me for kisses in the dark
I know you think they stole your part

The moonlight has never looked so gray
I'm thinking of asking them to stay

Baby, the moment that you left me
I carved your name into a weeping willow
Hid your heart beneath my pillow, I thought
Maybe I'd make a bit of money
Collect a dime for every time we left a fight
With souls and knuckles bloody

I hear the raindrops on the roof
Sometimes the silence sounds like you
The roses I bought have wilted
On the lawn, above your makeshift tomb

Baby, I thought that you might call me
I never had a problem with you voice
You had a problem with my choices but your
Hair and your beard, they've gotten messy
Good thing I kept the scissors on the shelf
I want to help cause you're so pretty with your

Eyes closed and lips a royal blue
Hands stiff and harmless beside you

Baby, tomorrow they won't find me
I'll leave behind the sofa where we fucked
And all the love you said you'd buy me
But baby, I know you won't be lonely
The earth is really cozy late at night
When all the demons come to bite

They have been waiting this whole time
I kept them at bay cause you were mine
Now I'm a stranger,
When they ask I'll smile
and say I'm doing fine


Royal Blue

A sandstorm swept across my skin
They said with time that I’d begin
To feel the fleeting flush of love
Inside my palms again

The sun was blocked by flocks of dreams
Sent skyward – I could not believe
The shadows when they rocked the ground
Beneath my feet

Every saving grace since then’s been hot to the touch
I paved a slippery surface underfoot that kept me from trusting
In something for nothing
I still felt the burn and the bite

[Chorus]
But this feels right on my tongue
And everyone’s coming out from under the cracks
To see if I last in this armistice
Honest, this is not what I expected
But this feels right and I know
My bones were too cold
To think of letting you illuminate my body and soul
But I can’t deny that in your eyes, there’s a safety
And it leaves me satisfied

Like fresh baked bread we rise so slow
Crackle and glow with the mystery
Of unfamiliarity
And watercolor hearts bleeding free, free

Will you please dance with me baby
I thought the music died and I cried for the longest time
I swear, I found you there
Nestled in the pages of the places so jaded to me

And you, sir, are hot to the touch
It’s taking all I have to trust a little bit but not too much 
Cause I know I still feel his burn and your bite

[Chorus]
But this feels right on my tongue
And everyone’s coming out from under the cracks
To see if I last in this armistice
Honest, this is not what I expected
But this feels right and I know
My bones were too cold
To think of letting you illuminate my body and soul
But I can’t deny that in your eyes, there’s a safety
And it leaves me satisfied

And everything I thought I knew and everything I buried
I want to put you on repeat – I know I shouldn’t hurry this
But you’re as fresh as lemonade and I been sour since
I traded no for yes and put the best of me inside a cage.
And now you’re asking why my eyes have changed from black to blue
I’d spell it out for you but I’m afraid to sing that tune
When I know that I’m scared more than most
But I’m fighting for your light, it’s shining bright, cause baby… 

[Chorus]
This feels right on my tongue
And everyone’s coming out from under the cracks
To see if I last in this armistice
Honest, this is not what I expected
But this feels right and I know
My bones were too cold
To think of letting you illuminate my body and soul
But I can’t deny that in your eyes, there’s a safety
And it leaves me satisfied


Armistice

The debut album 'Chaos And The Calm' is available to pre-order now:
iTunes - http://po.st/CATCi 
Amazon - http://po.st/CATCa 
Google Play - http://po.st/CATCg

Forever (HAIM cover)

I used to write music in solitude. Alone in a room with the door shut. When I met Martin Olsson, multi-instrumentalist and producer, that whole solitude thing changed in seconds. We started jamming on my balcony a warm summer night and an hour later, our baby "Breeze" was born. Simple as that. We wrote a few more tracks and released the EP "Contrast" under our duo name Mesh'd. Breeze was chosen by Swedish National Radio's music jury, to be one of Stockholm's 10 finalists in the contest Svensktoppen. Pretty happy with our first co-write ever :) I hope you like it!

Picking Pockets

Easy Prey

Breeze

Simon's recording of "You Never Can Tell", also known as "C'est La Vie". Written by Chuck Berry

You Never Can Tell

From Kettle of Silver vinyl (2013)by Harry Bird & the Rubber Wellies
https://harrybirdandtherubberwellies.bandcamp.com/music
www.hotdroprecords.com

Harry Bird & the Rubber Wellies // The Golden Vanity

Wand "Golem" LP 2015 on In The Red Records

Self Hypnosis In 3 Days

Rose McDowall’s trajectory from punk provocateur to chart-subverting pop star to underground neo-folk legend has been one fraught with strain and adventure. In 2015, Night School Records is attempting to tell the story of this wayward daughter of Glasgow through a schedule of reissues and unreleased material. Record Store Day 2015 sees the first fruit of this collaboration, an official release of the unapproved 12” single of Don’t Fear The Reaper, originally waxed by McDowall in 1988.

Don’t Fear The Reaper has been remastered and re-edited by legendary engineer and selector Sean Pennycook for 2015. McDowall’s clear-as-crystal vocal performance sails above a latin-flavoured disco beat with the original’s doomy chord changes revitalized into a shiny, gloriously hedonistic brew. Accompanying is the original “Crystal Days,” a track that featured on McDowall’s self-released “Cut With The Cake Knife” demos, a set lost, until now, to history. On the flip Sean P cuts up the original Reaper into an Italo-ized disco re-edit before the instrumental plays out. 

McDowall’s treatment of Don’t Fear The Reaper speaks volumes of where her head was at in 1988. It was the singer’s first solo release after the break up of Strawberry Switchblade and even then it was unapproved. Rush-released by a collaborator and without her consent, “Reaper” quickly vanished and has become the stuff of legend for pop, disco and Strawberry Switchblade fanatics alike. Now fully approved and with new, minimal artwork by Russell Elder, Rose invites us to take her hand.


Rose McDowall - Don't Fear The Reaper (from Don't Fear The Reaper 12'' - LSSN030)

https://soundcloud.com/theweightytree/round-up-in-the-spring-mezz-recipe-the-weighty-tree
_______________________________________________________
Vocals & lyrics by Jay Arana @aranajason
More here:
https://soundcloud.com/theweightytree/sets/the-jay-arana-sessions

Tele California - Jay Arana & The Weighty Tree

Written by Apples In Space
Recorded by Francesco Wilking & Patrick Reising at Räumle Studios Berlin

Max Schröder: drums, percussion
Florian Glässing: guitar
Francesco Wilking: guitar

Apples In Space are
Phil Haussmann: voice, guitar
Julie Mehlum: voice, piano, glockenspiel, melotron

I Was The Moon (Radio Edit)

this song is part of the split #1 we share with our secret lovers The Parrots.

we recorded this track during our first trip to london with Arni Arnason (the vaccines) and Johan Englund. also mixed by them.

this split exists just because of us.

thanks sean from burger, joan great manager and steve from lucky for making it happen :-)

original song by the headcoats

☮

LIMITED 7'' EDITION:
♕ to be released in UK and Europe via Lucky Number for Record Store Day (limited to 750 copies on super transparent green vinyl, only available on April 18th, 2015!)
 ♕ to be released in the USA by Burger Records!

Very Best of Hinds So Far

Davey Crockett

www.matingritualsounds.com
Facebook: facebook.com/matingritualsounds
Twitter: twitter.com/ritualmating
Instagram: instagram.com/matingritual
Spotify: open.spotify.com/artist/4ZeB1hzT2mSZrf7wszOqHs

Written by Dan Nigro and Ryan Marshall Lawhon
Mixed by Billy Pavone
Mastered by Joe Lambert
Lady Vox by Lizzy Land

Hum Hum

In The Shadow Of Light

SONG 12 ACT FOUR—HOPE YOU FINED WHAT WHAT YOUR LOOKIN FOR

The curtain goes down and when it comes up again. The stage is set in front of the club where the story started. And out in front is Woody, the homeless guy we met at the beginning. Then  somebody walks out across the stage carrying a sign the says “THREE MONTHS LATER” and as they disappear from the stage, Jellybean walks out and as she see’s Woody in front of the club,she says,
JELLYBEAN: Woody!
Before he could say anything, she was hugging him, despite how he smelled.
JELLYBEAN: I’m so glad your here.
WOODY: There ain’t any where else I’d be Jellybean. This my home. Told you. Been here 20 years. Kinda like a neighborhood mascot. But enough of that. How you doing girl?
JELLYBEAN: I’m al”right. Been through some shit. But I think I’m gonna make it. Yeah, I am gonna make it. Moving back home to NOLEN’S. This town,as cool as it is, kicked my ass. Still love it though. I even met a girl. Well, a little more than met. We meeting up right here. Anyway, I learned some big shit about myself, maybe more than I wanted but that’s life. Right Woody?
WOODY: Well sweetie, I don’t know what your learning, but I can tell you one thing for sure. The only way you can ever move on in life is to learn how to forgive. Because you maybe done with your past baby, but your past well never be done with you in less you learn to forgive. I live out here depending on the kindness of others. In the end, there’s only two thing left. Love and fear. Learn to forgive. Then you can really move on….
And with that Woody begins to sing….
HOPE YOU FINED WHAT WHAT YOUR LOOKIN FOR
I hope you find what you’re looking for.
A place in life that really shines for you.
The city not for everyone.
 For some I know it just won’t do.

But you have everything you really need,
Right inside yourself.
And all of the things that really matter,
You already have great wealth.

So say l’ll say goodbye to SF
, and say hello to home.
Your whole family there,
You ain’t  never going be alone.

Then Jellybean sings……

Momma’s sweet potato pie and her red beans and rice.
The music in the Quarter or the homies play’n dice.
It’s the place that i know, it’s the place that i love.
It’s like some people’s faith in the lord god above…
Then Woody sings…….they finish the song together….
So you’ll be back in Nola’s Louisiana.
Don’t forget to bring yourself to everywhere you go.
We’ll talk to you on face book, 
boy they really got us fucking hooked.
I hope you find what you are looking for.
I hope you find what you are looking for.
I hope you find what you are looking for.
A place that really shines for you……
ALL RIGHTS RESERVED -SPAGHETTI HILLBILLIES 2015



12 - HOPE YOU FIND WHAT WHAT YOUR LOOKIN FOR - from- I WANT TO BE NOTICED.lyic And Info Here

Howdy ye'all! This is another track from the Touchwood album of 1996 entitled,"Perpetual Motion". I hope ye'all dig the vibe! Take care Folks! peace&zen

The Keeper

Blue Eyes ("Garden State" Soundtrack)

Melissa Ferrick "the truth is" (MPress Records, June 4, 2013)

PR: Sacks & Co. • chris.schimpf@sacksco.com, 212.741.1000
Agency: Fleming Artists • susie@flemingartists.com
Record Label: MPress Records • press@mpressrecords.com

dun dun dunkadunk // rock :: blues :: folk :: acoustic

tzztzzt