Ethnographic Sound Library is a cycle of project conducting at the Institute of Ethnology and Cultural Anthropology - Jagiellonian University in Kraków (Poland)

FUCK SOUNDCLOUD—I now upload to Are.na: https://www.are.na/tilde-colon-pipe-degrees-degrees-bullet-period-pipe-colon-tilde/geosmina-music-sound-experiments-finished-spontaneous-or-in-process

Ideas and stories informed by lived experiences

Francisco Mazza is London based composer and sound artist producing work in film, theatre, dance and sound installations. His work is particularly concerned with the relations between sound art and music.

He has exhibited and contributed to a wide range of arts events and live performances including Latin America Memorial in Sao Paulo, 46th Brazilian Film Festival of Brasilia, Art Residency Program "Expanded Sound" by Red Bull Studios, Mis (Museum of Image and Sound in Sao Paulo), Tiradentes Photography Festival, Resonance FM in London, also participating in experimental orchestras and improvisation groups working with artists including Livio Tragtenberg, David Toop, Wilson Sukorski, John Wynne, Loop B, Gabriella Mazure and other. 


He has a specialization degree in Music Composition for Film, TV and Other Medias at Anhembi Morumbi University and is currently studying a MA in Sound Art at University of the Arts London, interested in explore the relations between sound, life and society by investigating ways in which process of composition influence both our individual and collective experiences.



-> TECHNO ENTHUSIAST, Scene Lover, Artist; DJ & Producer <-

MNGMT:  what do you wanna know??


                                           Live.Love.Dance.
                                           Listen.Learn.Repeat

 www.linktr.ee/ginobresgesmusic 

|| FlowFirst Records ||
|| Technological Records ||  PURE NRGY Records ||
|| LINIENTREU Records ||
|| Industrial Techno United || dzb Records ||
|| LETS TECHNO Records || Hardonymus Records || 
|| Viral Recordings || LW Recordings ||  


▶"𝕡𝕣𝕖𝕗𝕖𝕣 𝕥𝕠 𝕡𝕖𝕣𝕗𝕠𝕣𝕞 𝕤𝕥𝕣𝕒𝕚𝕘𝕙𝕥, 𝕤𝕥𝕣𝕠𝕟𝕘 𝕋𝔼ℂℍℕ𝕆 𝕘𝕣𝕠𝕠𝕧𝕖𝕤!"


„ Move the fader up, remove the filter, turn the bass in, my thoughts in Orbit “

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Different impacts from various parties made him a confessor of the electronic music community; at the same time it evolved the feeling to be able to give something back and to broadcast it to the mob.
It all started with more than just a high feeling; it was love, love for the 4/4 beat, the rhythmical moments, the driving force of impressions and the evolution on the dance floor.
A perfectly tuned performance with interpretation from a parallel universe into the everyday world.
Many harmonising nights between the crowd and himself let him grow and gain know-how and even though he had a couple throwbacks; he never stopped following his dream and his heart.
He reflected himself in various ranges of the electronic dance music, that is how he got to work with different artists and labels and collect many useful references and club experiences.
Besides his presence as resident DJ at C.T. TechnoEvents years ago, he has been at other venues and he had the opportunity to show his skills at different open air festivals, for example – Ruhr in Love.
GINO BRESGES always knew, that music connects people, and for him it stands to reason to give that sort of interpretation back in his very own style.
For him, music is more than just a time killer but rather it represents a higher context: music is something he identifies and expresses himself.
That is one of many reasons he invests a lot of effort into creating a feeling of happiness, almost like a wave to let his audience flow and enjoy his tunes which are beyond "BANG BANG"; it rather is an essential resource for personal development, emotions and social esteem.
With emotionally accordance GINO BRESGES wants to introduce the unknown and arouse curiosity and openness to a fresh sound.
To him all the parties and long nights in clubs are a voice of a dynamic dance culture which he thinks of as art.
He constantly works on his very own personal soundtrack and very much enjoys this creativity.
You'll see & hear each other in the club,
black business kills everything but not the vibe on dancefloor.
Rave on harder!

Experimenting with multimedia methods to critically engage with anthropological/ethnographic theory and practice. University College London.

Followers of UCL Multimedia Anthropology Lab