Thanks for all your generous comments and support on "You're Never," you all rock!!!

devilsDanc'

January 2021 Mix

Reposted

Dr. Fresch is back with more groovy music, this time with a double remix of both The Notorious BIG's "Juicy" and Suzanne Vega's "Tom's Diner". Download "Juicy Diner" for free from Dr. Fresch's Facebook now!

"I felt a weird connection between these two songs and wanted to create a piece that reflected the vibes of both of these artists. I feel like the remix I came up represents angst, relaxation, and struggle at the same time." - Dr. Fresch

https://www.facebook.com/Dr.Fresch
https://twitter.com/DrFresch

FREE Download!

Juicy Diner (ft. The Notorious BIG & Suzanne Vega)

Jichael Mackson - A1 The Grass Is Always Greener

Pay what you want

Phosphenes

The MINTY @twobob remixes the MINTY @numbersinthedream!
wonderful original track & a wonderful remix

you can purchase this lovely track at:
www.cdbaby.com/cd/twobobnumbersinthedream

["This collaboration rework of "Take It If You Know What It Is" could be called
"ONLY Take It If You Know What It Is"...

In support of the recent tragic deaths at Fabric and the devastating outcome to the UK club culture, in fact the entire heritage of the UK.

Please help raise awareness of the Fabric situation.
If they open a fund all proceeds raise from this would go to that.

Peace, play safe.

Nick and Simon."]

NumbersInTheDream - Take It If You Know What It Is [TWOBOB InterWoven Remix] (MintFam Exclusive)

The rhythm of the track is composed by "domestic" sounds, to suggest the noise of a head full of everyday's troubles. The rest is arranged for guitar, organ, arpeggiator synths etc. New tracks every month. Hope u enjoy!

Intolerance

Polsteam Beluga 2017 © 

Composed, Produced, derbouka and sung,  by Rémi laurent  

Drum break arrangement  , mix advices  and much love by  François Blanfuné

The Finger In The Plug

we decide - Dj Mauro ft. paz tchupin (original mix)

THE VIOLET FADE

Today we are premiering the track “Unfortunate” from the absolutely stunning upcoming LP by Evitceles, on Accents records. Evitceles is an emerging artist from Bulgaria. His signature sound is imaginative and melancholic, a romantic vision of contemporary electronic music. He has already released on Seagrave, AMEK Collective, Noorden, Yerevan Tapes and Opal Tapes.

A sensual hauling towards the endless passion. An unfinished dream in a overwhelming atmosphere where limits are playing with the senses. The lines are not clearly drawn and you are free to keep wandering, as the beat enters and the drums rip you off, in a delirium of voices. “Unfortunate” is a flickering candle in an empty room and a psychotropic exploration of your creative mind.

Release date: 21st February, 2019

ACCENTLP002 - Evitceles - Lioncage

Premiere: Evitceles- Unfortunate (Accents records)

Under Ma Bed - (Pop-Electro Song)

Shizuka

This is the full version of the piece 'Afterlife' from my short film 'Story of a Sentry'.
The original piece only contained the first 39 seconds but because so many people asked for it I decided to compose a full length version.
Therefore this piece isn't perfect; that would cost me some extra weeks. But for the sole purpose of listening, as opposed to supporting a project, I hope this version is good enough.
Enjoy :)

Be sure to watch Story of a Sentry first!
http://www.youtube.com/watch?v=4NCERdh_-j4

Story of a Sentry - Afterlife

Overshift - Figment Bizarre (Original Mix) [preview]

Rainy day funeral

Rummelsburg - Lemongras

Glowing Moon

DeeP. and the Couch King EP collectable stickers and zine available on Bandcamp here:
https://musiciselation.bandcamp.com/album/deep-and-the-couch-king

This is the second song that DeeP. and I began together. I really enjoy working on these darker tracks with DeeP. and exploring themes of depression, anxiety, fear, and shame. This song was inspired by a person that I was working with who would call me evil whenever he saw me. Even with me being as positive and non judgmental as possible, I am sure I was seen as another person telling him what to do and making decisions for him based on judgmental criteria. I think these are feelings many of us have had and it can be easy to relate to, though difficult to confront. 

I am grateful that we always have an opportunity to grow, learn, reflect, and evolve as individuals, communities, nations, and as a species. May we all be better to each other. 

Giant thanks to DeeP. for working with me on this track. And huge thanks to Nick for joining me on this first track together. I have long enjoyed and felt inspired by Nick’s creative and experimental guitar work and musicianship. I am super glad to have his vibe on this track!     

DeeP.: Music, Mix, and Mastering
 https://soundcloud.com/detlef-piepke 
♤/ Nick Davies: EBow, Guitar 
https://soundcloud.com/nickrdavies 
Couch King: Lyrics and Vocals 
musiciselation.bandcamp.com

Lyrics:

You’re never gonna make it
You’re dumb and you know it
You’re just a mistake kid
Don’t belong and you show it
Why you even trying
This ain’t meant for you kid
I already know that your lying
We already know that you did it
They know your planning on taking it
And gonna try to deny it
Why even try to fight it 
That’s just the way life is
You’re never gonna change it
You must be deranged if you
Think anything will be different 
If you get outta here shit
You’ll still be the same kid
Just a little punk kid
Look what you done did
When you got mad then you run hid
Don’t ever listen 
To what people are saying kid
Better watch your language 
Always talking trash
Claiming disadvantage 
You and me we clash
Why can’t you manage 
Come off way too brash
I can tell that you’re damaged 
Parents shoulda whooped your ass
Who you think you talking to
Always talking back 
I know all about you ’n
Your side of the track
Don’t question me 
Look at me 
When you hear me speaking 
Think you know everything
Really know nothing
Parent’s got nothing 
Apparent your fronting 
Looking confronting 
That’s why I ain’t trusting 
Homelife disgustin’
Cop frequently busting  
No wonder you like that 
Your really screwed up kid

Disdain disgust despite distrust 
Dismissed deprived derided and cussed
Disparaged, defied, despised when discussed
Detested, depreciated, decried, and hushed

Oh, here comes the demon again
And he’s wearing his crown
Here comes the devil again 
Pretending to be your friend
In an invisible gown

You are so worthless
Won’t amount to anything 
Going through life purposeless 
There’s nothing you bring
Your just an embarrassment 
You show no respect 
Always been a disappointment 
All you touched is wrecked 
Where’s your self-esteem kid
Where’s your sense of pride did
You think can get by with
Living on a free ride shit
Better watch where your going
I can tell you don’t give a damn 
Nor care to understand 
Perspective other than 
The one that your knowing 
Don’t give a shit 
Always so negative
Quick to give up 
Can’t contro ya temper 
About to blow up
I can tell that your stuck 
Ain’t gonna change  
It’s time that you face it
Never act your age
Your impulsive ’n impatient
Look at your rage 
Can’t have a conversation
Should put you in a cage
Before you fuckup again Kid

Disgraced, degraded, deplored, dominated 
Diminish, demeaned, defamed, humiliated 
Discredited, devalued, denounced, subjugated
Denied, debased, detained, incarcerated  

Oh, here comes the devil again
And he’s wearing his crown
Here comes the devil again 
Pretending to be your friend
In an invisible gown

DeeP. and the Couch King

Bandcamp

DeeP., ♤ & the Couch King - You’re Never

Artefact - 19

I am a frozen statue, watching seasons come and go, feeling changes, doing nothing, forever...
Last movement of the rock symphony, where I pay tribute to, and play, my mom's spanish guitar.
Main theme (bass E1-A1...E1-A1-E2...), appears all along the album, and also main themes of other 3 movements sound here as refrains (Vienen y van / Hora tras hora) which are thus sung over 4 different musics ;) E-Ruizzo project is finished, what's to come?... below translated lyrics.

SE NOTA (PRIMAVERA EN EL POLO)  /  ONE CAN FEEL IT (SPRING AT THE POLE)

Se nota… después de seis meses  /  One can feel it… after six months
el sol amanece y se nota…  /  the sun dawns and one can feel it …

En el despertar del zorro ártico,  /  In the awakening of the arctic fox,
en el fluir de los glaciares se nota.  /  in the flow of the glaciers one can feel it.
En el nacimiento de icebergs,  /  At the birth of icebergs,
en los acantilados poblados de aves.  /  on the cliffs populated by birds.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy sitio de paso.  /  I’m a transit point.
Hora tras hora, los meses pasan,  /  Hour after hour, months pass through,
un sitio de paso soy.  /  I’m a transit point.

Se nota… como cada mañana,  /  One can feel it… as every morning,
que la primavera ha llegado al Polo.  /  that spring has come to the Pole.

Se nota…  /  One can feel it…

En la migración del narval,  /  In the migration of narwhal,
en el aliento del viento,  /  in the breath of the wind,
en las nubes que huyen de él, se nota.  /  in the clouds that run away from it, one can feel it.

En el canto de las sirenas,  /  In the singing of mermaids,
en las inflorescencias de hielo,  /  in the inflorescences of ice,
en el paso del noroeste se nota.  /  in the Northwest Passage one can feel it.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy para todos un sitio de paso,  /  I am a transit point for all of them,
(soy) una estatua de hielo (soy),  /  (I am) an ice statue (I am),
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Vienen y van…  /  They come and go…

¡¡¡ La frecuencia diaria del proceso estacional  /  The daily frequency of the seasonal process
me permite hacer estudios estadísticos !!!  /  allows me to do statistical studies !!!
Ja ja ja ja ja ja jaaaa !!!  /  Ha ha ha ha ha ha haaaa !!!

Vienen y van…  /  They come and go…

Hora tras hora, los meses pasan,  /  Hour after hour, months pass through, 
nuevos migrantes, nunca se cansan,  /  new migrants, they never get tired,
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Hora tras hora…  /  Hour after hour…

Se nota…  /  One can feel it…

ER37 PA04 RUIZZO ©1996 ®2020

Now all 44 songs I wrote with mom's guitar in my university years have been arranged and posted, 
after 8 years of E-Ruizzo project, which I'm about to finish. I plan to stay here, commenting as 
usual, and post future and still not scheduled songs from another profile. That's all, no alarm!

Maybe you played this version before? https://soundcloud.com/esemanolain-ruizzo/se-nota-piano-version

Se nota (Primavera en el Polo)

This one goes out to all the lost girls and boys - just make some noise!! Driven, dark, my take on the confusion that is going on.  Watch the (apparently Bond-themed) lyric video here: https://www.youtube.com/watch?v=trj6vRFBVFE

Download the full single (incl. a rad remix by the amazing producer @auralnauts-1) here: she-s-excited.bandcamp.com/album/i-am-a-winner

Stream and download the full EP here: 
https://she-s-excited.bandcamp.com/album/my-own-crazy
https://fanlink.to/MyOwnCrazy

Written, performed, produced, mixed and mastered by Anne Wichmann
Original photo cover art by Oliver Guse

From the EP "My Own Crazy" (release 5/29)
Released on Teknofonic Recordings: teknofonic.com/

Go go go
Then: no no no 
Always: me me me 
Oh fuck you, sweetie

Reality or TV show?
Am I the void or in the zone? 
It’s hard to tell
When everybody yells

Better not talk to me 
I got my own crazy 
Better not talk to me 
I got my own crazy 
Better not talk to me

I need to come back down 
Don’t even think I’m high 
All the lost girls and boys 
Just make some noise
To rise, to rise
It’s paradise
I need to come back down 
Don’t even think I’m high
I never lose my poise
A shaking voice
Surprise, surprise
In paradise
I need to come back down 

Come back down
Come back down

Fun fun fun (Fi-Fa-Fo) 
Or: none none none 
Just: me me me
And fuck you, sweetie

Better not talk to me
Reality or TV show?
Better not talk to me
Am I the void or in the zone? 
Better not talk to me
It’s hard to tell
When everybody yells 
I got my own crazy

I need to come back down 
Don’t even think I’m high 
All the lost girls and boys
Just make some noise
To rise, to rise
It’s paradise
I need to come back down 
Down
I need to come back down 
Come back down
I need to come back

I might as well yell like everyone else yells 
Aaaah!

Just make some noise 
To rise, to rise
It’s paradise
I need to come back down 
Don’t even think I’m high
I never lose my poise
A shaking voice
Surprise, surprise
In paradise
I need to come back down

Come Back Down

"A pilgrimage is a journey, often into an unknown or foreign place, where a person goes in search of new or expanded meaning about the self, others, nature, or a higher good, through the experience. It can lead to a personal transformation, after which the pilgrim returns to their daily life."

the artwork is by the American painter Esao Andrews

Pilgrimage

I always name my wav files a weird name when I'm mixing and then change it later, however this time I thought I'd keep it just as it is!
If any of you want to join me on Instagram, here's my link
https://www.instagram.com/rosesarebluemusic/
Another song/video/ over here https://www.youtube.com/watch?v=1eSzbQ8suNI

Sneaky psycho and all the garden fairies | RosesAreBlue

As per usual, I conducted a jam session that took several hours, during which I experimented with a vast amount of sounds, settings and samples, and recorded the stereo result in Audacity. In a posts-production step within Audacity, I extracted the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

This particular jam session is dedicated to the sometimes longsome and somewhat tedious process of creating (electronic) music. I was inspired by the Youtube video "Music Software & Bad Interface Design: Avid’s Sibelius" by Tantacrul, who took a detailed look at the design of the popular music notation application Sibelius (youtu.be/dKx1wnXClcI). It is a very entertaining video and being a computer scientist and a hobbyist musician, I could very much comprehend and sympathise with his demonstration in particular, and the usage of flawed tools for music production in general. It is this very video that inspired me to create these two tracks in the first place, since Tantacruls chant "Something something - Sibelius crashed" was so rhythmic and captivating; so I ended up using his voice as a couple of samples. Unfortunately, I wasn't able to capture his voice in the right rhythmic way during the jam session, so I added it in post-production. 

Additionally, I used a sample from the Youtube video "Moog Subsequent 37 - jam no.1 in C-minor" by  ollilaboratories (https://youtu.be/bUMwSp86a9c) which I indeed was able to capture in the right way during the jam session, albeit after several attempts.  

One particularly interesting aspect of this track's sound for me is amplitude modulation in conjunction with filter modulation. I fed the output of the Mordax DATA (using the oscillator mode) through one of the inputs of the Make Noise LxD, which is a low-pass gate. Then, I fed the sine output of the Doepfer A-147 into LxD's CV input and wiggled the A-147's frequency knob. This resulted in an interesting interaction with the Arturia MicroBrute's tone. Also, ollilaboratories's amazing playing of the Moog Subsequent 37 (which I high passed in order to not interact too much with the already quite bassy sound and not to let the result become all too muddy) contributed to the peculiar timbre.  

Since I had so much audio material to work with, I decided to split this one into two parts. I hope you'll enjoy this homage to the labrious endeavours through the intricate realm of music making and the multilayered challenges we as aspiring musicians can encounter. Please bear in mind that this track doesn't reflect my ability to create live music on the fly in one go, like many great artists can do. As most of my tracks, this one is free for download. If you use it in one of your projects, let me know what you can come up with and give Mrs. Audio Boy a shout-out!

Beat Thang And Sibelius Crashed, Part II [Jam session sections: RAW2020 - 5]

Enthralltained

Salmor marine rocks big lizards alien meeting point..pitlane...

Salmor

Artist: Altone (@deep-step)
Color: Super Pink
Genre: Dub Techno / Techno

Super Pink

Download on Bandcamp

Altone – Super Pink

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!