As per usual, I conducted a jam session that took several hours, during which I experimented with a vast amount of sounds, settings and samples, and recorded the stereo result in Audacity. In a posts-production step within Audacity, I extracted the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

This particular jam session is dedicated to the sometimes longsome and somewhat tedious process of creating (electronic) music. I was inspired by the Youtube video "Music Software & Bad Interface Design: Avid’s Sibelius" by Tantacrul, who took a detailed look at the design of the popular music notation application Sibelius (youtu.be/dKx1wnXClcI). It is a very entertaining video and being a computer scientist and a hobbyist musician, I could very much comprehend and sympathise with his demonstration in particular, and the usage of flawed tools for music production in general. It is this very video that inspired me to create these two tracks in the first place, since Tantacruls chant "Something something - Sibelius crashed" was so rhythmic and captivating; so I ended up using his voice as a couple of samples. Unfortunately, I wasn't able to capture his voice in the right rhythmic way during the jam session, so I added it in post-production. 

Additionally, I used a sample from the Youtube video "Moog Subsequent 37 - jam no.1 in C-minor" by  ollilaboratories (https://youtu.be/bUMwSp86a9c) which I indeed was able to capture in the right way during the jam session, albeit after several attempts.  

One particularly interesting aspect of this track's sound for me is amplitude modulation in conjunction with filter modulation. I fed the output of the Mordax DATA (using the oscillator mode) through one of the inputs of the Make Noise LxD, which is a low-pass gate. Then, I fed the sine output of the Doepfer A-147 into LxD's CV input and wiggled the A-147's frequency knob. This resulted in an interesting interaction with the Arturia MicroBrute's tone. Also, ollilaboratories's amazing playing of the Moog Subsequent 37 (which I high passed in order to not interact too much with the already quite bassy sound and not to let the result become all too muddy) contributed to the peculiar timbre.  

Since I had so much audio material to work with, I decided to split this one into two parts. I hope you'll enjoy this homage to the labrious endeavours through the intricate realm of music making and the multilayered challenges we as aspiring musicians can encounter. Please bear in mind that this track doesn't reflect my ability to create live music on the fly in one go, like many great artists can do. As most of my tracks, this one is free for download. If you use it in one of your projects, let me know what you can come up with and give Mrs. Audio Boy a shout-out!

Beat Thang And Sibelius Crashed, Part II [Jam session sections: RAW2020 - 5]

Cristian Varela - Magnetophere incl. remixes 12"
https://www.juno.co.uk/products/1078372-01

Samuel L Session, Van Czar, WSM - Krasked 12"
https://www.juno.co.uk/products/935495-01

Robert Armani 30+ Years Remixes Series 2x12"
https://www.juno.co.uk/products/962148-01

Robert Armani - Ambulance Remixes 12"
https://www.juno.co.uk/products/912301-01

Robert Armani - Hit Hard Remixes 12"
https://www.juno.co.uk/products/856375-01

Tim Baker & Cubr1k - Last Dance 12"
https://www.juno.co.uk/products/903100-01

TPMP - Hardester High Frequency 2x12"
https://www.juno.co.uk/products/865923-01

Links to my music: http://wsm.onl
More links, more music: http://amsq.de

DJ sets: Bukowski-live, Heilbronn / KitKatClub, Crack Bellmer, Liquid Sky aka Maze, Berlin / Tanzhaus West, Frankfurt / Villa Nachttanz, Heidelberg, and others

Live sets: Abraxas Augsburg / INM Institut für Neue Medien Frankfurt / Schlachthof Wiesbaden / Waggon Offenbach / Walpodenakademie Mainz and many other venues

Labels: ANALOGmusiq / Electronic Muzik Organization / Generated Samples / Techno Parade Music and some more

I'm in rock, jazz and avantgarde music for more than 40 years. Today, my focus is on electronic music: techno, minimal, detroit, hardtechno, industrial, contemporary and experiments. 

Contact:  nonstop (at) amsq.de

Photo by Sarah Dussa at THW, many thanks

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

Klang aus Energie
Electro-Pop from Germany

https://www.youtube.com/watch?v=5sTSOwFJ_Kc
Proud Member of Project:Music check us out ;)
https://soundcloud.com/projectmusicsounds/sets

I write Music as a passion, for soundtracks,  projects, video games, visual art presentations, and graphic arts :) Send me a message if you are interested in sound-design for a project :)

New material Coming soon. Multi-Genre Soundtrack-Electronic-Acoustic.

Until then. Soundcloud+youtube vvvvvvvvvvvvvvvvv
https://www.youtube.com/user/kydenxud

Gentle the breeze, my friend.
( ͡° ͜ʖ ͡°)
 37.


 Δ  δ  Φ  π  ∇   ∑ Ω  σ  θ    ±  ∴  º  ∞  æ  Æ  ∀  Δ  δ  Φ  π  ∇   ∑ Ω  σ  θ  ☿  ♃  ⚳  ⊕  ☉  ♅  ♆  ⚻  ⚼  ☽☾  ⚴  ⚵  ⚶  ⚕  ⚷  ⚡  ☄  ⚸  ♕  ♔  ⚝  ♾  ⚬  ⚭  ⚮  ⚯  

Mo ghrá
Tá mé i dtiúin

.musician.composer.producer.

ΔΔΔ  ΔΔΔ  ΔΔΔ  ΔΔΔ  ΔΔΔ

Since late 2019 my main project is Sugaar Pan.

You can find Sugaar Pan's full work on all major music platforms (see links). In this profile you can also find some old demos from my previous projects.

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SUGAAR PAN BIO
Sugaar Pan creates a melting pot of Krautrock, Psychedelia, Ambient, Not-Western and traditional music using real instruments and artisan recording techniques.

Delivering concept-oriented albums, Sugaar Pan conjures the potential of music to deliver meaning, to evoke rather than tell

Welcome to the load-bearing wall of sound.

Music: No boundaries / Knows no boundaries. I don’t look anything like my profile photograph; I'm actually slightly shorter and a figment of my own delusions.

I’m also known as the wild man of transcendental meditation.

Mostly Hardcore & other rave genres. Been making electronic Music since 95 after being inspired Sydney dance station New Wave FM, from there I started to experiment with making my own electronic music, collecting records, DJing & going to Raves.
 
My productions now revolve around various hardware synths with Maschine(mkII)Software which I use as a sampler/sequencer. 
 
There is'nt much I haven't heard (genre wise) over the years & generally speaking I like to keep my listening sessions pretty open.