I really like your approach to how you craft these works...

Also die Atmosphere mit den vielen Details im Hinergund sind super gemacht. Wirklich ein einzigartiges Stück. Viele Grüße in den Breisgau von der Ostsee:)

So was hört man nicht oft. Echt mal was anderes, sehr schön.

loving the glitchy mellow ambiance and oriental instrumentation, really detailed and captivating sound

After taking a hiatus I'd like to turn your attention to this latest upload of mine, featuring samples of the oud, a stringed instrument common to the Middle East. Please bear in mind that I didn't play the oud; sadly, I am not such a virtuoso. However, I am getting quite experienced in choosing samples that fit my jam sessions, and using this exotic instrument yielded quite enthralling results in my humble opinion.

In this particular session I was experimenting with G minor, which took me outside of my usual comfort zone of C minor. As so often the case, I used a combination of Eurorack modules, the Arturia MircroBrute, and some pre-prepared drum and drone pad samples. These sounds were looped on the Boss RC-300 loop station. 

After setting up the sound frame using Eurorack and the Arturia MicroBrute, I played back a couple of Youtube videos together with my sounds; something that I have been practicing for a quite a while now. At the end I settled for following two videos:
- G minor oud Improvisation (https://youtu.be/vIBjXLFv1vE)
- Emotional Gm (G minor) CHORD - Ambient Backing Track #13 (https://youtu.be/PLqvVSGuRlI)

The jam session was recorded in Audacity. In post-production I used the best parts from the jam session to create this track. As I already expected, I had some trouble with playing back the oud sounds in such a manner that they fit the track and especially its tempo. So I had to heavily edit these samples in post production and put them back together with my sounds in order for them to sound as desired. While doing so, I also employed some reverb, high pass filters and a limiter within Audacity, albeit very sparingly. Other than that, no elaborate effects or mastering techniques were used, you basically listening to a short and condensed version of the jam session.

As always, the result is highly dynamic, so headphones are recommended. Also, please turn up that volume knob because Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Oud Dub [Jam session sections: RAW2022 - 2]

Go Break A Leg

This is a song I threw together on the bass and keys, and my friend Tez put down the guitar. I really like the result. He's a very talented musician, who knows how to add dynamic energy to any song. Originally, I conceived this as a funk tune, but it got less funky and more straightforward as I worked it. Hope you enjoy our efforts. 

Take it Out (with Llanpsych)

A remix of the fantastic https://soundcloud.com/sven-noon/gryy, aiming I suppose to 'reveal' it more

A video... https://www.instagram.com/p/CkEWvppgGgl/

Sven Noon - Gryy (muterial gleam remix)

Derelict

In the manner of moonlight

After a trip through the Mediterranean with the paramour of my life years ago... these lyrics emerged as an expression of gratitude and love. Yesterday those lyrics found home in this new original composition.

Forever thinking about you and the family we've made baby.

Thinkin' About You [Instrumental]

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

Another track inspired by "The Wake", a post apocalyptic novel by Paul Kingsnorth.

Buccmaster and his friends visit a village untouched by the Norman invasion. They participate in a village celebration, which Buccmaster looks back on as the very last joyful day. Even so, everyone there fears for the future.

I used my Flamenco guitar again... but economically, my early versions were too Iberian!

the last daeg we was yonge

Skippin' - Jamie Rhind

otherworldly

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

Oud Dub [Jam session sections: RAW2022 - 2]

Mrs. Audio Boy

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