Also die Atmosphere mit den vielen Details im Hinergund sind super gemacht. Wirklich ein einzigartiges Stück. Viele Grüße in den Breisgau von der Ostsee:)

So was hört man nicht oft. Echt mal was anderes, sehr schön.

loving the glitchy mellow ambiance and oriental instrumentation, really detailed and captivating sound

your artwork is perfect and your music is more perfecter, such a deep and awesome work

First Stop In Progress

After taking a hiatus I'd like to turn your attention to this latest upload of mine, featuring samples of the oud, a stringed instrument common to the Middle East. Please bear in mind that I didn't play the oud; sadly, I am not such a virtuoso. However, I am getting quite experienced in choosing samples that fit my jam sessions, and using this exotic instrument yielded quite enthralling results in my humble opinion.

In this particular session I was experimenting with G minor, which took me outside of my usual comfort zone of C minor. As so often the case, I used a combination of Eurorack modules, the Arturia MircroBrute, and some pre-prepared drum and drone pad samples. These sounds were looped on the Boss RC-300 loop station. 

After setting up the sound frame using Eurorack and the Arturia MicroBrute, I played back a couple of Youtube videos together with my sounds; something that I have been practicing for a quite a while now. At the end I settled for following two videos:
- G minor oud Improvisation (https://youtu.be/vIBjXLFv1vE)
- Emotional Gm (G minor) CHORD - Ambient Backing Track #13 (https://youtu.be/PLqvVSGuRlI)

The jam session was recorded in Audacity. In post-production I used the best parts from the jam session to create this track. As I already expected, I had some trouble with playing back the oud sounds in such a manner that they fit the track and especially its tempo. So I had to heavily edit these samples in post production and put them back together with my sounds in order for them to sound as desired. While doing so, I also employed some reverb, high pass filters and a limiter within Audacity, albeit very sparingly. Other than that, no elaborate effects or mastering techniques were used, you basically listening to a short and condensed version of the jam session.

As always, the result is highly dynamic, so headphones are recommended. Also, please turn up that volume knob because Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Oud Dub [Jam session sections: RAW2022 - 2]

The Manitoban - Part 1

Bioluminescence Pond

Sounds drifting and dancing through waves of dense air

My Sleeping Lover, How Would You Have Me Wake You?

This is a song that originated with Eddy, who sent it to Tez and me to spice up. His original stems were guitar and organ. Tez added the riddim and a rhythm guitar track, as well as produced and mixed the whole thing. To that, I added the bass and some electric piano. I really enjoy working with nutty if these guys a lot! They both have such a great sense of authentic dub. I always really enjoy listening to what we come up with together. I hope you do, too.

5ynt Dub (with eddyoffline and Llanpsych)

What's a rock in a hard place when mountains are moving it?
Still a rock.

A downtempo experimental track from Scratch Kelly's Lost And Found Album, released June 2023.

Lost And Found

A Rock And A Hard Place

Unlikely

Unlikely Story

A collection of glitchy Ambient/Electronica experiments 

Memory Lane

DANGEROUS. (sped up)

GaanzRuichAngehn

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

Oud Dub [Jam session sections: RAW2022 - 2]

Mrs. Audio Boy

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