Little ode to nights out with music to dance to that we are all missing!!
Got a new bass guitar so thought I might give it center stage and have been playing with a new Amp Sim from Neural DSP. So just some little blasts of fun 😃

Short Sharp Shots

many thanks for the additional material by katarina horn

Pantoclast Consorti Prove Sinestesia (DCOMPOSED) Remixed By R.S.Stropharia (Collab with DComposeuR)

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar. Tenor Saxophone solo, Fender Rhodes Electric Piano. Gibson L5 Electric Guitar Rhythm. Fender Electric Bass regular, Fender  bass Flanging. Synthesizer Bass Roland 880. Marimba Rhythm. String Section, 1st & 2nd Violins, Viola, Cello. Trap Drum set. Percussion Ago go Bells, Tambourine.

Groove Move

Midnight Stroll

“Did you say there’s a way
a way to make some sense of this?
could it be we will see
something at the end of this?

I’m up here, I’m down there
I’m out here, I’m in there
everywhere, I’m everywhere
I’m everywhere and yet nowhere

look beyond, look within
trust imagination now
now is the time, now is the time
to trust imagination now”

Always Without Knowing

Påskdagen

As somebody who is fascinated by auditory illusions, I have been toying with the Shepard Tone for a long time. As a bit of acoustic delicacy I included the Shepard–Risset glissando in this jam session by simply playing it back during a pivotal section; you can hear it starting at approximately 1:20. In fact, I could manage to make things right only after the third or fourth attempt, so either I am getting better at jamming or I simply got lucky because you really can't do much wrong due to the inherent nature of the Shepard Tone: you can stop it at any point and basically get the same result.

Also, this is a bit a homage to Nine Inch Nails as I've been trying to emulate that simple and steady but extremely hypnotic beat from Closer in the second half of this track.

As so often  the case, this track resulted from a jam session which was so extensive, that I split it into a total of three tracks, and here is the second one. Here, I was not so much relying on the Eurorack modules Radio Music and Turing Machine, as I did concentrate on the Korg R3 for the lead melody and percussive elements. Eurorack modules used in the first track, the Beatkangz Beat Thang and the Boss RC-300 are supporting the R3 and contributung to the whole sound structure, which is more four-to-the-floor as with the first track. I used a vast amount of sounds, settings and samples and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Roger (Second Transmission) [Jam session sections: RAW2021 - 4]

I-la-rI (Ilari I. Rantala) - Composed, all instruments, vocals, lyrics, field recordings & drum machine programming.
Artwork and produced by I-la-rI.

© 2021 Ilari I. Rantala. All rights reserved.

It Will End... (Part III) - Beyond the In-between

https://northfieldlenox898138798.wordpress.com/

Music to listen to while wandering through an airport; they seem to have a unique atmosphere, perhaps contributed to by the equalization of all people into 'travelers'. Unique also in cases where you may frequent a specific hub over a period of time, perhaps a lounge inside it, maybe even those who work there, that space can become a familiar and comfortable atmosphere within a city you may never step foot in.

Flight NL667

And following on... https://soundcloud.com/ollora/fools-end

The Fool

In response to @two-weeks with gratitude for initiating this crazy cool genre event.

Best to turn off the lights, if you dare, happy listening 🙌

Terrifying the following with a cold creepy hand: @auelmusic, @aear0n

Seance

Séance

omega

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!