Fragments of a dream

Forgotten: 
Well it seems we've been forgotten
In this distant place
Floating on a dead drift
Nowhere to keep us safe
Somebody's got to call the captain
Tell him we're in trouble and we need to call home
and we can tell them where the soul lives
but only for a price
Sometimes tucked behind the shadows 
Hiding from the light
But if we pierce it with the purest sound
We can share the stories on the way down

The wind was barely blowing, but I couldn't hear the voice
Like silent film with color at the fringe
We were so close to touching bottom 
They waved with crooked smiles
They threw the rope too short to pull us in

Forgotten

As somebody who is fascinated by auditory illusions, I have been toying with the Shepard Tone for a long time. As a bit of acoustic delicacy I included the Shepard–Risset glissando in this jam session by simply playing it back during a pivotal section; you can hear it starting at approximately 1:20. In fact, I could manage to make things right only after the third or fourth attempt, so either I am getting better at jamming or I simply got lucky because you really can't do much wrong due to the inherent nature of the Shepard Tone: you can stop it at any point and basically get the same result.

Also, this is a bit a homage to Nine Inch Nails as I've been trying to emulate that simple and steady but extremely hypnotic beat from Closer in the second half of this track.

As so often  the case, this track resulted from a jam session which was so extensive, that I split it into a total of three tracks, and here is the second one. Here, I was not so much relying on the Eurorack modules Radio Music and Turing Machine, as I did concentrate on the Korg R3 for the lead melody and percussive elements. Eurorack modules used in the first track, the Beatkangz Beat Thang and the Boss RC-300 are supporting the R3 and contributung to the whole sound structure, which is more four-to-the-floor as with the first track. I used a vast amount of sounds, settings and samples and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Roger (Second Transmission) [Jam session sections: RAW2021 - 4]

Song about reacting to nagging!

Reviewed at 7.3 on Reverbnation.com by Crowd Pick Reviews
just short of the 7.5 to make the home page!

See It In Your Smile

Production: RiZLiX https://soundcloud.com/rizlix
Lyrics/Vocals: Mizero
2021
It was my pleasure to work with RiZLiX! 
Video: https://youtu.be/gdejsd9yJtg?si=MEyoKbnIHpdtVBUh  
Lyrics:
i used to be a whore
for the sound
it would spin me round
and round
the bass is what i'd die for
and then the beat
i listen so much,
can't eat or sleep
now i am a queen
for the stereo machine
and the speaker
speaks to me
much deeper

all i do is hear and feel anymore
i'm way down to the core
to miss it makes me sore
im down to the core

and the speaker
speaks to me
much deeper
and the speaker
speaks to me
much deeper..
i'm down to the core...

RiZLiX Ft. Mizero - Down To The Core

RiZLiX Ft. Mizero - Down To The Core (VIDEO in description)

Ambient flow with beats and bass to free your thoughts. 
Continue to stay safe. 😷

Cabin Fever

no one left behind  ( 30 Grad & triebwerk produktion )

Step into a moonlit river of sound. Session XIX — Lanterns Over the Water drifts through the heart of Japan’s shrine and lantern traditions, weaving non‐lexical shrine chorus hums, shakuhachi sighs, koto glissandi, and taiko heartbeat pulses into a deep, meditative lounge journey.
Inspired by Kyoto’s Gion nights, coastal lantern festivals, and the still elegance of Shinto shrine waters, this session captures a ritual calm where fireflies, incense smoke, and floating lights move as one.

▸ REGION: Japan — Shinto shrine ambience, lantern festivals, Gion street nights
▸ VOCALS: nonverbal shrine chants, breath vowels (“aaa–ooo–eee”), whispered blessings (“mizu,” “tsuki,” “kokoro”)
▸ INSTRUMENTS: shakuhachi, koto, taiko, suzu bells, temple woodblock, night cicadas, water ripple field recordings
▸ MOOD: moonlit stillness • ritual elegance • drifting light on water

🎧 For meditative evenings, incense-lit moments, or midnight walks by water.

#LanternsOverTheWater #JapaneseChill #ShintoAmbient #BuddhaBarVibes #DowntempoBeats #WorldFusion #ZenChill #AmbientLounge #RitualMusic #GlobalLounge #TaikoBeats #KotoMusic #ShakuhachiFlute #LanternFestival #Ætherflux #ChilloutMusic #OpiumLounge #SlowBPM

Tsuki

Arislei Bone - T. Gowdy X Home -Ballaké Sissoko, Lorenzo Bianchi Hoesch, and Émile Parisien

Arislei Bone X Home

I was inspired by Liisa Pentti’s recording of “Black Is the Color” to do a remix of her interpretation of a traditional folk song.  I was so impressed with her performance and her beautiful voice, so I roughed out an initial version and sent it over to her.  She offered me her original recorded tracks, which enabled me to produce this posted version.  I am very thankful to Liisa for allowing me to do the remix and post it for your enjoyment.  Please visit her SoundCloud site @liisapentti and listen and comment on all of her amazing songs.

- Vocal by: Liisa Pentti, @liisapentti
- Liisa's original version: @liisapentti/black-is-the-color
- Original folk version performed and written by John Jacob Niles, @johnjacobniles/black-is-the-color-of-my-2
- Remix arranged and produced by: Robin Benjamins
- Photograph: "Rue des Mages” by Robin Benjamins

Key: G minor
Time signature: 4/4
BPM: 106.75

Instruments:
- Arturia KeyLab 88

DAW:
- Mac Pro 12 Core, macOS 10.15.4 (Catalina)
- Apple Logic Pro X 10.5.1
- Plug-ins: Logic Stock, Ez Drummer
- Focusrite Saffire Pro 40
- Mackie Control Universal

Liisa Pentti - Black Is the Color (B•F•S mix)

A dramatic, fast-paced action retro game soundtrack. This one can work as a seamless loop at multiple points.
More information about this track on my website: music.vl.ax/raiders

Raiders

Credits to Andrew5DMII, freesound.org for ice crackling sound

Frozen

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!