As somebody who is fascinated by auditory illusions, I have been toying with the Shepard Tone for a long time. As a bit of acoustic delicacy I included the Shepard–Risset glissando in this jam session by simply playing it back during a pivotal section; you can hear it starting at approximately 1:20. In fact, I could manage to make things right only after the third or fourth attempt, so either I am getting better at jamming or I simply got lucky because you really can't do much wrong due to the inherent nature of the Shepard Tone: you can stop it at any point and basically get the same result.

Also, this is a bit a homage to Nine Inch Nails as I've been trying to emulate that simple and steady but extremely hypnotic beat from Closer in the second half of this track.

As so often  the case, this track resulted from a jam session which was so extensive, that I split it into a total of three tracks, and here is the second one. Here, I was not so much relying on the Eurorack modules Radio Music and Turing Machine, as I did concentrate on the Korg R3 for the lead melody and percussive elements. Eurorack modules used in the first track, the Beatkangz Beat Thang and the Boss RC-300 are supporting the R3 and contributung to the whole sound structure, which is more four-to-the-floor as with the first track. I used a vast amount of sounds, settings and samples and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Roger (Second Transmission) [Jam session sections: RAW2021 - 4]

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

Please support me also on Spotify. Love to spread music and also explore.
If anybody is open to sing on one of my tracks like lost city, please contact me.
Kind Regards Black Lupus and thank you for listening and giving me feedback.

Ben Ruhl is a musician and recording artist. After 13 years drumming with Blue Man Group, he now records music from his home studio, enjoys collaborating with other artists, and is a member of the band The Orbit Place.

Electronic music artist since the mid-'80s.
I create tracks of different genres and moods.

Thanks to all musicians and music lovers
on soundcloud who support me with likes,
comments and reposts. That motivates me
to record new tracks.

On SoundCloud since December 2017
© All rights reserved

dj/producer, 

YART Club & Bar , Stuttgart //// 



musician field recorder & labelowner at rogalist records 

@schneiderstube 
@rogalist-records 

#downtempo #deephouse #organichouse #acidtechno #ambient #experimental #world #triphop #pychedelic #afterhour #warmup #party #chill #dance

rolandbrownbrown@yahoo.com. Musician with skills that do recordings contribute visions toward music. I use my phone to record for now hoping someday  to reach major audience. if not it's music until I die famous or not. #milkillbill. https://www.instagram.com/p/CVEVk3vgFD4/?utm_medium=copy_link.     

https://m.tiktok.com/v/7019451564955880709.html?u_code=dl0f8k4j12jkfg&preview_pb=0&language=en&_d=dl0f8k14le01a8&share_item_id=7019451564955880709&source=h5_m&timestamp=1634426860&user_id=7013317207794926597&sec_user_id=MS4wLjABAAAAe_MW305PZfaNcXmfMG5l0VTIyUlmRpunhVuJJ_jVjfb_PWJse4Zfvpec21yS3SbM&utm_source=copy&utm_campaign=client_share&utm_medium=android&share_iid=7013317421181454086&share_link_id=6a00eec1-07cc-49a8-af08-8980d419f2a7&share_app_id=1233

Musicien depuis l’âge de 13 ans, je n’ai jamais cessé d’être amoureux de la musique.
J’ai participé à un concours international francophone dans les années 80.
Par la suite, j’ai créé le groupe Top-Sonart qui a été en nomination deux fois à l’Adisq,et qui a pris fin en 1987.
J’ai ensuite écrit plusieurs chansons et musiques qui n’ont jamais joué nulle part. C’est pourquoi je les partage maintenant avec la planète par Soundcloud.
Bonne écoute!

Musician since the age of 13, I have never stopped being passionate about music.
I participated in an international Francophone competition in the 80s.
Subsequently, I created the band Top-Sonart who was nominated two times at l’Adisq and which ended in 1987.
I then wrote several songs and music pieces that never played anywhere. That's why I now share them with the planet through Soundcloud.
Enjoy.