The Unexpected Hours EP associates the works of AES Dana (Vincent Villuis) and MIKTEK (Mihalis Aikaterinis), the third chapter in a series of three. 

Dedicated to these time-lapse moments, when the Big Clock suddenly seems to stop, when we are entirely free of any burden, enjoying only the current flow and the simple pleasure, in a timeless and undefined cocoon. 

These 4 new & closing tracks continue to paint sturdy contrasts, conflicting and paradoxical emotions through grainy and liquid Drum works, magnetic soundscapes, blurry interferences and rushed audio switches. Welcome to the final intersections. 

The Unexpected Hours

Far & Off

Derived from the Latin “Ultimae Terrae,” meaning “the furthest places,” the name Ultimae reflects a profound theme of exploration. This concept is at the heart of Ultimae Records, an ambient music record label and publisher dedicated to transporting listeners to the outer edges of experience through sound and offering a space for introspection and discovery within the vastness of the mind and beyond.

In 1999, Vincent Villuis and Sandrine Gryson, also known as AES Dana and Mahiane, united over a shared passion for the immersive world of electronic music. This collaboration led to the birth of the label. Initially envisioned as a musical portal, Ultimae’s mission was to explore and disseminate the diverse expressions of Ambient music far and wide through the production of records and the establishment of an online shop.

Over the years, Ultimae has expanded beyond its original scope, evolving into a multifaceted company with sound design, post-production, and mastering studios based in Lyon, France, along with professional services in publishing, music licensing, and synchronization.

Based in California's Inland Empire, Nctrnm (Matthew McGilvery) creates instrumental electronic music and new media art, exploring the intersections of sound, visuals, movement, and text. His practice is distinguished by a mobile-centric production methodology, leveraging accessible technology for creative innovation and crafting immersive experiences.
Nctrnm constructs detailed sonic environments weaving analog-inspired textures with minimalist grooves and integrated field recordings. 

Drawing influence from downtempo, electronica, shoegaze, and ambient techno, his work prioritizes atmosphere, intentionality, and emotional resonance. This distinct approach is informed by his background in Decision Science (CSU Fullerton), employing principles of design thinking and behavioral strategy to shape evocative soundscapes.
His evolving discography includes foundational releases EQUINOX (2018), TRACES (2019), and NOVA (2021). These works paved the way for the textured explorations of his EPs FLUX (2023) and GEMINI (2024). Nctrnm's forthcoming fourth album, PXL, scheduled for release in late summer 2025, promises a deeper dive into themes of transition, loss, and identity.

Beyond music production, Nctrnm's multidisciplinary portfolio includes generative video, motion graphics, and interactive installations, often shared via Instagram (@nctrnm) and showcased at site-specific events. His live performances synthesize VJing, choreography, and narrative components into cohesive multisensory experiences. McGilvery further contextualizes his projects through critical writing and artist discussions shared via his personal blog and online Q&As.

Nctrnm invites listeners and viewers into reflective spaces, exploring the nuances of human experience through interconnected media. Thank you for your support here on SoundCloud.