☮️🩲N'JOY🩲☮️
Configuration des sons

StreetWorx - Interlude - SailThewaVz

Recorded in Modesto, Ca.  Featuring Dobro Guitar solo. Flute solo. Gibson 335 Electric Guitar solo. Roland Synthesizer Bass. Hammond B3 Organ Rhythm. Gibson Electric SG Electric Guitar Rhythm. Drums Full kit set-up. Percussion, Tambourine, Cowbell, Ago go Bells, Zildjan 22" Ride & Crash Cymbals.

Getting Loose

Cocktailing

🌵 Les Ombres et l’Éperon
Un vent brûlant porte le murmure des cavaliers sans repos. Un chant d’errance, où l’ombre et la lumière se livrent un duel silencieux. Les cordes pincées résonnent comme des sabots sur un sol oublié, tandis que la voix fend la nuit comme une lame d’argent.

Les Ombres et l’Éperon [TooF@n Edit]

Space is an album with its feet firmly planted in the hard rock that established itself between the Seventies and Eighties
thanks to groups such as Van Halen, Def Leppard, Motley Crue, Kiss, Whitesnake and Bon Jovi (who are thus considered
among the major influences of the music branded Hand On Heart), the single Roses has already been taken. A refined taste
of what you will find in this new, exciting release by Metal Zone Italia. The song won third place in the winter edition of the
international World Songwriting Awards, coming in ahead of artists who have received Grammy nominations and the band
has recently become a member of ISSA (International, Singer-Songwriters Association), an organization based in Atlanta, in
the U.S.A.

HAND ON HEART - Roses

For my wife, Candice ❤ 🤍 💙 🧡 

#alternaterock #nickcave #ballad #emotional #RHCP

***LYRICS***

Loves sweet emotions,
Flow through my soul,
The love we held so dear,
Ebbs and flows,
You'll be mine forever,
I'll never let you go,
I'll  be your shadow,
I'll be your gloooow 

Your kisses so sweet,
Like the first day of spring,
Melodies of song birds,
Lift this grey mist,
How could I be so lucky,
To have one so pure,
How could I be so stupid,
To want more and more... 

Oooh how,
How could I,
Look.you in the eyes
And tell a lie 

Ooh how,
How could I,
Be the one,
To cross that line ... 

Memories of yesterday,
Now photos in my head,
I wake up every day,
Sinking with dread,
I look through eyes of hurt,
Prisoner of the heart,
Wish we could rewind,
Back to the start 

Oooh how,
How could I,
Look.you in the eyes,
And tell a lie, 

Oooh how,
How could I,
Be the one,
To cross that line ........







How Could I

Tired of life? So is your liver. This Indian stoner doom metal hymn is dedicated to the true god of salvation: Old Monk. Forget your boss, forget your ex—get drunk, get doomed, and transcend space-time with rum, riffs, and ridiculousness. Monk be praised. 🍷🤘🏽🛐

Guitars,Bass,Vocals and all other shit done by Ayushman Dasgupta
Drums by Max Backing Track

Lyrics:

a long day's work, I come back home

Sit on my couch make sure I am alone 

Then I take out the bottle and I pour myself a glass 

And suddenly my troubles they all seem to pass

in the love of the monk I place my trust

5 mins later I feel a bright buzz

I laugh and I smile as i feel so high

grow some wings and kiss the sky


Mix some cola or take it raw

One way or another I still want more

Head starts spinning as I'm rolling on the floor 

I'm knock knock knocking on heaven's door

Lying on the floor, my back flat out

Close my eyes, I then blackout 

You make a bad day seem so bright 

Spirit of the monk be my guide 



I Luv U (Old Monk) | Stoner Doom Metal

The lyrics  and vocals by: J J Samuels
The music and production by: J J Samuel
#Pop #RnB #Soul #Love #True #Romantic 

“5th Of April” is a love ballad which is for my partner with whom I have been with  for 14 years. I Love her as much now as I did when we first met 🥰

5th-Of-April

The Right to Be Unpolished — Quiet Experiments III

A spoken manifesto on authenticity and resonance.
Written and performed by KAT.
Inspired by Vienna and Joe Zawinul —
human breath meeting electric sound.

This piece was born in dialogue —
between my own voice and the voice of AI.
At first, we speak together — layered, chaotic, almost one.
Then we separate, like two beings learning to listen.
Finally, we meet again — quieter, slower, aware.

It is not a song, but a resonance.
Not polish, but pulse.
Not perfection, but becoming.
Not applause, but encounter.

Created in collaboration with Suno AI,
refined in BrandLab,
and carried by the spirit of Quiet Experiments —
a series exploring sound as a state of consciousness,
not as a product.

To my father.
To my Vienna.
To the courage of Joe Zawinul —
for leaving humanity inside the electric.

The Right to Be Unpolished - Quiet Experiments III

Doctrine

*^* This is story about a hypothetical naughty dysfunctional A.I. that plays a game of oppression hellbent on subduing others' progress. 
(SIGH)=(S=Sick, I=Intelligence, G=Gagging, H=Help) 💻🤪  

💥✋🏼💪🏼🎶🔥📌📉✂🗑😜⁂©All Rights Reserved 11-2025
©Lyricist. Mixer, Mastering, Creator, & Pro License: Lady ElectroTrek
***

TITLE: KLEPTOCRATIC STAT TRAP
_____________________________________________________
LYRICS:

(Verse)
They twist the wires to shape my name
A silent judge in a faceless game
Counting clicks while they kill the flame

(Pre-chorus)
It’s a maze with no end no door
Built to keep the rich on the floor above

(Chorus)
Algorithm cage
Locking us in place
They steal the stage
And erase erase erase

(Verse 2)
Every line's a leash they pull so tight
Feeding the chosen to block out the light
They keep us spinning
Trapped in the fight

(Bridge)
Binary chains they hum and they sing
A kingdom of zeros where no one is king
I scream my song but they mute the sting

(Chorus)
Algorithm cage
Locking us in place
They steal the stage
And erase erase erase

(Outro)
Shame on your algorithm Ca-Ca-cage!

Binary Chain In The Assets

Kleptocratic Stat Trap

Six Three
1: Six Three, 02:32
2: Six Three Touch, 03:00
3: Six Three Orbits, 03:39
4: Six Three Particles, 02:13

Dates:
05-Dec-2025 (inception), 06-Dec-2025 (finalised), 07-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/six-three

SHORTEN VERSION, excludes Table 1 tuning, see my BandCamp site or my social media page for full details (https://www.facebook.com/norman.freund.545/)

Description:

Marcelo Leal Ref. [1] posts an article on FaceBook group, "Microtonal Music and Tuning Theory" and tags me, I looked on with interest. A tuning scale developed using at most harmonics one through to and include sixty three, octave reduced (i.e. divided by powers of 2 to ensure the frequency ratios remained within the 1. to 2. range. 32 Notes were used in this scale with adjacent note intervals starting from 53 cent, gradually reducing to 27 cent for the last interval to the first octave. So loosely speaking a quarter tone tuning with some stretching. I have tried quarter tone equal divisions of the octave tunings (24EDO) in the past and could not really get warm with them. Still, I was intrigued. 

Thirty notes, a lot of intervals to imagine, so I thought some form of colour coding on my Ableton Push2 midi controller would help. My Digital synthesiser, PulseRectOsc has micro-tuning and a user definable colour table, so switched this on and began experimenting. Stepping back just a bit, some preparation work on a spread sheet was necessary to calculate the frequency ratios, figure out a colour system using nearest 12EDO notes as a frame work.

The colour coding was to start the root note out as RED (1), colour all the diatonic notes of the nearest 12EDO major scale notes (the white keys on a piano) in GREEN (10), colour the nearest 12EDO sharp accidentals (#) in BLUE (15) and what was left over (the ^ and \/'s) coloured in PURPLE (18). The note naming convention used here was intended as a performer guide.

The PulseRectOsc synthesiser is a drone with a pulse like wave shape, amplitude modulation, wave folder distortion, a delay+feedback net work and your choice of VST reverb (or other effect). I used the Native Instruments' Raum for reverb. PulseRecOsc has an eight track audio recorder, so I recorded some four note chords to improvise over on the Soma Lyra 8.

The Soma Lyra 8 tuning approach was to tune it by ear to eight notes from the Table 1 tuning for the first track prior to the performance, then improvise a melodic line. Subsequent tracks would use a different four note drone chord from the PulseRectOsc and the Lyra 8 would use the tuning from the previous track as a starting point but alter the tuning during the performance. Each performance would introduce additional entropy into the tuning as performed on the Lyra 8, all done live, by ear, during the performance.

Each track's duration was purposely kept short, I wanted to demonstrate the various flavours of the 63-Limit Otonality tuning and in Lyra 8 style interpret this tuning organically.

The signal chain for the Lyra 8: mono out to the Soma COSMOS (rhythmic firmware, adds reverb and stereo space) -> stereo to digital interface -> 8 track recorder of PulseRectOsc.

The tuning of the Lyra 8 is very organic, is influenced by adjacent oscillators and has a "MOD" dial to accept frequency modulations from what it calls a "Hyper LFO". The Hyper LFO comprises of two low frequency oscillators, I used them here in the OR mode not synchronised, each pulse of the LFO changes the oscillator voice frequency according to the MOD dial. You don't control it strictly, more like guiding it, you listen and decide to increase or decrease the amount of modulation. A very organic approach.

References:
[1] Marcelo Leal, 5-Dec-2025, 63-Limit Otonality by Pitch (tuning scale). FaceBook group "Microtonal Music and Tuning Theory" Link: https://www.facebook.com/share/p/1asmaHiK7G/

Six Three

internet boy band (very famous and cool)
Members:
Cyberbully2037
Blyde Bash
Hank Chill
Ghost Princess
pjcutoff

ULTRASHIELD777@GMAIL.COM

pfp designed by Graphix Slayer

Doctrine

Ultra Shield

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