CONNECT WITH ME: Instagram.com/Andy.Pate

Andy Pate (also known by the alias RioTGeaR) is the host of Ultra Music Festival's "UMF Radio".

You know Dirtybird for dropping basslines and creating smiles on the dance floor since January 2005.

The fun family vibe of the Dirtybird label can be traced back to a free event started in Golden Gate Park, San Francisco. This new kind of house music went against the smooth vocal house that was popular at the time and derived its influences mostly from hip-hop, drum n bass, and American funk. The free outdoor BBQ party was very rough around the edges but eventually became legendary amongst the people of San Francisco. This event was also a very influential factor in the decision by Claude VonStroke to start the record label in 2005.

Today, Dirtybird has offices in San Francisco and Los Angeles and has expanded into events and tour production. As it grows, the brand continues to expand beyond music into merchandise, licensing and artist management. In 2015, Dirtybird launched the inaugural Dirtybird Campout festival, which has been dubbed “Summer Camp For Adults”, and Dirtybird has been recognized from their achievements by being awarded "Underground Label of the Year" at the International Dance Music Awards, “Label of the Decade” by Mixmag, “Best North American Label” by DJ Mag, and Billboard’s "Top 5 Independent Dance Labels".

Claude VonStroke spent over 20 years shaping underground dance music and building a community. After selling the Dirtybird brand and taking a 2 year hiatus, he’s back with a new mindset - playing only where he wants, for those who love the originality of his unique style.

His new "Life of Leisure" rebrand is not a status flex; it’s a vacation on the dance-floor.The ravers are the heroes; Claude is just the guide. Leave your villains at the door—fear, anxiety, and stress have no place in
VonStroke’s vibe. Only music, movement, and energy matter. Every show is intentional, every moment sacred.

Claude VonStroke is finally doing more of what he loves and dumping all that stuff that sucks. Shedding his stressed-out, overachiever role for a more reflective and grateful approach. "Life of Leisure" is a victory lap, but we all know it’s not so easy to forget reality. Join him, even if it’s just for a few hours in the club on a Saturday night.

BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: polina@jackmode.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…

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Presented by ULTRA Worldwide & hosted by RioTGeaR - UMF Radio brings the Ultra Music Festival experience to your radio every single week. No genre restrictions...just pioneering performances from the world's most in demand DJ's and producers recorded live from ULTRA festivals around the globe as well as in the studio.

Find episodes of UMF Radio on demand on our Mixcloud.

booking agent:  melissa@armige.com
contact Jess direct:  jphlip@gmail.com

After 25 years behind the decks, J.Phlip still hasn't figured out how to crush the art of pretending she's doing something when she's not-so she just keeps busy actually mixing. She has built her rep on fearless, genre-melting sets packed with bass, acid, punk-electro, bootytech-whatever she damn well pleases. She flips the script-and sometimes the bird-as easily as she flips from 4/4 kicks to breakbeats, taking you on a sonic joyride with zero regard for speed limits. A founding Dirtybird original since 2006, J.Phlip didn't just help shape the label's sound-she nurtured its ride-or-die community, fiercely protecting its scrappy, open-hearted ethos. From the legendary SF Golden Gate BBQs to building Dirtybird Campout from the dirt up, she's been central to one of dance music's boldest and most beloved collectives. She's lit up everything from Movement Detroit to EDC, Fabric London to Space Ibiza, Coachella to your grandma's basement.

But screw the industry name game - sometimes Jess just wants to jump rope like it's middle school. She'll show up with ropes at festivals and kick off a Double Dutch session open to anyone. Her favorite spot is the Friendship cruise where shes backed by her East Bay ride-or-dies, the Twerkaholicz. Their booty-powered madness nearly broke Dirtybird Campout as they rolled in on a gold-plated "Twerkulator" bus, after J.
Phlip herself brought them into the flock in 2019. At Outside Lands, they co-created a show so far outside the box of today's "Dance Music / DJ culture" it shoved it off the rails - colliding fast-BPM beats, ass-jiggling acrobatics, and pure absurdity into a crowd-screaming blowout. Treefort in Boise got it! - the dancefloor snapped into two hours of unfiltered mosh-raving. Jess isn't here for your sunny-day vibes or safe dance moves. After far too many lost years-dragging herself through pandemic fallout-she's back to start some shit.

i think music is pretty neato...
bookings: 
US/Worldwide: andrew@liaisonartists.com


No one knows how to push the boundaries of House music quite like Mz Worthy. With a deeply intuitive understanding of production, she’s shown reverence to the traditional form of classic House even while tripping off the mark & sinking into euphoric, less-charted territories of booty-clapping bass. Attaching “Mz” to her name, Mz Worthy marks the new era of her career. With a new relationship to DJing, she connects with her music and her audience like never before. 

Despite over two decades in the scene, she continuously felt disconnected from the world and her fans. After years of repressing feelings of gender dysphoria, Mz Worthy came out as transgender in 2020. Describing the discovery as pieces of a puzzle coming together, Mz Worthy has invited her fans to join her on her journey in finding herself. Feeling a sense of freedom like never before, she has become more expressive in her music and mixing. 

Mz Worthy is no stranger to the world of electronic music. Energized by the early American rave scene, she bounced from city to city before finally landing in San Francisco. It was here that she put down roots and established the Dirtybird party alongside Claude VonStroke & Justin & Christian Martin. She released her breakout track “Irst Te” off Dirtybird records back in 2007, followed up by bangers like “Shy Look” (2012), “Tric Trac” with Eats Everything (2011) and “Dip” (2013). 

Worthy once again proved her notoriety as a producer with her 2014 debut album, Disbehave. Released off her very own label, Anabatic Records, the critically acclaimed album defies genres and pushes the boundaries of the traditional House sound. She followed the record up with a 2-part remix album, featuring Will Clarke, Walker & Royce, Thugfucker, Stanton Warriors, and Yolanda be Cool among others. She has since released on top labels, such as Defected, Exploited, Insomniac, and Toolroom.

Having played the massive Coachella, Dirtybird Campout, Burning Man, and Ultra festivals, Mz Worthy has the insight to play for her audience every time, cultivating intense positive energy and an energetic dance floor camaraderie. She invites her audience to embrace their true selves, just as she is.

Open to showing and teaching the trans experience, Mz Worthy is a light for other LGBTQ artists. This is only the beginning for her as she reintroduces herself to the scene.

boss of Trippy Ass Technologies
all bookings: bookings@trippyasstechno.com

A musical vision attempting to encapsulate the power & beauty of the Cosmos within the confines of techno music. This is Cosmic Techno. This is Pleasurekraft.

For bookings: 
Lars@telosartists.com
North/Central/South America : Contact@kraftekmusic.com
Australia: Mike@thickasthieves.com.au

OFFICIAL WEBSITE: 
http://www.pleasurekraft.com

Facebook
http://www.facebook.com/pkmusic

Instagram: 
http://www.instagram.com/pleasurekraftofficial

YouTube: 
http://www.youtube.com/user/pleasurekraftreal

Spotify: 
https://open.spotify.com/artist/4ipS3ZbqP46bs124yqp9N4?si=gijSFaABQ1u0AaDr_UBuxw



Resident Advisor Page
http://www.residentadvisor.net/dj/pleasurekraft

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