House Music Box (past Present No Future) - Remixes

Freakshow (Perel Remix)

Halo

From "Family Horror", a twin-vinyl compilation from Kann feat. Dorisburg, Falke, Sevensol & Bender, Efdemin, Even Tuell, Map:ache, Johannes Beck

Buy from:
<A href="http://www.decks.de/t/various_artists-family_horror/bxl-uf">Decks</A>
<A href="http://www.juno.co.uk/ppps/products/423761-01.htm">Juno</A> 

Dorisburg - Emotion

Buy/stream: https://kompakt.fm/releases/velvet_desert_music_vol_3_lp_7_dl

Kompakt unveils the third volume of Jörg Burger’s “Velvet Desert Music” compilation series, dedicated to music that hits the sweet spot between the cinematic, the (pop) ambient, and the psychedelic. With “Velvet Desert Music Vol. 3”, Burger and his friends wander afar, taking trips away from, or adjacent to, the dancefloor that’s acted so long as the crucible for the Kompakt aesthetic. Like its predecessors, it’s a gorgeous, lambent collection of late-night mood music.

Because it’s such a broad church, “Velvet Desert Music” admits all kinds of new experiences, as well, with Burger looking for music that “goes beyond the desert to explore different corners of the velvet universe”. Indeed, of all the volumes in the series, this third installment feels closest to an album made by a true collective. The roster has changed, with new contributors Flug 8 and Seb Martel, both with his trio Las Ondas Marteles and with Chocolate Genius and Zsela as La Finca, joining regulars The Novotones, Mount Obsidian, The Golden Bug, Paulor and Sascha Funke.

Burger himself shows up alongside Fritz Ackermann of The Novotones and Max Würden and Thore Pfeiffer, in The Velvet Circle. Their contributions are pure lush life electronica: “Our Tribe” hitches a ride with a low-slung groove, flickering psychedelic reels of acoustic guitar traipsing across moody bass and taffeta layers of drone; their opening remix of Flug 8’s “Puerto Rico” gently introduces the album with softly tangling electronic tones, while guitars, drenched in reverb, pirouette in the background. Mount Obsidian’s remix of Burger´s The Black Frame “Sacrosanct” spins around the listeners ears like a kaleidoscope catching the reflections the sun makes in San Luis Potosí’s ornately decorated churches.

La Finca’s electronics and voice miniature, “What Clouds Say”, is a masterclass in poetic restraint; Martel’s “Dark Mambo”, remixed by Burger, is one of the collection’s big surprises, for it indeed does what the title says, a drifting, surrealist take on the mambo form, full of pensive chords, rich with unrequited longing, a breathy saxophone whispering under the song’s sly rhythmic carriage.

Old friends reappear, too: Golden Bug’s “Es Cucuruc” is a muted slow burner. The Novotones chime in with a slyly propulsive, Krautrock-esque charmer, “Liberty Bell”, and the guitar-led tone-drift of “Valley of Oblivion”; Paulor’s “The Last Coke in the Desert” is a chiming, lilting dreamscape; Mount Obsidian are joined again by vocalist Charlotte Jestaedt for two modern takes on early-hours art song, „Fade“ and „Marole“, the closing track of the compilation, which is a spooked requiem for times passed. Sascha Funke’s “Mathias Rust” is a lavish dancefloor dream, vocal samples drifting through the song as it slowly envelops the listener in its opulent radiance.

What’s most compelling about “Velvet Desert Music Vol. 3”, perhaps, is the way everything sits together so tightly, so neatly – it’s the album in the series so far that feels the most like it’s been made by collaborators in one long, playful session of experiment and exploration; everyone’s on the same page, exploring the fractured wastelands, dust squalls, sunburnt scapes and psychedelic cacti of the psyche; burnt sienna, desert lilies and willows, fairy dusters, yucca and greasewood… an extravagance of blooming, riotous colour, erupting from the sun-cracked landscapes within each of us.

This is just a taste of the rich pleasures of Velvet Desert Music Vol. 3, a triumph of a compilation that takes the psychedelic visions of its predecessors and looks for the desert within, a dusty kiss, a road-movie hallucination flickering on the listener’s eyelids, a cinematic projection from deep inside the mind.

Velvet Desert Music Vol. 3

Mathias Rust

Sascha Funke - Mathias Rust

release date: 27th of October

It's been a while since we did something on our subdivision Petite. You know, this is where we like to re-release those forgotten pearls, with a new remix on the flip.
This time we chose Kinda Kickin' by DJ Boom, which is in fact a collaboration between Matthew Herbert and Charles Webster. The original vinyl goes for over 110eur on Discogs and is a longtime favourite of ours. We heard Move D play it at a festival this summer, but strangely enough not too many other people seem to know about this house gem.
On remix duties this time someone very close to the label (and our hearts) since the first collaboration in 2007 for ‘Acid Bells’. Efdemin recently delivered what is maybe his best album to date and also this remix for Kinda Kickin’ is absolutely superb. Enjoy.

TRACKLIST
1. DJ Boom - Kinda Kickin'
2. DJ Boom - Kinda Kickin' (Efdemin Remix)

http://www.curle.be
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Kinda Kickin'

DJ Boom - Kinda Kickin' (Efdemin Remix)

The Solution (Priori Mix)

Smoove Groove - Original Mix

Back 2 Love

For the first time on this planet Dial owner LAWRENCE shows up on an excursion to his beloved PAMPA imprint. The double feature "Kurama" presents two deepy enchanting anthems, a timeless vision of love. After touring around the globe with his new label mate DJ KOZE since ages, having the most successful release in Dial history with Kosi's Efdemin remix, sharing music with each other like crackbrained, it is not a big surprise for LAWRENCE to occur with two of his best pieces on PAMPA Records.

Well known for his releases on Mule Electronic, Ghostly International, Styrax and his own imprints Smallville, Dial and Laid, it was his first Mix CD on Cocoon Recordings "Timeless" which made Lawrence put some cats among the pigeons. With the new PAMPA again he has proved that the holy temple of deepness has to invite some flawy hypnotists once in a while to get clouded and shaken.

The number 09 is dedicated to two most famous experiences in Japan: The Kurama Mountain in Kyoto, one of the most amazing places on earth, and Oolong High, one of the most amazing drinks on earth- cold Oolong Tea on the rocks with a zip of japanese Shochu liquor. After KOZE and LAWRENCE had another few of these beverages again they started dreaming of this wonderful release.

Lawrence - Kurama

Release Dates: Bandcamp + Record Stores: 11.02.2019
Download & Streaming platforms: 25.02.2019

http://bit.ly/uv049_bc
https://clone.nl/item54430.html

After his outing in the beginning of 2018, Amrint Keen (an alias of Lake People reserved for his rawer, broken and more experimental productions) is following up on Uncanny Valley with a new EP. And boy, nobody else does dance tracks so unpretentious, but still demanding. Oscillating between house and electro rhythms, the tracks once again show his midas touch of combining subtlety and fun on the dance floor.

A track like TRANSIENT LOSS OF RESPONSE explores the corners of urban landscapes and finds melancholy, but also a pumping urgency for the club. MAYBE IT WON'T BE comes with a pretty funny but throughout stable track architecture consisting of many different toy blocks disguised as sounds. DOOZY OF A DAY is indeed a doozy of a track that maybe just fell in love considering the infatuated synths. And also CREPUSCULAR can't hide its romantic qualities after an abrupt start with impetuous drumming.

As with the first Amrint Keen record, the artwork comes from Murat Önen, a painter born in Istanbul and now a graduate at the Dresden Academy of Fine Arts.

A1: Amrint Keen – Transient Loss Of Response
A2: Amrint Keen – Maybe It Won't Be
B1: Amrint Keen – Doozy Of A Day
B2: Amrint Keen – Crepuscular

Transient Loss Of Response 

Preorder

Amrint Keen - Transient Loss Of Response (snippets) UV049

Marko Fürstenberg - Gesamtlaufzeit Remixes - Rieht (Rita Hess RMX)

Uncanny Valley is a label from Dresden, Germany.
sub-labels: shtum Records & @credit00ratlife

visit our website for upcoming events:
https://uncannyvalley.de/dates

Starting as a label that served basically as a platform for their friends’ music in 2010, Uncanny Valley evolved into a record label that assembles acclaimed artists from the electronic music scene not only from the label’s base in Dresden but also from Germany and beyond. With a strong emphasis on the records’ artwork the label heads Philipp Demankowski, Conrad Kaden and Carl-Johannes Schulze are constantly on a mission to establish and refine the artists from the roster as well as to search for new talents. Artists as Jacob Korn, Cuthead, Credit 00, Massimiliano Pagliara, CVBox or Panthera Krause all feel at home on the label, giving them the chance to develop projects that are not only music related but can also integrate different art forms. With the two offshoots Rat Life and shtum under its belt, Uncanny Valley does not stand still to explore the full spectrum of electronic and not so electronic music from House via Disco, Hip-Hop or Ambient through to Techno. A range that can also be depicted when the three label heads come together for a DJ set as Uncanny Valley DJs.