DAFUNIKS

Oups!

Pearl

ride

Underdog Records -
STREAMING PLAYLIST : https://play.soundsgood.co/playlist/one-nation-underdog-groove-3
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Underdog Records is a french alternative label based in Paris, created by Maxime PERON and Laurent LOUDIER.The label celebrates this year his 15th anniversary, 15 years of difference, 15 years of passion and discovery.Underdog Records philosophy is to promote new artists, mixing various styles : reggae and electro, hip-hop and soul, …and rerelease some treasures of the 70’s such as JANKO NILOVIC, HARLEM POP TROTTERS …

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The rewind button brings the tape back several times and, with it, The Buttshakers. From the tape to the studio, the décor changes to an America lost in its own reverie, the America that Ciara Thompson left in 2008 to settle in Lyon, France. Untethered from the idealistic veil of her childhood, this America, her America, now appears in its crudest reality: disfigured by violence and racism, the streets transformed into a make-shift shelter for those without a home.
Black Lives Matter, Not In My Name, #metoo and other red flags light up the soundboard without stopping this desperate and breakneck race to darkness.
Yet, when everything darkens, there is always an afterglow that cannot be extinguished, that final ember capable of rekindling on its own a brazier of hope. This is soul music.
Arcadia, “the land of delights,” a perfect world as described by the poet Virgil. This land where all is beauty and perfection becomes, for The Buttshakers, the place to rally, to unite, a moment of resilience. Not a place of retreat, an escape from reality, but a goal towards which to reach.
On their previous album, Sweet Rewards, The Buttshakers offered a soft light on the romantic side of soul. With Arcadia, they explore its conscious face. The one which, in the heyday of the 70's, shone thanks to the albums of Gil Scott-Heron, Marvin Gaye or Curtis Mayfield.
Creation influenced by the political and social events of our times. The form that meets the content in a music that is visceral and raw yet full of finesse and delicacy.
If over-worked productions tend to kill first intentions, The Buttshakers knew, with a skillful movement of the hips, to avoid diluting their intentions in layers of production, always preferring to be as close as possible to the natural source of their music to keep the fire burning. Here we find the sound of a group who has found a solid balance between soul music, its roots and its offspring : blues, rhythm and blues, funk.
A group led by the rugged feline presence of Ciara Thompson who’s vocal prowess, here put on perfect display, finds itself flawlessly balanced between a generous horn section and a devilish groove. A feat, yet once Ms. Thompson takes a step back, the void is quickly picked up, leaving room for the guitar and organ to reverberate, the trombone appropriating the last bars for a funk to the bone solo. With Arcadia, the listener is ushered through the kalediscope, letting the groove drift into an instrumental trans where the robotic beat takes control and sinks into a voudou-psychedelic mystique from which we can only be drawn out by the intervention of the brass section. The dust of a six-string western incantation embedded in the groove like a muffled groan, an explosion that is always on the edge, and which the vocals masterfully contain and amplify. 
Leaving behind the compositional automatisms that could have hampered a band that has been playing together for over a decade, Arcadia is their most successful album so far by the sheer audacity of their compositions. With each member of the group participating in the writing process, the richness of each idea put forward illuminates and guides the listener.
Dark and yet still luminous, Arcadia remains true to the spirit of soul : hope out of struggle, light out of fear; even when the cracks expose the darkest side of humanity, soul music has always given us the assurance that out of this chaos, a better day will come. A philosophy on which they built their discography and their stage presence; founding principles that the group has always been faithful to: to awaken the listener, to ignite the fire, to bring the dance.

Arcadia

Hear Me

THE BUTTSHAKERS Hear Me

DAFUNIKS (soul-hip/hop) new EP
www.underdogrecords.fr

DAFUNIKS-Dont Cry To Me (Chinese Man Remix)

Label : Underdog Records www.underdogrecords.fr

EN
LA ÑAPA is an introduction to the world of Colombian slang and daily life. La ñapa is the little extra you get from the street vendor when buying juice. It’s also the little extra rice or sugar people get when, short of money, they want the tendero (grocer) to give them a little more than what they can pay for, or a good on credit. It’s a reference to the recent events in Colombian and particularly Cali when the post covid crisis and subsequent uprising had the city plunge into poverty and hustle. Nidia is the narrator who observes how the tendero is going crazy over people asking him for La ñapa, with humor and derision. 

FR
LA ÑAPA est une introduction à l’argot colombien. C’est le petit extra que l’on peut obtenir lorsqu’on achète un jus de fruit dans la rue. C’est aussi le petit supplement de riz ou de sucre que les gens demandent à leur tendero (épicier) lorsqu’ils n’ont pas assez pour payer, quand la ñapa n’est pas un credit qu’on sollicite. On pense aux événements que la Colombie, et Cali en particulier, ont connu en 2021, lorsque le covid et les emeutes ont fait replonger la ville dans la précarité et la débrouille. Nidia est la narratrice qui observe, avec une pointe d’humour, le tendero assailli par ces solicitations

The Bongo Hop - La Ñapa - Feat Nidia Gongora

Kalita are proud to unveil the first ever compilation focussing on the phenomenon of ‘Burger Highlife’, a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond. Highlighting key recordings from genre-defining artists including Thomas Frempong and George Darko, as well as more obscure sought-after tracks by elusive bands such as Aban and Uncle Joe’s Afri-Beat, Kalita come to the rescue of audiophiles, DJs and music-lovers alike with ‘Borga Revolution!’ Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 16-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

The 1970s had witnessed an increased Western airtime and physical presence in Ghana introducing funk, soul and disco sounds to the region. By the turn of the decade the country was also enduring economic turmoil, with rising poverty, military dictatorships and long periods of enforced curfews (amongst other factors) making it impossible for artists to survive.

As a result, many Ghanaian artists with a broader outlook began to pursue their careers in the West, moving to both Europe and America in search of stardom. It was here that Ghanaian musicians developed a digitised version of highlife music which fully embraced Western contemporary music styles and newly introduced technology such as the DX7 synthesizer and various drum machines.

It is in this context in which the evolution of Ghanaian dance music and the emergence of ‘burger highlife’ was born. With ‘Borga Revolution!’ Kalita endeavour to tell this story, with prominent and lesser-known musicians’ accounts and documentary evidence providing a comprehensive understanding of this shift to the digital age.

Borga Revolution! Ghanaian Dance Music In The Digital Age, 1983 - 1992 (Volume 1)

Mada Meho So

Buy Here!

A2. Thomas Frempong - Mada Meho So

SUM'ONE
Animated video music : https://www.youtube.com/watch?v=Tets5MaG1AY
After more than twenty years in various projects, the Danish producer JUSTMIKE of DAFUNIKS and OTIS STACKS has decided to release his first solo project under the alias “SUM´ONE”. This release marks the beginning of a new musical adventure and from his home in a small village by the ocean in northern Denmark, he produces a unique sound universe that combines all the best from his favorite genres. Two years ago, SUM´ONE moved from a busy life in Copenhagen to a small community where the noise from a pulsating city life has been replaced with the sounds of nature. This change was the starting point of this new chapter.

Crazy

SUMONE - Crazy

Beth Hart And Joe Bonamassa- Your Heart Is As Black As Night

5 years after their last release “Past, Present & Future”, the boys are back and ready to serve you a brand new funky single featuring Particle Man.The track “Brakes On” marks the beginning of a new chapter in the world of Dafuniks.After the release of “Past, Present and Future” the band decided to have a pause to be more at home with their family and loved ones. Now 5 years later JustMike and Dj Nyber decided to bring back the old turntable and sampler – Dust it off and begin the process of chapter 2. The sounds and vibes are the same, but the constellation has changed back to it’s original form: One producer, one DJ, a stack of vinyl and a lot of sample-chopping, that will have your ears entertained on loop.

Brakes On

DAFUNIKS Brakes On feat Particle Man

Complètement de l’Ouest, les oreilles braquées sur l’Atlantique Noire, Julien Ger- vaix et Damien Tesson sont tous deux des enfants du collectif et de l’improvisation, terrains de jeux pour ces multi-instrumentistes complets.
Le premier met d’abord ses talents d’arrangeur-saxophoniste au service du collec- tif nantais Soulshine et de nombreuses formations – tour à tour funk ou rhythm’n blues – où chalouper fait la loi. C’est le cas notamment du groupe afrobeat Walko, au sein duquel Julien Gervaix a l’honneur de partager la scène et le studio pendant plusieurs années avec Kiala Nzavotunga, guitariste émérite de Fela Kuti et d’Egypt 80. Pendant ce temps-là, le second fait ses classes de dubmaster-guitariste-arrangeur à l’école reggae roots option digital du collectif vendéen Shi Fu Mi Temple. Une initiation qui amène Damien Tesson à intégrer, entre autres, le groupe nantais BIBA (Bingy Band) puis à collaborer avec Jideh High Elements, incontournable sur la scène dub internationale, Roberto Sanchez et l’équipe de son Lone Ark Studio, mais aussi Sana Bob, célèbre chanteur de reggae burkinabè. Et puis, la vie étant bien faite, les chemins de Julien Gervaix et Damien Tesson finissent par se croiser au sein du com- bo jazz-funk Playtime, avant de se retrouver en Vendée quelques années plus tard. Avec un tropisme évident pour les grooves afro-latins, les couleurs tropicales, les bidouilles électroniques et les furieux déhanchés, les deux musiciens créent alors Ireke comme on lève un verre de rhum bien arrangé. À la nôtre, à la vôtre ! Comme guidé par l’esprit de la plante, Ireke trinque pour célébrer l’immense richesse de ces rythmes à danser, véritables générateurs de vie, de lien et d’énergie.

À la manière de Legba, orisha yoruba des carrefours et de la croisée des chemins, Ireke s’épanouit à l’entre-monde. Conscient de la lignée d’orfèvres qui les ont précédés, Ireke connaît ses classiques et s’inspire humblement, pour Tropikadelic, du génie musical de Pat Thomas, Orchestre Poly-rythmo, King Tubby,Tony Allen, Fela

Kuti, Maître Gazonga, Ernesto Djédjé ou encore des Vikings de la Guadeloupe. Cuiv- res extatiques, claviers 70’s, guitares élastiques, basses rondes et percussions-monde : de cet héritage sonique, Ireke fait une fusion unique, augmentée par l’apport auda- cieux de sa science dub, et quelques touches électroniques patiemment débusquées dosées en studio – que le duo considère comme un instrument à part entière.

Enfin, pour donner de la voix à ses compositions, sur Tropikadelic, Ireke fait appel à une armée de sérieux enjailleurs dont chacun.e des membres est venu.e avec ses textes. Ainsi retrouve-t-on aux côtés d’Ireke le griot du groove Pat Kalla (“Femme qui Danse”, “Love Is Jokin”), le reggaeman franco-laotien Amatah Keo (“Man Bo Diak”), les vendéen. ne.s Agnès Hélène (“Petit à Petit”,“Oh Ma Chérie”) et Charly Sanga (“Bas Les Masques”, “Oh Ma Chérie”), le lion zion burkinabè Sana Bob (“Métissage”) ainsi que le soulman nantais Jy Cooly (“Kinkeliba”).

Pour le duo, la musique s’envisage avant tout comme une pratique collective, une libération active, une approche cadencée du lâcher-prise, une source de joie com- municative… En bref, groove is the weapon ! Et Ireke sait s’en servir.

Jeanne Lacaille

Tropikadelic

Petit A Petit

01 - IREKE - Petit À Petit

DAFUNIKS new album 16th march 2015 
LIVE LE 23 AVRIL MAROQUINERIE DE PARIS
www.underdogrecords.fr

DAFUNIKS - The Dance Feat Elias

“HELLO VERA” is a story of a girl called Vera and her journey to find true love. 

Vera’s story is told through a record player, a stack of vinyl, a sampler and a bunch of different keyboard instruments, and is created by the danish producer and beatmaker, SUM’ONE.

Since the beginning of his musical career and from his first push on the MPC2000, he has been inspired by artists like MOBY, RJD2, DJ SHADOW, PORTISHEAD and DAFT PUNK. SUM’ONE was especially attracted to the electronic and sample-based instrumental genre, where the instruments are the main ingredient when creating the musical mood. Until now he has never had the chance to put everything else aside and focus one hundred percent on this.

So far, his musical career has been as one of the founders and band member of DAFUNIKS and OTIS STACKS where the music was a perfect mix of hip hop, funk and soul. These past adventures have given SUM’ONE the opportunity to travel around the world and achieving goals, that he never imagined was possible. These past adventures have also led to unimaginable collaborations with childhood idols like AFRIKA BABY BAM of THE JUNGLE BROTHERS, AKIL THE MC & MARC 7 of JURASSIC 5 and the late GIFT OF GAB of BLACKALICIOUS. 

“Despite of the joy of working with a lot of talented people, I have chosen to go on this adventure by myself. Musically and personally, it has been a developing journey where I have learned to work in new and inspiring ways. That’s why I chose to make “HELLO VERA” as an instrumental EP.” – SUM’ONE

SUM’ONES long-lasting love for sampling and vintage synths has always played a major role in his music and this will probably never change. So, while the sound is inspired from the same vintage universe, the tempo has been raised and the dusty breakbeats have met the signature kick of the early disco era. 
Where the music’s capability to explain a feeling or tell a story is the primary. The type of genre and style has become secondary and more fluid. 
It’s all about that certain feeling at the time the music was created instead of the result of an already planned goal. 

The new chapter has begun. 

“HELLO VERA”. 

LET IT SNOW

This is the title track taken from The Bongo Hop’s upcoming album, La Pata Coja. « The gimpy leg » is a jazzy and soulful appetizer, colored in blue, for which one would yet have to invent another genre: colombian soul music? It’s all about that lesson in life, that sometimes you have to cope with those accidents in which you may lose a lot : a beloved person, a leg…But you can still love, you can still walk, and even dance. It may be different, it may be awkward sometimes, but accidents are what makes us unique

La Pata Coja  feat Nidia Gongora

DAFUNIKS - Soul Searching Feat Particle Man

From the self-titled album 'Pat Thomas & Kwashibu Area Band,' out June 15th on Strut. 

iTunes: http://geni.us/PatThomasKwashibu
Strut Store: http://bit.ly/PatThomasStrut

From the album liner notes:
‘Gyae Su’ is a rearrangement of an older song, with a guitar concept typical of the classic Kwa or Kumasi bands and an overall tropical style. Ebo Taylor’s horn arrangements evoke the classic Afro-funk vibe that he originally made famous. The lyrics are as catchy as they are plaintive, with Thomas comforting the listener, “Don’t cry! Life has its ups and downs. Just take it easy and don’t shed any tears.”

More from Strut:
https://www.facebook.com/StrutRecords
http://www.strut-records.com

Pat Thomas & Kwashibu Area Band

Gyae Su

Pat Thomas & Kwashibu Area Band - Gyae Su

6. Heat On Feat Blake Worrell

DAFUNIKS John Dope
from Past Present Future new album

DAFUNIKS - John Dope Feat Blacc El, Billow

02 What Can I Do

New update of Ebo Taylor & Pat Thomas classic! Out on Strut July 10th (digital) and September 4th (12").

http://www.strut-records.com
http://www.facebook.com/StrutRecords

Ene Nyame (Henrik Schwarz Blend)

Ebo Taylor / Pat Thomas / Henrik Schwarz - Ene Nyame 'A' Mensuro (Henrik Schwarz Blend)

MERCADO

MERCADO feat Pablo l’architecte sonore

Teacher Jekyll feat Pablo l'Architecte Sonore -Mercado

Instrumental version of "Diskodub" by Taiwan MC
Taken from the Diskodub EP - Out on Chinese Man Records - 2014
www.chinesemanrecords.com
Mixed by S.O.A.P - Mastered by Blanka
Vocal version : https://soundcloud.com/taiwanmc/01-diskodub?in=taiwanmc/sets/diskodub-ep
https://itunes.apple.com/fr/album/diskodub/id940476983

Taiwan MC - Diskodub - Instrumental Version

Traveller

https://analogafrica.bandcamp.com/album/legend-of-funana-the-forbidden-music-of-the-cape-verde-islands

It is 1997. A quiet, unassuming man of 59 years old named Victor Tavares - better know as Bitori - walks into a recording studio for the first time. The result is a musical masterpiece - a recording which many consider to be the best Funaná album ever made.

Bitori´s musical adventure had begun long before this point. It was 1954 when he embarked on a journey across the seas to the island of Sao Tomé & Principe. The young man´s hope was to return to Cabo Verde with an accordion. 

Following two years of hard labour Bitori had succeeded in saving enough money to acquire what was to become his most valued possession, his cherished instrument. The two month journey back to Santiago, his island of birth, proved time enough to master it.

Self taught, Bitori developed his own style, an infectious blaze, that quickly caught the attention of the older generation. Before long Bitori was being asked to share his musical talents, igniting the local festivities around Praia with his music.

But not everybody welcomed the rural accordion-based sound. Perceived as a symbol of the struggle for Cape Verdean independence and frowned upon as music of uneducated peasants, Funaná was prohibited by the Portuguese colonial rulers. Performing it in public or in urban centres had serious consequences - often jail time and torture awaited musicians that were “caught in the act”. In light of such persecution the genre of Funaná began to slowly disappear.

In 1975 Cabo Verde achieved independence from Portuguese colonial rule. Along with Cabo Verde’s independence came a lifting of the ban placed on Funaná. The musical repercussions in Cabo Verde were plenty - many upcoming artists embraced Funaná, translating and adapting its musical form in new ways. It was not to be until the mid-1990’s, however, that Funaná in its traditional form was actually recorded.

It was a young singer from Tarafal, Chando Graciosa, who was to play a key role in this event. Upon hearing Bitori, Graciosa immediately felt drawn to Bitori's unique playing style - a raw and passionate sound accompanied by honest lyrics that reflected the harsh reality of the Cabo Verdean working class. He eagerly approached Bitori suggesting they join forces and travel overseas with the objective of taking Funaná beyond its rural roots.

The two of them, with others in tow, achieved their goal and travelled to Europe, introducing a receptive European audience to the vibrant energy of Funaná. Eventually Bitori returned to his beloved Cabo Verde. Graciosa opted to settle in Rotterdam in order to pursue his career - he vowed, however, to bring Bitori across to Holland at a later date to record an album.

In 1997 the time was ripe to immortalise the sound Bitori had shaped over a time span of four decades. Built around a formidable rhythm section, formed of drummer Grace Evora and bass player Danilo Tavares, "Bitori Nha Bibinha" was recorded. The recording catapulted Chando Graciosa to stardom, making him Cabo Verde´s No.1 interpreter of Funaná. The success in Cabo Verde was phenomenal and Funaná rapidly gained the recognition it deserved, especially in urban dance clubs. Bitori´s songs quickly became standards - classics known and loved throughout the country. The musical success, however, was solely limited to the Cabo Verdean islands - until now!

Analog Africa is proud to contribute to the worldwide promotion of Funaná - the once forbidden sound of the Cabo Verde archipelago - by releasing a worldwide re-issue of Bitori and Chando Graciosa´s legendary recording. 

The release will herald Bitori´s first European Tour taking place during the summer of 2016. Watch this space! And listen!

Legend of Funaná

Bitori - Bitori Nha Bibinha (Leave a comment for Victor Tavares aka "Bitori"....we will forward)

OTIS STACKS first EP 
sortie 31 oct 2016 (Underdog Records / Differ-ant / Believe)

Otis Stacks est né d’une collaboration entre le producteur Danois Michael Munch aka Just Mike, et Elias Wallace, auteur compositeur chanteur de Pasadena, en Californie.
C’est lors d’une tournée dans les Alpes françaises avec leur autre projet commun : Dafuniks, que les deux compères écrivent leur première chanson, «Fashion Drunk» premier extrait et single de cet EP à paraître. Ce premier essai, les conforte dans leur aventure commune et leur collaboration unique prend forme. Le projet OTIS STACKS a désormais pris vie et les amène à écrire et composer lorsqu’ils se retrouvent en France pour la tournée des Dafuniks. Entre Nice, Montpellier, et Paris l’Ep se construit et se peaufine à distance entre les Etats Unis et le Danemark.
Leur musique analogique se nourrit d’une base synthétique avec de larges nuances empruntées à la culture hip-hop dans laquelle tous deux ont grandi. Le tissu musical construit par Just Mike est brodé d’une collection de sons de synthétiseurs analo- giques vintage qu’il collectionne depuis plus d’une décennie.
Avec eux il expérimente de nouveaux sons, construit, déconstruit, jusqu’à produire un son soul clairsemé, épuré, et novateur. Une dentelle musicale qui permet ensuite à la voix puissante et sensuelle d’Elias de se poser au fil de mélodies accrocheuses et aux textes profonds abordant les notions de perte, de douleur, de nostalgie, mais aussi un regard abrupt sur la nature humaine parfois vide de sens.
C’est en 2016 qu’ils rejoignent le label hexagonal Underdog Records (Dafuniks, Flox, Fanga, Tribeqa, John Milk, D-Bangerz, Sweatshop...) ainsi que le producteur de spectacles CARTEL ( Chinese Man, Deluxe) séduit par la qualité de leur live session enregistrée chez Findspire.
Otis Stacks un projet soul, aux sonorités vintage, et aux arrangements contemporains, porté par une écriture émotionnelle et réfléchie qui ne vous laissera pas indifférent.

Otis Stacks - Fashion drunk feat GIFT OF GAB

Golden Ghostwriter (Jurassic 5 vs. RJD2)

FREE DOWNLOAD

Met.h.Ode - Clocks

« Heart Beat » Scratch Bandits Crew's first single from their new record "31 Novembre".
Découvrez « Heart Beat » le 1er extrait de "31 Novembre", nouvel album du Scratch Bandits Crew, à paraître le 9 avril 2012.
Label Infrasons - Distribution Musicast. 
Style: hip-hop, electro, trip hop.
Check the motion music video : http://www.dailymotion.com/video/xouqah_scratch-bandits-crew-heart-beat-official-video_music
And check us on :
http://www.scratchbanditscrew.com
http://www.facebook.com/scratchbanditspage

ISRC: FR-9W1-12-01813

Buy CD: http://musique.fnac.com/a4062584/Scratch-Bandits-Crew-31-Novembre-CD-album
Buy Digital: http://itunes.apple.com/fr/album/31-novembre/id511874149?ign-mpt=uo%3D4

2. Heart Beat

Big new tune with the big man Ras Stone. The vocal is a freestyle.. Pure fire!!
Please like & share if ya feeling this one!!

buy itunes https://itunes.apple.com/us/album/fyah-level/id818671153

Give Praise - Dub Terminator & Ras Stone

RJD2 - 1976

We present our first release of 2019 and the third in our initial Venezuelan trilogy of 45s. Featuring 2 original compositions by Caracas based multi-instrumentalist and composer Isaac Sasson with a remix on the flipside by London producer & drummer Hector Plimmer (Albert's Favourites).

Side A kicks off with "Paseo en un sueño", a short composition that reflects a dream that begins in the village of El Hatillo and ends at dawn in the hills of Caicaguana, its main theme is a beautiful flute melody played by Tomasito Garcia. As the instruments and vocals fade away, "Canción para mi familia, Venezuela" begins, with Isaac singing "esta melodia es especial para mi mamá, dedicada a mis abuelos, a mis hermanos y a mi papá". This song is a sort of mantra or prayer dedicated to Venezuela and Isaac's family and friends; its spiraling guitar riff and various percussion instruments quickly descending towards a chaotic state of bliss.

Hector Plimmer's remix on the B side reassembles elements from another Sasson original,  "Cantos Campesinos", focusing on a particular vocal motif. Hector retunes the rhythm to his purposes, building tension and borrowing a bell sound to raise it even further, before releasing a skittering drum pattern with plenty of swing and a heavy dose of low end. Before the song ends, Hector goes deeper, adding sensual synth chords and finally a flute-like synth solo to complete this musical trip that is surely destined to soundtrack a few hazy evenings this summer.

The music on this EP has been previously self-released by Isaac on his album "Memorias del canto campesino", but appears here for the first time on vinyl, limited to 300 copies.

Recorded at Estudios El Gran Misterio & Garabato Estudio. Caracas, Venezuela

Re-mastered for vinyl by Frank Merritt at The Carvery, London

Isaac Sasson - Paseo en un sueño / Canción para mi familia, Venezuela

Digital : https://sabatmachines.bandcamp.com/track/sylvia

Sylvia

DAFUNIKS nouvel EP octobre 2013 
feat ELIAS, KUKU AGAMI, BARBARA MOLEKO, Chinese Man, Mattic, Jukebox Champions...
www.underdogrecords.fr

Dafuniks EPteaser feat Chinese Man, Mattic, Jukebox Champion...

ONE NATION UNDERDOG GROOVE - french label - home of FLOX, DAFUNIKS, JOHN MILK, FANGA, TRIBEQA, JANKO NILOVIC ...

Paris · http://www.underdogrecords.fr

DAFUNIKS Brakes On feat Particle Man

Underdog Records France