More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

We Need  You Tay (disquiet0591)95 BPM

בלי חשבון עם אלי ציפורי - 12-05-23 - שעה ראשונה

Remixed @winterer Krakenkraft's trio piece that he made together with: @micheleisoni https://soundcloud.com/micheleisoni/the-mystic-disquiet0592?si=0d55551b573c49d39c0e2967fd07e4ef&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing and @caustic_gates https://soundcloud.com/caustic_gates/disquiet0591-patchouli-wash?si=34037ceda90d4e16a962f6ae1b8fce82&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing 

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0594-threemix/

Krakenkraft's Mysterious Patchouli Triangle (undermulden Remix) (disquiet0594)

Part of Disquiet Junto 0595: Filter Progression

Step 1: Choose a static sound, such as a field recording of a specific place, or a held tone, or a recording of noise.

Step 2: Experiment with animating the static sound selected from Step 1 by slowly, subtly, manually modulating it, using only filter frequency and resonance.

Step 3: Record a track resulting from the techniques you developed in Step 2.

For this track, I used a single chord run through a QPAS filter, which was pinged by gates coming from an Eas, generated by a number of shifting envelopes.

[disquiet0595] Filter Progression

Video for track - https://youtu.be/KBxrq_tFSO0
Disquiet Junto Project 0595: Filter Progression
The Assignment: Make music by processing a static sound.

This project is the second of three that are being done in collaboration with the 2023 Musikfestival Bern, which will be held in Switzerland from September 6 through 10. The topic this year is « √ » — as the organization explains: “the radical, or square root symbol and the power of its symbolism are central to the festival and these will be translated into music in multifarious ways.” All three projects will engage with the work of Éliane Radigue, who is the Composer-in-Residence for the 2023 festival.

We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the fifth year in a row that the Junto has collaborated with Musikfestival Bern.

Select recordings resulting from these three Disquiet Junto projects may be played and displayed throughout the festival.

Step 1: Choose a static sound, such as a field recording of a specific place, or a held tone, or a recording of noise.

Step 2: Experiment with animating the static sound selected from Step 1 by slowly, subtly, manually modulating it, using only filter frequency and resonance.

Step 3: Record a track resulting from the techniques you developed in Step 2.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0595” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0595” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0595-filter-progression/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. Sometimes longer is better.

Deadline: This project’s deadline is the end of the day Monday, May 29, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, May 25, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Back to nature (Part Two) - disquiet0595

This was a fun one. As it was a cloudy day, I was moodier than usual. So I opted for some dark and melancholic sounds from the Lyra, Buchla Easel and a bit of brightness from the Wing Pinger. The Easel and Wing Pinger where fead into a decaying tape loop effect. For the recording I set up my phone in another room, a zoom recorder in the studio, my laptop (recording directly into Logic) and direct to my Tascam recorder. I then played back part of the result and recorded with a really crappy dictaphone from the previous century and then played that back into another channel on Logic through my laptops internal microphone. Aside from minimal panning, I did not add any effects and decided to keep the squeaks and rummaging noises as I went from place to place to turn on the various recorders.

disquiet0598

release date  :04 _08_2023  
More on this 605th weekly Disquiet Junto project, Fifty Fifty (Compose a piece of music with as much silence as notes), at: https://disquiet.com/0605/

Thanks to Jason Richardson for having proposed this week’s project.

About the Disquiet Junto: https://disquiet.com/junto/ 1

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0605-fifty-fifty/

Shinrin - Yoku (disquiet0605)

Disquiet Junto Project 0618: Burying the Lede
The Assignment: Turn old news into new music.

I googled for local newspapers from 1973 and found a review of a Pink Floyd concert (Dark Side Of The Moon, which is one of only a small number of CDs I still own) in Munich on Oct 15th 1973 in the daily newspaper Süddeutsche Zeitung. I used some middle part of the review, which describes the sound and talks about how Pink Floyd integrates noise in music. I used ttsmp3.com to read it in bad german. I added the speech to a ambience layer that has something of a concert atmo and of something nois-ish, both not well integrated.

The 1973 newspaper I found was this:
https://www.pulse-and-spirit.com/wp-content/uploads/2023/04/PF-1973-Munich.jpg - the article was written by journalist Michael Frank, who must then have been around 26 (and still wrote for the same newspaper some years ago). Today we might no longer imagine, what kind of ultra hot shit this album must have been at that time. 

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Track image by Stability AI.

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More on this 618th weekly Disquiet Junto project, Burying the Lede (The Assignment: Turn old news into new music), at: https://disquiet.com/0618/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede/

Die Fahrt Der Galaktischen Riesen [disquiet0618]

timeline is a ambient type beat available to use for profit please give credit in the title (prod. revengejasiah) if you use this beat on youtube or soundcloud for streaming platforms a license must be purchased on beatstars @revengejasiah TERMS OF USE • This beat can be used "free for profit" on platforms that allow crediting the producer in the title on Soundcloud and Youtube • To upload to streaming platforms such as Spotify and Apple Music, a lease needs to be purchased

(free for profit) ambient hiphop type beat "timeline"

SMOKEAHSAQ INTERLUDE

Memories ( Lofi Beat )

Electronic music, field recordings and weird electroacoustic sounds.

Krakenkraft's Mysterious Patchouli Triangle (undermulden Remix) (disquiet0594)

undermulden

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