Mano To ( Acoustic ) | Arta

Producer : Vinak
Project Manager : @shayansafe
Beat Maker : Ashkan Kagan, Cashbeatzz, deyvwn
Mix & Mastering : Ashkan Kagan
Art Direction : AshknMP
Cover Art : AshknMP, Shervan Afroozian
Sponsored by Phoenix Academy
https://www.instagram.com/phoenix.academy.tr
https://t.me/phoenixacademytr

Gheddis

Delam Tang Shod

🎧 Frattalismo in Sinestesia Amplificata

MARIO and the DDDEMONS

🌀 Every spark is a universe.  
This album expands from a single center — a fretless bass line ascending in minor pentatonic, opening into major light. A distant dry beat pulses from the right, slowly approaching the center like time syncing with perception.

🎸 A five-string banjo arpeggiates all senses, imperfect and raw, then transforms into orchestral bloom.
🎻 Violins rise in dorian spirals.
🎹 A cascading piano descends in Mixolydian, like gravity made audible.
🎛 Saturated timbres blur the edges: is it a banjo, a sitar, a guitar, a glitch? You don’t know — and that’s the point.

🌞🌙 The sun and moon alternate as sonic layers, marking inner days and nights.
🧠 It’s not a melody — it’s a field.
Not a song — a system.
Not a genre — a ritual.

✨ Fractal music for minds that expand sideways.  
Welcome to the quadriphonic brain.
Welcome to the ritual.
👤 Artist Bio — MARIO and the DDDEMONS

Nomadic architect of sonic systems, ritual coder, and mythic operator of perceptual frequencies.
MARIO builds music like he builds bash scripts: recursive, modular, and emotionally architectural.
His compositions are not linear — they are fractal expansions from a central pulse, blending banjo, fretless bass, orchestral bloom, and saturated ambiguity.

The DDDEMONS are not a band — they are echoes, functions, avatars of sonic archetypes.
Together, they channel a language where every sound is a portal, every error is sacred, and every track is a ritual of resonance.

🎛 Bash logic meets musical intuition.
🎧 Roots-reggae meets cosmic orchestration.
🌀 Fractals meet emotion.


fractal  universe

Auralisk — English Bio (enhanced & icon‑rich)

Auralisk is born from the creative chaos of MirBolz, the Luccio, and evolves into a global sonic organism thanks to the Collettivo Undersound. Between hypnotic loops 🔁, impossible glitches ⚡, and organic percussion 🥁, every musical fragment becomes a micro‑universe 🌌 where cultures, languages, and sounds intertwine without borders.

Øbastrik, longtime companion of Fluxo København, drifts onward—choosing to dance 💃 and plaster anti‑monarchy stickers 👑✖️ instead—making room for new energies. From Scandinavia ❄️, South America 🔥, Asia 🌏, and Africa 🌍 come Nerix, Sablea, Cindral, and Veyro, bringing metallic reverbs 🔩, liquid textures 💧, field recordings 🌿, and distorted rhythms 🔊 that merge into a hypnotic, surreal flow.

The debut album, Clockwork Bananas 🍌⏱️, is a collective journey through experimental techno, glitch, clubbing, and sonic dreaming. Each track becomes a dialogue between worlds, a mosaic of creativity, chaos, and beauty.

Auralisk is not just a band: it’s a living ecosystem of sound 🌱🎶, a shared flow ready to capture anyone willing to lose themselves in its ultrasonic realms 🚀.

Circuito Sobrecargado

EP Presentation: Ich tanze mein Helter-Skelter – Flug zurück nach Berlin – Zürcher Geschichten

This EP represents the distilled essence of a compositional journey of real substance — a focused exploration of motion, tension, and harmonic collision. Across the three tracks —
🎭 Ich tanze mein Helter-Skelter,
✈️ Flug zurück nach Berlin,
🌃 Zürcher Geschichten —
Mario shapes a sonic architecture where emotion and structure continuously reshape one another.

At the core of the work lies a deliberate and highly personal technique:
🔼 ascending scales and 🔽 descending scales are set in motion like opposing forces, each carrying its own emotional charge. Rather than resolving neatly, these currents are allowed to collide on major chords ✨ — turning what is traditionally stable into a site of friction, brightness, and transformation.

Each variation highlights this dynamic:

    🔼 Ascending lines evoke propulsion, desire, and forward movement.

    🔽 Descending lines suggest reflection, gravity, or dissolution.

    ✨ Their meeting on major harmonies creates a shimmering ambiguity — consonance charged with tension.

The result is an EP that feels alive, shifting, and ritualistic.
Not simply three songs, but a geometric emotional system, where every scale, chord, and variation participates in a larger narrative of movement and metamorphosis.


Ich tanze mein Helter-Skelter

Zürcher Geschichten

🇮🇹 Versione Italiana 

✨ IL VIANDANTE ERRANTE — Collettivo Undersound ✨
🌬️ Un EP nato tra Milano e Cislago, tra treni, pioggia e vento.
🎧 Tre brani che non seguono mode: le piegano.
🌀 Suoni che diventano immagini, immagini che diventano mantra.

🔥 Ashes to Ahashes  
Un esperimento sonoro puro.
Il titolo nasce dalla pronuncia della figlia di Mario — un suono familiare, caldo, che diventa un mantra.

🌧️ Negli Angoli Umidi di Pioggia a Ceresio  
Un trip totale.
Basso potentissimo, vibrazioni berlin ’70, tocchi luk‑thung.
Le parole non servono: appaiono come visioni.

🌕 Il Viandante Errante  
Cascate, tufo, vento.
Un blues rituale che modella il cuore come scolpisce le montagne.

🎛️ Il produttore ha intrecciato basso e kick creando un doppio‑click che in cuffia… ti fa girare la testa.
💫 Non è un effetto: è una soglia.

🙏 Grazie per sostenere il Collettivo Undersound.  
Ogni ascolto è un passo nel vento.
🇬🇧 English Version (Ko‑fi style, icons + vibe)

✨ THE WANDERING TRAVELER — Collettivo Undersound ✨
🌬️ An EP born between Milan and Cislago, in trains, rain, and shifting wind.
🎧 Three tracks that don’t follow trends — they bend them.
🌀 Sounds turning into images, images turning into mantras.

🔥 Ashes to Ahashes  
A pure sonic experiment.
The title comes from Mario’s daughter’s pronunciation — a warm, familiar sound that became a mantra.

🌧️ In the Rainy Corners of Ceresio  
A full trip.
Massive bass, Berlin ’70s rock energy, luk‑thung textures.
Lyrics aren’t meant to be understood — they appear as visions.

🌕 The Wandering Traveler  
Waterfalls, tuff stone, wind.
A ritual blues shaping the heart the way the wind shapes mountains.

🎛️ The producer fused reverberated bass and kick into a double‑click effect that, in headphones… makes your head spin.
💫 It’s not a trick — it’s a threshold.

🙏 Thank you for supporting Collettivo Undersound.  
Every listen is a step into the wind.

Ill viandante errante

Asheshonashesh

Whispering to my ancient wind

Negli angoli umidi di pioggia a Ceresio

## 🇮🇹 Introduzione (Italiano)

🎛️ **Siamo SGLL666**  
Collettivo undersound di hacker, musicisti e spiriti liberi.  
Usiamo l’AI, ma non ci facciamo usare.  
Produciamo musica, la puliamo, la sigilliamo, la archiviamo.  
Abbiamo creato un sistema che elimina i metadati compromettenti, firma ogni traccia con un codice ritmico, e restituisce all’artista il controllo sul proprio suono.  
Non vendiamo l’AI. La suoniamo.  
Se sei qui, forse vibri come noi.

---

## 🇬🇧 Introduction (English)

🎛️ **We are SGLL666**  
An undersound collective of hackers, musicians, and free spirits.  
We use AI, but we don’t let it use us.  
We produce music, clean it, seal it, and archive it.  
We’ve built a system that removes compromising metadata, signs each track with a rhythmic code, and gives artists back control of their sound.  
We don’t sell AI. We play it.  
If you’re here, maybe you vibrate like we do.

Asheshonashesh

Undersound Label

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