From the album Sacred Excavations, available here:
 https://unearthnoise.bandcamp.com/album/sacred-excavations

composed and performed by Roger Berkowitz.
Additional source material (voices) from Lyrichord Discs "Songs and Rhythms of Morocco" track "Heddaoua". Used with conditional permission, ©Lyrichord Discs Inc. NY.

Accelerant

Drwm is "drum" in Welsh

Punk tekno with gabber and jungle influences

Composers: Marc Dauncey

Please also follow https://soundcloud.com/marc-dauncey

Hello people of music! Let's connect, exchange beautiful(dark) tunes, feelings, positivity, happy vibes! Let's make the most of our little time here on this earth :) I m sorry but I really don't like AI music, I wanna hear your soul :)

art which overwhelms the senses, makes no sense, is incongruous with the 'normal' thinking process, which transforms and transmutates the listener into something they were not during before, and creates a permanent evolutionary change.

 
"Music projects a living image into your existence, it is an expression of something beyond our own comprehension, seemingly existing as part of the moment only as color and feeling – something that Unearth Noise has been able to achieve with every single track that I've listened to. The name itself can allow you to vaguely imagine what you are about to fall under the spell of. " -Rolby Perez of Neitherzine (http://neitherzine.com/)

Neitherzine interview (pg.42): http://issuu.com/neitherzine/docs/issue_seven?e=4786980/4515658

Facebook. page:: http://www.facebook.com/pages/Unearth-Noise/448815395188765

Downloads available on Bandcamp page http://unearthnoise.bandcamp.com/

Also check out my cyber band Ancient Aliens @ http://soundcloud.com/ancient-aliens-1

and: http://soundcloud.com/shadowface-2 (bitzone/Catcherye/Unearth Noise collaboration)

Architect turned coder, turned singer and songwriter, turned her whole life upside down. It's never too late to surprise yourself.

David, born in Paris, France, is a composer, poly instrumentalist and record producer residing in Southern California. He records and performs on a variety of exotic instruments from the middle east and India. His music is inspired by decades of international travels, his European classical roots, and a life long love of jazz.

David Bergeaud has lent his musical talents on some of the most critically acclaimed projects produced and directed by the likes of Steven Spielberg (Earth2), Ang Lee (Lust, Caution), Bob Zemekis (Death Becomes Her), Barry Josephson (Secret Agent Man), Walter Salles (The Motorcycle Diaries), Werner Herzog (Grizzly Man), Jane Campion (In the Cut), Alejandro González Iñárritu (21 Grams), Barry Levinson (Sphere), Mike Figgis (Miss Julie), Roman Polansky (The Pianist), George Miller (Lorenzo's Oil), Curtis Hanson (River Wild), Bill Brillstein (C-16:FBI) Brad Grey (C- 16:FBI) and Raffaella De Laurentiis(Dragon: The Bruce Lee Story, Vanishing Son). 

David has composed scores for such noteworthy projects as the PlayStation franchise Ratchet & Clank series and the award-winning Television Series Strong Medicine and The Outer Limits, and the controversial feature-length documentary film Kurt & Courtney. The Glass House for which he composed the soundtrack premiered at the Sundance Film Festival as part of the official selection.

Mirae Arts is a music label based in Northern California.

Inspired by travel and natural landscapes, Mirae Arts strives to tell different stories through sound.

Vinyl Distribution: SRD (UK)

Dadaistic music since 1904! 

I've added a donation button up there. 👆 Let me explain what I plan to do with it: 
I will use every donation under $10 to buy coffee and pay for Soundcloud, for example. 
Every donation over $10 will be collected and, once a certain amount has been reached, used to have a vinyl record pressed. 
I will use donations over $10,000 to buy myself a vineyard. 🤠

Further description and FAQ:
Somehow I wanted to post my old, "chaotic" or fallen out of style recordings here, but I realised that nowhere else can I express myself as freely as in this project.

I don't see sense in nonsense but I see nonsense in things that a lot of people call sense.

I did a lot of music in my life. Did Hardrock, Metal, Psychedelic-Rock, Swing, Jazz, Latin, Dance Music, modern and so called post-modern classic, even playback gigs and did some little film scores also. Everything that either brought some money in the pocket or gave some fun.

I have not studied music, either the conservatories did not want me or, in the other case, I didn't wanted them.
The Zwakkus project was for a long time a kind of discharge of frustration or a valve to let "it" simply flow, without caring about what some client or bandleader will think about. 
It then took me a little time to realize that this project is really unique and true to me and that I can't be this free anywhere. So I'm giving more energy into it and I'm having really fun with it. Knowing that this can't be everyones style, I am extremely grateful for everyone who can get involved!
Also I am very thankful for finding so much really authentic, inspiring and original stuff here on SC.

AI? Can go home! (Actually it can't, because it IS at home already, but nevertheless it should go home more😉)