that sax sounds so happy and free, like some wild creature twisting around in a loose net of comforting cymbals and subtle textures. Great title too.

Meeslepende en dwingende track, telkens weer een ander onderdeel wat boeit, het zoeken naar houvast, ritme voor de luisteraar is een ware uitdaging maar o zo leuk. Really enjoyed.

Beautifully evolving ambient jazz experiment. Great team-up.

You’re all over it Henry🚀Cool juxtaposition of  staggering drums on this ro lock you in the trip

Fight night at the Kazoo club when the sax player shows up

https://soundcloud.com/henry-koek - saxophone
unearth noise - drums, bass, guitar, electronics, samples, arrangement.

the real way to the  way out (w/Henry Koek)

Shoreline Runner

Variation on a theme from „Runaway/Crash“ by Ben Salisbury and Geoff Barrow (soundtrack for A. Garland's 2022 movie „Men“). 

At one moment, I had become obsessed with the main motif from that track, playing it over and over again. One Monday evening (I guess it was in November), I added a background track, and finished it on Tuesday morning. Took me some time to record it.

(Sharing a Pot with the) Green Man

Ribbon

Fragile Leaf - ste rozza - dronescape mudbuddha chill

Fragile Leaf

Like most of the guys playing parts on this song, this one's a pretty special one for me, because of my dad's love for country music and being an amazing guitarist who was a big influence on me to play music. Thanks to Josh for reaching out to invite us along for this one, and to all the guys for putting their hearts into the performances here!

Dedicated to Dad.

Cast of Characters:
mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel

This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured his son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. 
 
 The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the John Denver, but also arranged it so there is an instrumental break in the middle now. He also added the guitar lick around the beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his terrific harmonies. Mark threw down a harmony line as well during the verse, and one of the 2 high chorus harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

(song written by Bill Danoff, Taffy Nivert, and John Denver)

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here's some pictures I took:
https://500px.com/p/MrMark?view=photos

Take Me Home, Country Roads (cover - with Eclectic Collective)

TIRANI

CHOKE by LucyScrew

This variation UnBoxed March 2024
Remix of original Open the Box 3 recording January 2023
 
[ d o w n Lo a d a b l e ]

Chinese Rub OH MY GOODNESS MIX

get well soon, baby

18 strings and nothing more.  A Dean Tradition acoustic 12 string and a Telecaster

Dec 6 2024 live stream (seven minutes with a Syko)

art which overwhelms the senses, makes no sense, is incongruous with the 'normal' thinking process, which transforms and transmutates the listener into something they were not during before, and creates a permanent evolutionary change.

 
"Music projects a living image into your existence, it is an expression of something beyond our own comprehension, seemingly existing as part of the moment only as color and feeling – something that Unearth Noise has been able to achieve with every single track that I've listened to. The name itself can allow you to vaguely imagine what you are about to fall under the spell of. " -Rolby Perez of Neitherzine (http://neitherzine.com/)

Neitherzine interview (pg.42): http://issuu.com/neitherzine/docs/issue_seven?e=4786980/4515658

Facebook. page:: http://www.facebook.com/pages/Unearth-Noise/448815395188765

Downloads available on Bandcamp page http://unearthnoise.bandcamp.com/

Also check out my cyber band Ancient Aliens @ http://soundcloud.com/ancient-aliens-1

and: http://soundcloud.com/shadowface-2 (bitzone/Catcherye/Unearth Noise collaboration)

the real way to the way out (w/Henry Koek)

Unearth Noise

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Vasco Ribeiro Morais - Pag. 4

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