Electronic Techno Music (Producer)
This channel I present: 
Minimal Melodic / trance / progresive Music. 

See my other channels for more...

Acid / Industrial / Trance / Dark / Deep / Minimal / Experimental / Etc..

Creator of Chaos & Sound

I'm Lust Till Dawn. Not a DJ in the classic sense—I'm a sound artist. I prefer to build my own universe of sounds than to copy other people's records.

What started with a simple Hercules controller without headphones grew into an unfiltered passion. I learned to DJ by feel. No cueing, no preparation—just listening, feeling, blasting. Everything by ear, by record knowledge, by instinct. No manuals, no rules. Just raw flow and technical obsession.

Meanwhile, I've been working with Ableton Live—my favorite DAW—for almost nine years now, and I prefer Virtual DJ, simply because it gives me the most freedom.

I've tried all the software: FL Studio, Serato, Traktor, Rekordbox… but I stick with what works for my flow.

In those nine years, I've created over 900 tracks—good, bad, unfinished, bizarre—I share them all. Because I don't want to have a hit. I don't want to become a star.
My music is a diary. Each track a snapshot. A story. A state of mind.

My very first creation – FHUR – was born live, accidentally, from a loop of four beats. Scratching, effect after effect, without a plan, without a head or a tail… and yet something unique emerged. A raw industrial sound. My sound. And even though I don't remember exactly how I created it – that's the magic.

Since then, I've continued experimenting. I write my own vocals, or I use AI, voice computers, text-to-speech. I buy samples, presets, VSTs, and distort them into something that sounds like Lust Till Dawn. Serum is my go-to synth, but Diva, ANA, and Massive also feature.
I learned a lot through BandLab, and the Push 1 controller really pushed me to delve deeper into Ableton – a learning experience in itself.

Sometimes I try to revisit older tracks with new skills, but I rarely manage to find that same vibe.
Because my vibe can't be copied—not even by myself.
What I do arises in the moment. Often wrong, often too wild, but always genuine.

I am Lust Till Dawn.
No star, no product, no pose.
Just a human being, addicted to sound,
with a heart full of chaos. My mission is to one day be as talented as my idols and...

Richie Hawtin, Victor Ruiz, Lampé, Ellen Alien, etc....

I don't have a favorite techno genre.

I love HARD techno to Micro Minimal and everything in between.

I stick to Cat. Electronic Music. 🫶

At IMPRINT, we celebrate the power of intelligent dance music to transform and elevate the listening experience. Our label is dedicated to uncovering and amplifying the voices of underrated artists whose passion for music transcends trends. We believe that the essence of music lies in its ability to evoke deep, authentic emotions, not just to follow fleeting trends.

We are more than just a record label; we are a community. A haven where artists who are dedicated to their craft and driven by their love for music come together to create something extraordinary. Our diverse range of sounds-from House and Techno to Downtempo and Lofi-reflects our commitment to exploring and celebrating the full spectrum of intelligent dance music 

Our goal is to unearth and celebrate talent that deserves recognition and to foster a collaborative environment where creativity thrives. We invite you to join us in this journey, to connect with like-minded individuals, and to experience music that resonates with your soul. Together, let’s make an imprint on the world of dance music that is both genuine and unforgettable.

Afterlife / Siamese / Upperground / Simulate / Ellum 
Worldwide booking: citizenkain.booking@gmail.com

French DJ/producer/label boss Citizen Kain is the DJ’s DJ – his powerful tracks at the heart of sets by many a top name (Tale Of Us, Maceo Plex, Artbat, Solomun, Mind Against, Adriatique…). He releases on Afterlife, Ellum, Upperground, Siamese, Atlant, plays at global events such as Fusion Festival (DE), Marvelous Island (FR), Ying Yang Festival (Great Wall of China), Les Plages Electroniques, Sunburn Festival (India), Spilt Milk (South Africa), Les Nuits Sonores, Piknic Électronik… while supporting luminaries such as Artbat, Laurent Garnier, Adriatique, Adam Beyer, Maceo Plex, Solomun, Mind Against… 

 Add to that his impressive following on DSPs and honourable history (including jail!) as part of the French illegal rave scene and it’s high time he was more of a headliner in every sense of the word. So, he’s emerging from his ‘eminence gris’ status into the limelight, in time to make his new label’s name UNSEEN (launched Aug 2022 with ‘Kiss Me Again’) well and truly ironic as well as releasing his own new work, remixes and other artists. 2023 sees his track‘Ghosts & Shadows’ drop on Artbat’s label Upperground, after his ‘Ricochet’ dropped March 2023 on Adriatique's Siamese imprint – more big releases TBC amidst a hectic tour schedule.  

SOUND, STORY & EARLY INFLUENCES: Kain describes his sought-after and very strong individual sound as ‘Melodic Techno, always melodic, but with an edge and very groovy rhythmics. I mix genres of Techno, Hardcore, DnB and House from each period of my music development, defining a very fat, high energy sound.’ Other influences from 80s New Wave (Depeche Mode, Kraftwerk…), Punk, and his earliest youth playing guitar in a Metal band also enrich the mix. 

Kain’s childhood passion for making music began at age 10, an electric guitar from his parents leading to forming Metal bands with friends and gigging from age 15. He got the House/Techno bug soon after, and from 2002, he gave up a car factory job for full-time DJ/producing after a small legacy allowed him 2 years free to learn his craft, the one silver lining to the tragedy of losing his mother at age 20. From then on, he earned his living in music. A period of mainly Techno Hardcore/DnB eventually evolved into his current passion, Melodic Techno. 2006 saw his first vinyl release, and from 2007 he released vinyl on high stature labels and began serious touring. From gigs in local bars and clubs, to organising small illegal rave parties and then much bigger illegal events (which landed him briefly in jail!), he has lived his love of music on stage and never stopped. 

Early influences began with Metal, Hardcore and Punk (Biohazard, Sick Of It All, Madball, Agnostic Front, Fugazi, Discharge) while playing in bands, then when DJing it was Electro/New Wave like Depeche Mode, Kraftwerk, Joy Division, The Cure that got him into Dance Music, seeing him through his Techno epiphany. 

RECENT RELEASES: As well as his 2023 July single ‘Ghosts & Shadows’ from a 4track VA EP on Artbat’s label Upperground, and lots more in the works, there was also ‘Ricochet’ March 2023 on Siamese while 2022 gave us ‘DRAG’, and ‘Pancho Villa’ (both on Tale Of Us' Afterlife), his label launch track ‘Kiss Me Again’ on UNSEEN, plus releases on BOg’s Atlant and a second track on Afterlife’s VA compilation, as well as a track ‘Supercycle’ with David Guetta’s alter ego Jack Back. He made his Ellum debut with ‘Charly Charly’ in 2021. His tracks are eagerly snapped up by DJs such as Tale Of Us, Maceo Plex, Artbat, Solomun, Mind Against, Adriatique, David Guetta, Laurent Garnier, Carl Cox, Dubfire, Richie Hawtin, Joris Voorn, Joseph Capriati…

PERFORMANCES: Citizen Kain has shared a stage with all the major artists since 2000, most recently Artbat, Maceo Plex, Solomun, Mind Against, David Guetta, Adam Beyer, Laurent Garnier, previously Richie Hawtin, Sven Vath, Ricardo Villalobos, Carl Cox, Dubfire, Luciano, and earlier, Underground Resistance artists like Mad Mike, Jeff Mills, James Pennington. He has a packed touring schedule for 2023. 

GIGS INCLUDE: Fusion Festival (Germany), Piknic Électronik Montreal, Ying Yang Festival (Great Wall of China), Les Plages Electroniques, Sunburn Festival (India), Spilt Milk (South Africa), Dream Festival (Mexico), I Love Techno (Europe), Sea You Festival (Germany), Marvelous Festival (France), Family Piknik Festival (France), Klubbers Day Festival (Spain), Big Bang Festival (France), Les Déferlantes Festival (France), Burning Beach Festival (Germany), Icarus Festival (Germany), Panoramas Festival (France), Eclipse Festival (Canada), Les Nuits Sonores (France).

Now Citizen Kain has stepped fully out of the shadows, with such a list of achievements and accolades, the sky’s the limit.

My love for music really began in 1994 when Club Carat opened its doors since the club was already far ahead in terms of choices of new music.Through all those years I have 16,000 songs collects to me vinyl and mp3.In November 2010 I purchased a virtual DJ MK2 and I began to experiment in March 2011, My first experience as a DJ with the public was the BdayBash of deejay Staryu (Kevin Struyf) and further Inception by deejays Staryu and Tjels (Michiel Vandoninck).After a break of 2 years I started again playing for some concepts in Club The Zoo namely Culture organized by deejay Frelix (Frederic Libens) and Secret Invasion organized by deejays Stich_it and Solis (Jens Willems and Jim Solis)

Driven by his idol Richie Hawtin & inspired by various artists and labels in the dark minimal scene, this young talent definitely earned his spot.

Massaar, born in Kortrijk, bought his first turntables at the age of 20.
Soon he started playing at the Londenbeat Café & events such as Borderline, Rotection & Click System and the infamous Lab.105dB parties at Club Basic.

His gigs are always refreshing as he spends hours searching for new music & sounds to please ears & mind. He creates his own style by mixing with the Model 1 and adding extra sounds with the Roland TR-8S. With his controllers he combines minimal techno with minimalistic clickery beats, loop based waves & deep, dark baselines.

His breakthrough came in the summer of 2010, after sending a demo to one of the creators of ‘Feestgedruis’ who immediately saw his potential.
This has lead to some very interesting & memorable bookings…starting with a warm up for Barem at the former Make Up Club and gigs at Rhakti Deï, Forest Festival, Tribes Gathering and City Parade, just to name a few of his summer highlights.

By now Massaar has played at some of Belgium’s finest clubs and festivals; Fuse, Decadance, Cafe d’Anvers, Kompass Klub , Extrema Outdoor, Tomorrowland, …and has also been invited a few times abroad by ‘Der Hut’ & ‘Moin Moin’ in Fundbureau Hamburg.

In 2018 Massaar decided to take over the Feestgedruis concept ‘Donnerwetter’, together with his good friend and partner in crime, Ode Maen. Both well-known for their extended B2B performances. 
Recently he also started experimenting with Ableton, determined to create his own sound, so keep an eye out!

https://soundcloud.com/kalinka-laeremans

Producing/ Deejay team for sensa events. 

Elektronic Music 

Techno - MiniMal - Progressive - Industrial,.. 
House - Tech-House - Minimal House -  Micro House/trchno 

DjUan and DLink (kalinka /LTD)as deejay 
Producing team for Lust Till Dawn. 

Music is or Passion driven by my biggest idol offcourse Richie Hawtin <3

I/ L O V E/ Y O U /RICHIE <3 My Hero 
Maceo Plex 
Panpot
Traumer 
undercat 
victor Ruiz
Lampé
Worakls

Djuan starts feeling the music very young discovering the turntables at my parents catering. I collected over many years tracks on vinyl, cd's  and mp3. 
 My first experience as a DJ with the public was the deejay BdayBash of Staryu (Kevin Struyf) and further Lockdown led by deejay Druiver (Jan Berthels), and guest dj at club Inception in Herselt . I would like to thank my good friend Michiel Vandoninck (dj Tjels) who gives me opportunities to play at Club Inception Herselt.
After a break of 2 years I started again playing for some concepts in Club The Zoo namely Culture organized by deejay Frelix (Frederic Libens) and Secret Invasion organized by deejays Stich_it and Solis (Jens Willems and Jim Solis)

Kuriose Naturale's Upcoming Gigs
Sun 19 Jul, 20 
Melt Festival, Gräfenhainichen, Germany

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Altbewährt und trotzdem irgendwie neu. Nein, als Newcomer würde man das Berliner Duo Kuriose Naturale nicht bezeichnen. Seit Mitte der neunziger Jahre sind die beiden als Deph und TanaThan unabhängig voneinander unterwegs um sich  zehn Jahre später im Jahr 2006 zu Kuriose Naturale zu vereinen. Auch wenn die Kollaboration eher zufällig bei einem Ping Pong Set auf dem Soundtropolis Festival entstand, waren sie sich schnell über eine gemeinsame Zukunft einig. Und so fand man seine Residenz in der Berliner Ritter Butzke, von wo aus sie seither in die Clubs und auf die Festivals der Republik starten. Nach diversen Gigs im deutschsprachigen Raum und im osteuropäischen Ausland durften sie dieses Jahr das ersten mal den südamerikanischen Kontinent beehren. Musikalisch lassen sich die beiden nichts unterstellen, denn sobald man sie in eine Schublade steckt beweisen sie gerne mal das Gegenteil. Gibt man ihnen die Zeit, so spielen sie auch zehn Stunden am Stück und bei solch ausschweifenden Sets musste schon der Strom gezogen werden um der Sache ein Ende zu setzen. Zitat: „Techno hat mit kurz nichts zu tun und für Musik braucht man Geduld, dass ist eine Tugend die leider vielen fehlt.“ 

„Und gab es keinen Stromausfall, so spielen sie noch heute“ 


Deejay Yuan (Djuan) is following