this is the only thing cheering me up....love that bit

Mellow, quirky, poignant, and ultimately, a mix of pure class!🤍

Anyone know who's performing this rendition of Peggy-O?

Congratulations on 100 amazing mixes! Sending love from Italy <3

wonderful way to celebrate #100. thanks for all the podcasts and releases through the years. here's to many more!

check.list:2509

Sounds by @avsluta 🌸
Visions by @marcomaldarella 💫

Buy Music Club: https://www.buymusic.club/list/ie-introspective-electronics-w-avsluta-x-netil-radio-jul-25

TRACKLIST:

Dan Thorman – DYSB
Michele Di Martino – RE.75°05′59.91″S 123°19′57.38″E
Soria – Albatross
SØS Gunver Ryberg – The Presence_Eurydike
Danny – Leaf B
Michel Banabila – Aunt Nadira
Sanjib – Angel's Entrance
HVL – Cycle 8th Reprise
Purelink – First Iota (feat. Angelina Nonaj)
Biosphere – The Way Of Time (On And On)
Massi NPL – Hong Kong
funcionário – corrente
DJ Trystero – Untitled 9
N Kramer & Magnus Bang Olsen – Limbic Fresco
rookas – Flamma
Quiem – Sun At Paral-lel
perila – give it all
Purelink – Yoke
Krystian Shek – Never Complain (Dub Mix)
Sanjib – No Space No Time
Danny – Leaf A
Christian Duka – Crescere

Introspective Electronics w/ Avsluta x Netil Radio | Jul 25

Palm Reader 11: Israel Vines
"disquiet, reprieve, unbind"

Aired on VPN Radio, virtualpublic.net, on August 7th, 2025
Recorded live at Plata Lounge on the Palm Reader label series preview night on 06.13.2025  @israel-vines

~

We’ve been big fans of Israel Vines ever since hearing him play out in LA warehouses some 15+ years ago. A true veteran of the US underground, Israel spent his formative rave years in Detroit and Chicago in the early 90’s - where he worked at the legendary Gramaphone Records - before going on to become the distinguished producer/DJ we know him as today, with releases on Tresor, Semantica, Cult Figures, and Eye Teeth (sub-label of Detroit’s own @ithqdetroit ).

Both Israel’s productions and sets reveal his encyclopedic knowledge of, and a deep love for, abstract electronic music - always carrying his signature heady sound and flair for bold artistic expression. Israel has played for us several times before at @gradientcampout and other collabs with our homies eternal @printshop.club ❤️ We're thrilled and honored to have his contribution to Palm Reader, our series dedicated to ambient and experimental for wayfinding in stillness. This mix was recorded live at our Palm Reader label preview night (!) on Friday, June 13th, indoors at Plata in Silver Lake. Thank you Israel for joining us that night, and trusting us with your beautiful mix 🙏 Enjoy! ~


TRACKLIST >>> 
F&E - Emotions - (Nullpunkt, 2021)
:ZOVIET*FRANCE: - Ciels Ténébreuse - (DOVe, 1991)
WILLIAM SELMAN - A Soft Degeneration - (Mysteries Of The Deep, 2023)
LEMNA - The Dawn - (Self-Released, 2025)
NSI. - Detached To Reality - (NAKID, 2024)
KLAUS SCHULZE - Melange - (Elipsis Arts, 2000 *recorded in 1978)
LEMNA - Caught In Mud - (Self-Released, 2025)
COSEY FANNI TUTTI - The Secret Touch - (Conspiracy International, 2017)
JACK DANGERS - Come Back To Earth With Me - (Important Records, 2004)
DEATHNESS - Daughter Of Slaughter - (Self-Released, 2025 *recorded in 2017)
FRENSEL LENS - Tireless Wait - (Self-Released, 2022)
LEMNA - Hallucination - (Self-Released, 2025)
AZU TIWALINE & CINNA PEYGHAMY - Canopée Imaginaire (Live Version) - (Self-Released, 2024)
PUB - Dilema - (Ampoule, 2001)
NATHANIEL YOUNG - Graying Dawn - (Mysteries Of The Deep, 2019)
SENZA TESTA - ॐ ऐं ह्रीं क्लीं चामुण्डायै व ि च्चै - (Northern Electronics, 2022)
COSEY FANNI TUTTI - Corridor - (Conspiracy International, 2022)
JON HASSELL - Viva Shona - (Lovely Music, Ltd., 1978)
RASHAD BECKER - Themes I - (PAN, 2013)
IRENE BIANCO - Hvid // - (Permanent Draft, 2024)
DEMDIKE STARE - Ghostly Hardware - (Modern Love, 2009)
DOPPLEREFFEKT - Computronium - Curtis Electronix, 2024)
DEMDIKE STARE - Mephisto’s Lament - (Modern Love, 2012)
DOPPLEREFFEKT - Pascal’s Recursion - (Leisure System, 2013)
STAVE / KARIM MAAS - The Center Is Dead - (Standards & Practices, 2025)
HILDUR GUONADÓTTIR - Bridge Of Death - (Deutsche Grammophon, 2019)
KING MIDAS SOUND - Bluebird - (Cosmo Rhythmatic, 2019)
COSEY FANNI TUTTI - Ritual Awakening 2t - (Conspiracy International, 2000)
STARS OF THE LID - Adamord - (Sedimental, 1995)
COSEY FANNI TUTTI - Selflessness Part One - (Conspiracy International, 2004)
MELVINS - A Really Long Wait - (Scion Audio / Visual, 2012)
BLACK SABBATH - Planet Caravan - (Vertigo, 1970)

Palm Reader 11: Israel Vines

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @

RRFM • Habitat w: So Oishi • 07-08-2025

This week. welcoming a dear friend and one of my all-time favourite DJs & producers, Swiss wizard @agonis-amenthia - part of the mystical Basel crew - @amenthia-recordings.

A "techno" sound so unique, modern & boundary pushing, it makes you question the genre entirely. Agonis has become known for his bass, techno, dub, idm-everything.. infused releases, always meticulous and full of surprises. On top of a an extremely reliable and exciting back-catalogue of music and always on-point curation of Amenthia alongside his label co-head Garcon, he is also an incredible DJ. Here for Animalia a special mix inspired by many special shared moments on the dancefloor <3  pure euphoria!

Thanks so much for this Dominic it's a pleasure to have you in the series :-) 

Downloads enabled

Animix One Hundred & Seventy Nine: Agonis

Reaching our 100th edition feels special, and we couldn’t be more honored to celebrate it with Anthony Child. Many know him as Surgeon or as part of the British Murder Boys alongside Regis whose work has left a lasting mark on techno. Yet there’s another side to his work - one that steps away from the club and into more spacious terrain. You can hear it in his electronic recordings from the Maui project in 2015, in his collaborations with Daniel Bean as The Transcendence Orchestra, or through OLD Technology, the label they run together as a playground for questioning reality.

For Unrush, Anthony offers a mix that only he could create. A journey that wanders through krautrock, psychedelic twists, ambient spaces and moments of lighthearted play. It has the same curious energy that makes his monthly Noods mixes so inspiring, and yet it feels made to be taken in slowly, with time and openness.

We’re grateful to share this milestone with someone who has shaped so much of the music we love, and who reminds us that listening can be both grounding and transporting. Press play and enjoy it - on a walk, with friends, or in your own quiet time...

Thanks a lot to https://soundcloud.com/dynamic-tension

ANTHONY CHILD on the web:
Bandcamp: https://old-technology.bandcamp.com/
Noods Radio: https://noodsradio.com/residents/nog-zone-w-anthony-child
Instagram: https://www.instagram.com/tony_surgeon/

UNRUSH on the web:
Bandcamp: www.unrush.bandcamp.com/
Hardwax: www.hardwax.com/label/unrush/
Instagram: www.instagram.com/_unrush

Cover artwork by Irakli Kiziria

Tracklist:

Cindy Lee - Baby Blue
Chris Weisman & Greg Davis - The Nine Times
Mac-Talla Nan Creag - Five Sisters
Sean Booth - Twitch AMA (excerpt)
Bob Lind - Fennario
Panda Bear - Take Pills
Neil - Cosmic Jam
The Transcendence Orchestra - The golden jaws of the celestial vice
Bernard Parmegiani - de natura sonorum: premiere serie: accidents / harmoniques
Anna von Hausswolff - The Truth, The Glow, The Fall
David Sylvian & Stephan Mathieu - Saffron Laudanum
Chris Watson - Crucero La Joya
Open University - Parents talking to teenagers cassette (excerpt)
Dionne Warwick - Don't make me over
Imaginary Softwoods - Diagram Of The Universe
Jo Johnson - Alterations 1: Unbroken
Jim O’Rourke - A Man's Mind Will Play Tricks on Him
Zyggurat - Crepuscule / Druids Heath
Rotary Connection - I am the Black Gold of the Sun

100 - Unrushed by Anthony Child

✧ New hyperseason cues up with a re-emerging @aasudd recording, salvaged from the mists of an original Barking (Gareth Psaltis) stream. What was once a fleeting transmission now resurfaces in hyperdigital memory; fog‑laden, elusive, hanging just out of reach yet caught before it dissolved for good. A reissue as vault‑like relic, setting the tone for the next hypercade ✧

✧ Aired 04.09.2025 on @lyl_radio ✧

www.lyl.live

Hyperterranean #031 with Aa Sudd

Helsinki raised, Paris based Jeku is know for his trippy, psy-infused rhythms, expertly crafted to compel movement and progressively elevate the senses.

With acclaimed releases on labels like Craigie Knowes, Haŵs, and Avoidance, and his most recent EP ‘Twisted Utopia’ on Harmony Records, Jeku continues to push the boundaries of contemporary electronic music.

About the mix: "This mix is heavily inspired by my recent experiences at Pe:rsona and Ozora festivals, which I attended back-to back straight from one to the other. I found a resurgence in deeper and slowly evolving sets which felt so fresh I wanted to channel that energy into this mix. Best enjoyed outdoors or afters!"

@jeku_fin

DSS 115 | Jeku

Same words, different world.

There was a time when the world was quiet. Or maybe it wasn’t the world—maybe it was just me. I remember the silence, the kind that wasn’t empty but full, the kind that settled softly like dusk over a slow-moving river. Back then, my mind was still a place I could rest in, not a storm I had to survive.

It must have started as a whisper, a small ripple in the stillness, something I thought would pass. But it grew until it became everything. Now, the quiet feels like something I dreamed, something too distant to be real. I chase it, reach for it in the rare moments when the chaos slows.

And I am left here, a drift in the wind, unable to remember what it felt like to simply be.

Sometimes, late at night, when the world is half-asleep, I almost hear it again. A memory of silence, pressed between heartbeats, between the ticking of the clock and the sigh of the wind against the glass. But it never stays. The storm always finds its way back, tearing through my thoughts, scattering them like leaves in a wind I cannot stop.

I wonder - was I ever truly at peace, or was it only the absence of knowing what would come? And if I was, if that silence was real, is it lost forever? Or is it waiting for me somewhere, just beyond the horizon?

I remember the silence (rework)

His set instantly draws you into his enchanting world, where you're suspended in a lush landscape of sound and texture. Deep, slow tribal rhythms gradually give way to more frenetic, syncopated drum patterns—yet the poetry remains throughout. Our kind of meditation.

This piece is part of Retina collective residence at Lyl Radio and made by Jan Swam. Co-founder of Refractor Festival and founder of Organic Signs, Jan curates transformative musical experiences, uniting global artists in harmony with the natural world.

Jan Swam @ Retina x LYL Radio

Pessimist & Vega with Felix K - 03 September 2025

Highs & Lows

With the summer festival season drifting into memory, it feels like the right moment to linger on one of the most thoughtfully shaped events in recent years. The Mostra Festival unfolded over the Easter weekend across two Barcelona locations, and what set it apart wasn’t just the programming, but the curation - a balance of trust, patience, and precision. The first two days leaned toward the ambient and the experimental, tipping into rhythm as the nights wore on. Yet the real magic of that opening stretch lay in the beatless hours. Friday in particular offered a moment that still reverberates among Mostra regulars and beyond: Robert Henke’s performance of Dust. If there is any place in the world designed for such a work, Mostra provided the perfect frame. For one afternoon, Henke held the crowd in complete attention and reverence, something essential for any artist, but especially for one whose work is as delicate, shifting, and expansive as Dust.

For many of us, Robert Henke, Monolake to longtime listeners, has been a constant presence in the background of our musical lives. His records shaped taste, his performances redefined how electronic music could be experienced live, and his role as co-creator of Ableton changed the very tools we use to make and share sound. Few artists can claim such a dual legacy: architect of both the music and the machinery. Whether in moments of joy or frustration, whether in the studio or on the dancefloor, it’s impossible to imagine modern electronic music without his fingerprints on it. Henke embodies the link between technological innovation and artistic expression, and his influence runs deeper than most of us can trace.

Dust is perhaps the clearest expression of that link. Powered by a custom granular synthesis engine, it reduces sound to particles, field recordings, analog tones, machine hiss, bells, and waves, then disperses them into clouds that evolve in real time. The result is less like a composition and more like a living organism: fragile, unpredictable, always becoming something new. At Mostra, this unfolding took shape in late afternoon, after Patrick Russell’s set had sharpened the air with its own restraint. Henke stepped in with a 360-degree surround system that transformed the floor of Fabra i Coats into a resonant body. The sound was cosmic and liquid, grainy and immense, stretching outward until it seemed to erase the horizon. Every surface in the space shimmered with detail, as if the air itself had been tuned. What made it remarkable was how fragile it all felt. Nothing was forced; every movement seemed to arise on its own, like dust caught in late-afternoon sunlight. Yet the immersion was total. People surrendered, leaning into the space as if trying to hold onto something that could never be held. For that hour, Mostra wasn’t a festival anymore. It was a room of people floating together in a world made entirely of sound, knowing it would never happen in quite the same way again.

https://soundcloud.com/monolake
https://www.instagram.com/studio.robert.henke/

www.mostra.barcelona
www.instagram.com/mostrabcn/
@mostrabcn

Write up by @gilleswasserman

Follow us on social media:

@itsdelayed
linktr.ee/delayed
www.delayed.nyc
www.facebook.com/itsdelayed
www.instagram.com/_____delayed
www.youtube.com/@_____delayed

Contact us:
info@delayed.nyc

Read

Delayed x Mostra: Robert Henke presents Dust

@veralogdanidi

To All That We Lose And All We Fight For is the debut album by Vera Logdanidi — the culmination of nearly two decades of musical evolution. Her journey began in the world of drum & bass and jungle, gradually expanding into deep explorations of house, dub techno, and techno. Over the years, Vera has performed on leading stages across Ukraine and internationally, while also mentoring a new generation of DJs and producers, hosting radio shows, and supporting the scene through her label and community work.
This album was written during a time of deep upheaval. The outbreak of full-scale war forced Vera to leave behind a well-established life and begin again on the international stage. While the music often feels dreamy and introspective, To All That We Lose And All We Fight For is a profoundly personal record — a sonic refuge shaped by grief, uncertainty, and resilience.
The album doesn't follow formulas; it’s driven by intuition, texture, and a genuine connection to sound. It's rich, emotional, and occasionally unexpected. The tracks form the core of Vera’s current live set, which has resonated at major festivals such as Draaimolen or Strichka — captivating audiences with its depth and subtle, immersive energy.
The cover art, created in close collaboration with Vera’s longtime visual team, is a real photograph — not a digital effect. It captures the tension between anxiety and hope: a glance back, and a step forward into the unknown. This visual metaphor reflects the emotional landscape of the album — the fragility of what’s been lost, and the courage to embrace what lies ahead.
This release also marks a new chapter for Rhythm Büro Records — one that moves towards music that is more personal, intimate, and unconstrained by expectations.
To All That We Lose And All We Fight For is released alongside another important Rhythm Büro release: RB011 — Your Curves EP by Na Nich. Ukrainian producer Oleksandr Pavlenko, formerly known as Sunchase, returns to his roots in broken beats and bass music, blending them with house and techno sensibilities. The four-track EP ranges from deep grooves to melancholic late-night moods — a compelling counterpoint to Vera’s album and a testament to the label’s evolving identity.

Cat number: RB012
Label: Rhythm Büro
Artist: Vera Logdanidi
Title: To All That We Lose And All We Fight For LP
Release date (bandcamp, all formats): 19 Sep 2025
Release date (other platforms, vinyl): 19 Sep 2025
Release date (other platforms, digital): 26 Sep 2025


Tracklist:

A1 Keep Breathing
A2 Keep Living
B1 Keep Searching
B2 Keep Pushing On

C1 Keep Bleeding
C2 Keep Healing
D1 Keep Fading
D2 Keep Shining On


Vera Logdanidi - To All That We Lose And All We Fight For LP [ Rhythm Büro 012 ]

Continuum: a coherent whole characterized as a collection, sequence, or progression of values or elements varying by minute degrees.

We all have core memories of special dancefloor moments. Audience fully hypnotised, beating as one, lost in the music. Pure instinct, and the wildest spirit within each one shining through. Some artists have an uncanny ability to channel that. And today we present 2 masters at making those moments happen, via Perpendicular Festival 2025. Part of the Ouroboros takeover on Friday night, their performance at the event was one for the books. 

Toé, one of the minds behind EWO collectif and the Ouroboros project, has been mesmerising audiences with some stellar performances. A testament to it was her set just a couple days ago on her home turf, when we witnessed her sorcery at the peak of it's powers. With music that taps into the most feral and primal, it's hard to explain the purity of the feelings she conveys with her mixes. One thing is for sure, Toé has an ability to get your inner animal manifest on the dancefloor. 

Vardae needs no introduction at this point. His releases on Samurai Music or Non Series have established him in that "timeless" space of music creators. One to blame for the expansion on half time and dnb sounds into new psychedelic territory. Vardae is at the very front of a movement that unites breaks, tribe, trancey sounds and techno energy into a new irresistible ritual. His live performance gets better every time, and he turned Ouroboros upside down a couple of days ago. 

Together, you can only imagine what these magicians summon with their sonic potions. And Perpendicular was the cauldron in which their perfect mix took shape. Impossible drum patterns, enchanting atmospheres and their particular flare for transcendental sounds. Combined, these two take their wizardry to the highest levels. 

We couldn't be happier to host these two beloved artists, friends and amazing creatives. Inspiring humans that we always wanted to have in our channel. Infinite gratitude to Melu, Cedric, and the Perpen team for letting us host this piece of musical history. This is HUGE. 

Artwork by Javier Marimon - Off Tangent

The Continuum: Toé & Vardae - Perpendicular 2025

Stray Tapes 006 w/ Gent

U N R U S H is an experiment in sound, a crystalline vision of eternal pause. Through our record label, podcasts, interviews, and event series we focus on presenting a diverse array of alluring ambient music. With each guest contribution we search for a serene space within the mind that is free from the encumbering stresses of daily life. Our events will act as a platform for distinguished artists and take place in stunning cultural surroundings both in the city and in nature, taking a step away from the pounding hedonism of the club to showcase the other side of electronic music.

- no podcast inquieries or demos please -

100 - Unrushed by Anthony Child

UNRUSH

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