The audio track of my machinima using Second life. Words all posted in my blog here:
https://maximilliankaestne.wixsite.com/mk-comics

It Started With A Look

Had this one sitting in the "nearly there" folder for a while, and I decided to put it out there ....not overly long, pretty psy/trance/techno.

Witchery 4

Animatronic Fishes

The Dawn Of A New Nothing

Irk the Mutant plays live 1/21/24 at the Wastelands 17th Birthday Party! Cover art by ZTAR

00:37 Terrapin - Syd Barrett 
02:57 I Love Trash - Jeff Moss
05:12 Effervescing Elephant - Syd Barrett 
06:52 The Ballad of Jayne Cobb - Ben Edlund
09:21 Way To Eden Medley - Star Trek, unknown
11:25 Creativity Song - Pelling and Sloan
14:05 It's Not Easy Being Green - Joe Paposo
16:29 Cluck Old Hen - traditional
18:52 Plastic Breadcrumbs - Sack of Pinkies
21:43 New Fence - Sack of Pinkies
24:55 Cut The Mustard - Sack of Pinkies
27:09 Mermaid and Dinosaur - Sack of Pinkies
30:34 Bile Them Cabbage Down - traditional
33:28 Wastelands People - inspired by the work of Dan and Catherine Peek/America
36:02 All The Good Times Are Past and Gone - traditional
39:41 Grumpy Ned - traditional
42:06 People and Dogs - Bob and Jeff
45:13 The Earth Does Not Revolve Around Me (But The Moon Does) - Sack of Pinkies

Live at WL17B

Esta é como Santa María juïgou a alma do Roméu que ía a Santïago, que se matou na carreira por engano do dïabo, que tornass' ao córpo e fezésse pẽedença

(performed live at the Wastelands in Second Life)
(I promised I'll be back)

CSM 26 non é gran cousa

This Man is standing
At the edge of existence
Surrounded
By his self-made emptiness
There's a pile of trash
Under his feet
He won't leave us anything
Anything but waste...

Vulture Storks

for four of the same instrument and audio [version for alto saxophones]
commissioned by the Richmond Concert Society for W37 Saxophone Quartet

“Shoegaze Medieval is based on the ballad Corps Feminin (c.1390) by the ars subtilior composer Solage (c.1340-1400), examining and reworking its materials within a loose and blurry context. All four instruments fulfil equal roles within the work’s heterophonic surface, cycling through the song’s pitch material in loosely constructed canons, but with newly conceived rhythms and durations. The electronic component is made from a series of manipulated audio recordings of the piece, processed and layered again in canonic textures to provide a hazy and psychedelic wash behind the instruments. This process draws from the subgenre of indie and alternative music known as ‘shoegaze’, which came to prominence in the UK in the late 1980s and is noted for its ethereal mixture of obscured vocals, guitar distortion, effects pedals and feedback.”

Shoegaze Medieval

The Second Life presence of an artist who does it completely different in her First one. Live looping with acoustic instruments of the mostly medieval persuasion and the odd synths for good measure. Improvisation, ostinati, drones and some very old tunes thrown in the mix. Add to that some guitar equipment from the 90s and who knows what else natural selection might bring!

CSM 26 non é gran cousa

unstructured playtime

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