RELEASES

Markham Road Records is an electronic music label exploring both established and experimental ideas. Based in Brno, Czech Republic. In residency under @infameradio and @vitaminxxx. Curated by @westdaledan

BANDCAMP

MARKHAM ROAD

Drum

MARCH25 ღ¸.🌸´`🌸.¸¸ღ ʚ🌹ɞ •┈••✦ 🌹 ✦••┈•

COUNT - THIRD TAKE [MR006]

Anmon - Cyber

Tension - Rebuild

'Red Rabbit' by Venïson Man x St Mozelle
produced by Stephen Hill 
mixed & mastered by Stephen Hill
art by weecolors

Red Rabbit e.p.

trap

Red Rabbit (w/ Venïson Man)

Objekt launches his new label, Kapsela, with a 10-year anniversary reissue of his lauded production ‘Ganzfeld’. An ambitious, evocative electro/IDM epic with cavernous drums and a riotously funky bass solo, Ganzfeld was initially released in 2014 on Leisure System as the B-side of Hypnagogia, a split EP with Detroit electro pioneers Dopplereffekt. It quickly garnered critical acclaim (including Track Of The Year by Resident Advisor) and amassed a cult following despite clocking in at 147bpm, a relatively unwieldy tempo for most DJs at the time. Given the seismic shifts in tempo and genre that have taken place in the 10 years since and the emergence of a new generation of producers with whom Ganzfeld’s influence has resonated, 2024 seemed like the perfect moment for a re-release.

Commissioning remixes for the first time, Objekt enlists Djrum, who delivers a jaw-dropping 10-minute rendition which weaves through multiple genres and tempos with the cinematic flair of a short film score. Milan’s Piezo contributes a taut, prickly interpretation that builds tension at 80bpm before exploding into a cathartic double-time closer. Finally, US ambient artist Ulla fully deconstructs the original into a serene, undulating lullaby.

Objekt - Ganzfeld (Djrum Remix)

PREMIERE : Smogo - Monstah  [IUFO001]

First Contact offers an unique musical experience that pushes the boundaries of consciousness, taking audiences on a psychedelic journey through the mysteries of the universe.

Smogo
https://soundcloud.com/darksmogo
https://www.instagram.com/darksmogo/

Intelligence UFO
https://soundcloud.com/intelligenceufo
https://www.instagram.com/intelligenceufo/
https://intelligenceufo.bandcamp.com/


Written & Produced by Various Artists.
Mastering by Vincent Villuis at Ultimae Studios.
Artwork by Pianeti Sintetici.
Release by Intelligence UFO from Lyon, France
Release date: September 28, 2024

First Contact (IUFO001)

PREMIERE : Smogo - Monstah [IUFO001]

Bandcamp : 

https://delajelespere.bandcamp.com/album/decoys

No Sir : 

https://linktr.ee/anniemurnighan

De la... je l'espère :

https://linktr.ee/delajelespere

Decoys explore the ways that internal perception distorts and develops as it navigates the fluid boundaries of the self. The EP’s title invokes the distracting and alluring elements of an incomplete double—an illusion that, upon closer inspection, uncovers something perhaps even deeper than its originating source. The title track pairs driving rhythms with dark, rustling atmospheres and layers of competing bass punctured by the screech of unidentifiable machines to create a relentless forward momentum with no clear destination. “Imitation Body” layers found sound to assemble a beat that pushes and pulls with a distinct swing, anchored by ghost-like ambiance and an insistent low end. On “Fear Of Others,” paranoia and uncertainty channel into a chest-rattling dubstep excursion. As the track shifts between two distinct moods, the elements anchoring it mutate and shift. The EP closes with “Respite,” a breathy half-time closer accented by bursts of frenetic sound and warbling bass, as though the music itself is resisting disintegration.

All original tracks written by No Sir
Remixes by Chewlie and GillieLove
Mastering by Damna
Artwork by Camille Giunti (clubkidzstudio)
Text by No Sir & Charlotte Strange
Distribution by Underscope

Bandcamp

No Sir - Fear Of Others

mix/master by me

download is in the link

ep soon?

DOWNLOAD

AHHH (FREE DL)

COUNT - Setback

Atol Disks is a brand-new journey, one that doesn’t rely on many words—music speaks for itself.

Our vision is to trace a path of coherent eclecticism and spontaneous connections, like an archipelago of islands tied together by invisible currents.

No Era, No Tempo Vol. 1 embodies this idea:
14 tracks by Italian and international artists, curated by A-Tweed and Oltrefuturo. Each track is a world of its own, yet together they form a natural weave where differences meet and converse in instinctive harmony.

Atol Diskz -
https://soundcloud.com/atol-diskz
https://www.atoldiskz1.bandcamp.com
https://www.instagram.com/atol_diskz/

DE:MA -
https://soundcloud.com/demajacopo
https://www.instagram.com/itsde__ma/

PREMIERE: DE:MA - Fuck I Delete The Synth  [Atol Diskz]

https://lilatirandoavioleta.bandcamp.com/album/dream-of-snakes


Additional Production Sin Maldita and @Pobvio. 
Artwork by Dario Alva
Mixing and Mastering by Sin Maldita

Full album out 25th of April.
Released by Unguarded, 2025

NEW FLESH

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Riigs - Blank Time EP
Taipan Trax, 2025
𝓑𝓾𝔂 👉🏾 https://taipantrax.bandcamp.com/album/blank-time-ep

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://open.spotify.com/artist/6PCar1mreA7PgSjgwNncXe?si=LfEGywIyTHmN8iQ-__7q3w

https://www.instagram.com/this_is_riigs/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://www.instagram.com/taipantraxuk/

https://soundcloud.com/taipantrax

#newmusic #electronicmusic #Breaks #breakbeat #bass #electro #club #percussive #experimental

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#328 📢 Riigs - Lil Blue Tool [Taipan Trax]

Sanguine Transmission 2025 Beauty in Stillness. 

Composition Mix Master Artwork by DJH

Bloody Xerox

Strife

Pre-order: https://nostrohoodsystem.bandcamp.com/album/opaque-envelopes

@galtier returns to his @nostro-hood-system label with a fifth instalment, ‘Opaque Envelopes’, an exploration of frequency and tilted sound processing across four slick, mid-tempo creations.

On 'Bitrate Swamp', textural sub bass flicks and undulates, occupying the same space as processed, low-bitrate slices of hi-hat goodness. The aura is sharp, vicious and ominous, bordering on sheer orotund in nature.

More exclusive music

Premiere: Galtier 'Bitrate Swamp'

@count2count

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8 

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)  

www.instagram.com/markhamroadrec/

THIRD TAKE

THIRD TAKE [MR006]

COUNT - BLACKTAIL

Markham Road Records kicks off 2025 with a tasty new EP, THIRD TAKE. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from Hedo Hydr8. Opening the EP in style, the first track CONVULSE is a pacy breakbeat track with the perfect wormhole energy for the early morning crew. 

@markhamroad
@count2count

Premiere: COUNT - CONVULSE (Markham Road Records)

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8 

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)  

COUNT
@count2count
www.instagram.com/_countt

Markham Road Records
@markhamroad
www.instagram.com/markhamroadrec

FIREWALL BLOCK

Premiere: COUNT - FIREWALL BLOCK | Markham Road Records

@count2count
@hedohydr8

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)

www.instagram.com/markhamroadrec/

COUNT - BLACKTAIL (HEDO HYDR8 Remix)

PREMIERE of ''Buitre'' by Entrañas, taken from Criaturas EP, available May 21st via Markham Road Records.

"Entrañas, offers an inspired take on traditional Ecuadorian rhythms: Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks. Buitre is an absolutely ravaging (and scavenging) low-90 bpm cut named after the vulture. With passages full of crunched-out wubs and un-quantized rhythmics, this one will surely be a staple for the summer.  "

Buy: https://markhamroad.bandcamp.com/album/criaturas-mr007

ENTRAÑAS
@entranas
Instagram: https://www.instagram.com/entranas_

MARKHAM ROAD
@markhamroad
Instagram: www.instagram.com/markhamroadrec

ANGELS GUN CLUB
@angelsgunclub
Instagram: www.instagram.com/angelsgunclub
Bandcamp: https://angelsgunclub.bandcamp.com
Spotify: https://tinyurl.com/angelspoti
YouTube: https://youtube.com/@angelsgunclub
Telegram: https://t.me/angelsgunclub

Entrañas - Buitre [Criaturas]

✱ SWINE PREMIERE ✱ @entranas and @mijinec teamed up for new EP by Entrañas - "Criaturas" for @markhamroad

This latest endeavor, brought together by @entranas, offers an inspired take on traditional Ecuadorian rhythms like Bomba and Albazo. Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks.

The EP begins with the track "Vibora", a collaborative track between Entrañas and fellow Quiteño, MIJIN. Sitting at 140 bpm, it makes for a fitting mid-paced entry to the release. Highlighted by cowbell and vocal chops galore, Vibora stands out equally for home listening and crowd retention alike. Like the title, this track is omnious and dangerous, in a typical @entranas production style 😈

[Víbora meaning]
a) Serpiente venenosa / Venomous snake
b) Persona con malas intenciones / Person with bad intentions

☛ The full EP releases on May 21, 2025 ☚

Written & Produced by Daniel Francisco Gachet Berrú, Mateo Sebastián García Martínez, Matt Hale
Mastered by Yant
Artwork by Daniel Robertson-Styles

[Swine Premiere] Entrañas x MIJIN - Vibora (Markham Road Records)

@sam-black747

London-based producer Slacker lands on Markham Road Records with an exercise in both sample juggling and unrelenting pressure. Got Me Down's trio of waveforms spin the same vocal chop to produce some heavy, club-ready sounds. These three tracks lie on the pacier side of the BPM range, instructing a late-night application of their rhythms.

[...]

The EP continues with a call and repeat called You Don’t Care. Developing over various percussive lines and bass swells, the track showcases Slacker’s expertise in sorting, pacing, and delivering THE drums. Just like Pooh Beatz, "He Like The HI Hat God Kinda."

Slacker - You Don't Care

Slacker's You Don't Care gets a spin courtesy of Europe’s other mega metropolis. Paris-based De Grandi morphs You Don’t Care into a step-friendly basstech track in his latest remixing endeavor. In this remix, two heavy driving sections are laced together by a rather introverted bridge to allow dancers to regain their footing. As per the rest of the project, the remix maintains elements of the original vocal chop while introducing new percussive and rhythmical accoutrement.

Follow
https://soundcloud.com/sam-black747
https://soundcloud.com/de_grandi
https://soundcloud.com/markhamroad

Buy
https://markhamroad.bandcamp.com/album/got-me-down-mr008

NEW HIT: Slacker - You Don't Care (De Grandi Remix) [Markham Road Records]

https://soundcloud.com/sam-black747 https://soundcloud.com/markhamroad
🛒 https://markhamroad.bandcamp.com/album/got-me-down-mr008

London-based producer Slacker lands on Markham Road Records with an exercise in both sample juggling and unrelenting pressure. Got Me Down's trio of waveforms spin the same vocal chop to produce some heavy, club-ready sounds. These three tracks lie on the pacier side of the BPM range, instructing a late-night application of their rhythms.

Leading out with the title track Got Me Down, Slacker pounds the subs harder than a Nona making pesto. Fitting somewhere between hard tech and dubstep, Got Me Down is a roller coaster of ups and downs (but mostly ups) that aims to leave dancers rather eager to stay on the floor.

The EP continues with a call and repeat called You Don’t Care. Developing over various percussive lines and bass swells, the track showcases Slacker’s expertise in sorting, pacing, and delivering THE drums. Just like Pooh Beatz, "He Like The HI Hat God Kinda."

The track also gets a spin courtesy of Europe’s other mega metropolis. Paris-based De Grandi morphs You Don’t Care into a step-friendly bass tech track in his latest remixing endeavor. In this remix, two heavy driving sections are laced together by a rather introverted bridge to allow dancers to regain their footing. As per the rest of the project, the remix maintains elements of the original vocal chop while introducing new percussive and rhythmical accoutrement.

Tracklist:

1. Got Me Down
2. You Don't Care
3. You Don't Care (De Grandi Remix)

PREMIERE: Slacker - Got Me Down [Markham Road Records]

More info - http://loose-lips.co.uk/blog/ice-eyes-maps-of-despair-abadir-remix-edt10
@ernestdtapes
@ice_eyes
@rami-abadir

Antipodes EP

Maps of despair (ABADIR Remix)

Pre-order

PREMIERE: Ice_Eyes - Maps of Despair (ABADIR Remix) (EDT10)

London label, Control Freak have made quite the impact since their first release last year. Welcoming Keplrr alongside debuts from Guava and label-head Customer Service so far, they pride themselves on a love for intricate sounds on wax. Seeding techno sensibilities with UK bass twists.

With yet another label debut on the way, this time we see Syz landing with solo EP 'Bunzunkunzun'. A trio of complex dancefloor rippers, it's an all-rounder with shades of brightness pitted alongside thick skanked up textures. 

The title track is the bounciest of the three. Showcasing Syz's clear aptitude for freaki rhythms, it's destined for show-stopping dancefloor moments. Heads down, hips twist, jaws swings. We can't wait to hear this fired up on a system to the masses.

Read more: https://hyponik.com/features/first-listen-syz-bunzunkunzun-control-freak-recordings/

@syzuk
@controlfreakrecordings

Premiere: COUNT - CONVULSE (Markham Road Records)

Untitled #909