JOYBOT
Music by Overdrive and AudioBake

Mixed and Mastered by Woods Studio
https://soundcloud.com/woods_studio

Check out the promo vídeos:
https://www.instagram.com/p/DI6YrdNtML3/
https://www.instagram.com/p/DI6YEvEgwav/
https://www.instagram.com/p/DI6Xg71R4lX/
https://www.instagram.com/p/DI6W_ewNPje/

The title JoyBot is a reference to the nascent sex robot market.

This song is the result of a team effort and was composed in collaboration with AudioBake. The first draft came from him and it was a very interesting techno track. I tried to stick to the style, but ended up turning the song into a strange mix of industrial and progressive rock (sorry, my bad).

The vast majority of the samples were kindly provided by AudioBake (the hardcoreAXAcidLoops package is fantastic).

AudioBake's excellent music production is available on SoundCloud and worth checking out:
https://soundcloud.com/audiobake

The NIN influence here is undeniable and I recommend checking out Trent Reznor's old material.

The spectacular robot seen in the artwork is a life-size skeleton 3d printed by Weta FX for the movie Ghost In The Shell. Concept model by Vitaly Bulgarov. Image posted by Joel Savage on his Behance profile:
https://www.behance.net/gallery/52673735/GITS-Major-Skeleton

Hope you enjoy the track.

JoyBot

Elvin Travieso - Cero Trabajo

Kahlee has been captured. Anderson is furious at Saren because of his disregard towards innocent lives, especially humans. However Anderson needs Saren in order to rescue Kahlee. Saren wants the research, but allows Anderson some time to try and save Kahlee. Anderson manage to kill Skarr and save Kahlee just in time before Saren blew up the entire facility. Killing everyone inside. Saren blamed Anderson in his offical report to the council, being a high standing operative, they naturally believed him over Anderson. 
Back at his base, Saren studies the research from Sidion and discover a giant starship named "Sovereign". Saren plans to use this ship to get revenge on the humans who slaughtered his brother back in the first contact war a decade ago.

The Refinery

Aphrodite's Allure, the goddess of love and beauty, embodies the irresistible charm and grace that captivates gods and mortals alike. This piece evokes the delicate harmony of a blossoming garden, where every petal and breeze carries the essence of divine enchantment.

Drums, keys, guitar, and bass by UPFUSION.
Composed and mastered by UPFUSION.

INVESTIGATE

Aphrodite's Allure

This is a live version of an original song, written many years ago when I was young and idealistic :-) The Band was called "Both Ends Burning"

Class Distinctions (Dm Am7) Capo 1
Class distinctions your working class (Dm Am)
In the environment you need a pass (G Am)
Class is colour back or white (Dm Am)
Class big brother a knock in the night (G Am)

Class Distinctions

Class addiction the drugs you need
Class infection the rag you read
Class rejection your down and out
Class detection and you’ve been found out!

Class Distinctions

You know its right (Dm Am)
You’ve never liked it and you’d like to fight (G Am)
Maybe someday (Dm Am)
We’ll as see things a different way (G A)

And those Class Distinctions

Class election red or blue
Whatever you choose now it ain’t up to you
Class defection don’t cross that line
Class reflection get it right next time

Class Distinctions

You know its right 
You’ve never liked it and you’d like to fight 
Maybe someday 
We’ll as see things a different way 

And those Class Distinctions

Class Distinctions (Live)

This track is not a political statement in any way.
Vocals, Composition, Guitars, Bass, Keys and Lyrics by Robert Grigg
Drums by Yamaha Keyboard

Walls

This track was written as  Adult Contemporary movie track

Where I Am (ft. Ben Botfield and Clare Dove)

Reflections on the life and times of an alcoholic

Drinking Man

Relaxng

Shadow Pale in the dark

溫柔的節奏配上帶一點科技感的宇宙聲響，像是宇宙正幫你「配對」好運的人事物，每聽一次，都在幫自己連上幸運頻道。

幸運正在連線你

Experimental music rooted in pure improvisation within predetermined harmonies, brought to life through real instruments, expressive playing, and intuitive sound engineering.