turn up your sub for this analog experimental trip through santa monica

even beyond tun

All original tunes by Will Cline.
I keep it home-made and from the soul ;)
Always down to collab.

Also unknown as DJ HEIKKI and Sikarileikkuri-Heikki

Felix Kismet is a South African music producer and DJ based in Hong Kong.

He currently produces and performs under the alter ego - "DV8" and the alias - "SENMO" (aka SENSORY MODE) as well as other names (E.g. Emul8tor, Sonic Rage, FEK, Kizm).

He has a particular sound and music style which combines & incorporates various elements from Melodic Techno, Minimal Techno, Hitech Minimal, Psytechno & Progressive Psy, Acid Trance, Hard Trance & Tech Trance.

Enquiries: UEDM.hongkong@gmail.com

Artist.
Abstract Glitches. 
https://www.facebook.com/AbstractGlitches/


Bio. 
Kresten started his journey into electronic music in at the end of 1989, then the passion for the music evolved and he started dj’ing in 1993-94, playing different genre through the years. Since end of summer 2023, the djing and mixing, has been replaced by building up his own little home studio and start producing his own music. As a totally new self producing artist, whit a lot of passion but no experience in music production that was a big step for him but the passion for electronic music was and still are the main motivation and drive. He made the first upload in May 2024 and have since uploaded in a steady flow new tracks . So far 8 tracks are signed by Mantranegra Records. 
The genre is a blend of the 30 years of passion for electronic music. 
 

Bio.
Kresten started out as a dj 1994. Playing at goa and psychadelic parties. In 2002-2003 he changed musik style to more agressive tech/techno. That has progressed to where he is today playing everything from electro-balkan/, swing-house to tech, minimal. 
Music production project . Abstract Glitches Started i the end of summer of 2023.
p.m me to get on my mail list then you will receive new tracks directly to your mail. 

https://www.facebook.com/AbstractGlitches/

https://open.spotify.com/artist/0oq3svpKr2rJaeoD4nuGrU?si=1SXci1foTnSQBk0mvlU4FA

https://music.apple.com/dk/artist/abstract-glitches/1755990345?l=da


Happy in the studio exploring sounds and textures.

All enquires music@cmdline.co.uk

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

even beyond tun

cmd line