

                  bonjours, 

                  salut, a tous me voulez reprochez au bref le délai dans ce qui ce passe entre le système 
                  soundcloud déjà nous a prévenue soungouk de l’achèvement a des mis fin d'une période 
                  entrent devoir d’auditeur et le droit d'hauteur même à la déférence de cinquante 50 ans 
                  l'or ou 24 pays étant l'origine pour s'acceptant a cet avis on donnent l'avis de chaque 
                  ainsi l'artiste est très concerné de cet droit très en particulier qui doit être le milieu 
                  d'un important droit quand lui souvient un producteur de cet Evènement est le décès 
                  d'un partenaire de ces moyens en générale en s'agit-il de vie et matériel qu'avec moyen 
                  que l'utilise donc il met en étrange de trouvez quelques difficulté en se qui suit aux 
                  agissement dans très en particulier le site soundcloud qui s'explique cet dernier qui 
                  ce trouvent des difficulté pour se connecte on son propre site donc ces de contraire 
                  que puisque le CC ni pas le cause si que l'artiste entrent en difficulté avec quelques 
                  sites qui les a ajoutés soundcloud pour que ont prend ces fins qui agissent pour 
                  le droit quand l'artiste entrera on publier son oeuvre au delà normalement le normal 
                  ne devient pas dans se quand le trouve déjà dans le s'agit-il bien et portant à quelque
                  traqueur que je ne comprend ces dernier pirater ou autrement il utilise même des 
                  logiciel peuvent avec est téléchargez ad-mitant le cas a YouTube comment voulez vous quand
                  comprend que soundcloud disiez que cause les mise en cause de tellement se trouvent 
                  trop nombreux a ce faire connecté tous dernier soundcloud j'envisage qui y d'autre 
                  application pour le genre d’adultère que je ne comprend pas que des adolescent 
                  de ceux nombre comprend déjà tel besoin enfin qui s’accélère dans le domaines d'y 
                  nuisible fort ancêtre et culturel vraiment je ne comprend plus jamais de cet vente  
                  an ce milieu je rend hommage aux autre artiste qu'avant peut-être sacrifier pour 
                  prix a l'éducation mais ci le cas devient sérieux il met désolez de se retrouvez parmi 
                  vous ré-pro prier un bien instituer merci pour votre entent cordialement med.
             
                   

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FREQUENCY - THE RE-UNION - MC FINCHY'S LAST EVER EVENT

FRIDAY 15TH MARCH 2013 @ BLISS CLUBROOMS (FORMERLY LIQUID), WIGAN TOWN CENTRE

BUY YOUR TICKETS HERE : http://skdl.it/10xdeYc

"All good things come to an end, and this March, the reign of MC FINCHY as one of the biggest MCs the genre has ever had is over. Stu will be leaving our shores for Australia at the end of March, so it is only fitting that we give him a send off party. This is a chance for the clubbers to come and dance to his instructions, and for everyone to pay their respects to someone who was hugely influential in pushing the scene forward in the mid 2000s.

For this special occasion, we welcome our long term allies, the mighty SANCTUARY to host what will be the biggest, most emotional send off you have ever witnessed...."

"WE DON'T CARE WHAT TIME IT IS, CAUSE WE'RE NOT GOIN HOME"

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IN THE MAIN ROOM : FREQUENCY ft The Sanctuary All-stars

ALEX R • HODGE • DJ WIGGY • JOHN NEAL • ROB CAIN
JOHN G • NICKI B • JAMIE AGAR • MADHATTA

Hosted by your MCs

FINCHY • MASTER C • EFEEZE • VIPER • ARKIE • MC G • LAYBACK • MC B • EM:DMC + Guests

ROOM TWO : THE VIP ROOM : SOPHISTICATED SOUNDS*

A Selection of DJs playing a soundtrack to suit the surroundings... think House, Electro, Real Oldskool Classics

ANDREW GREEN • STU FINCH • ANDY FARRELL • MATT WIGMAN • GARY KEELOR • JOHN NEAL

*VIP Ticket required for access. Limited to 100 people. VIP Room features plush surroundings, Private Bar, Toilets and Seating, plus QUEUE JUMP (Very Important for this night ;) )

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Doors Open 10pm-4am
VIP & STANDARD TICKETS AVAILABLE FROM SKIDDLE.COM
VIP Tickets £15.00 (limited to 100)
Standard Tickets £8.00 (limited to 100)
Pay on the door £10.00 all night
EARLY ARRIVAL IS ADVISED, OUR LAST EVENT LOCKED OUT

Over 18s Only - ID May be Required
Dresscode : Smart Casual. No Tracksuits or Sports Shorts / Baseball Caps

http://www.blisswigan.co.uk/
http://www.sanctuaryinside.co.uk/
http://www.soundcloud.com/john-neal-sonidos

Flourishing from the quiet suburbs of Los Angeles California, SUNNYBROOK is the definition of organic artistry. An ingredient missing from todays over manufactured, over played, musical style. From punk to subtle hardcore influences, SUNNYBROOK has it all and is here to take thrones. Of course, everybody needs to start somewhere. So where did SUNNYBROOK get its start? In its hometown of course. With a plethora of shows under its belt, SUNNYBROOK is ready to take over the music scene anywhere and everywhere it goes. This machine will take on the world. Bringing it to their knees, begging for more. But are you ready? Ready to take on the machine? SUNNYBROOK dares you. Anything and everything goes here, so prepare yourselves and suit up ladies and gentlemen. Cause its taking over and its coming straight to you.

More sets are available on Mixcloud http://www.mixcloud.com/Millz_C/
Vote For Millz.C on thedjlist http://thedjlist.com/djs/MILLZ.C/ 

I will be uploading personal set's here.. Expect every genre to be filled cause I spin them all breaks, Techno, Trance, Electro, House, Hard-style,. DnB to name a few ! 

Millz.C
Chris Tibb Miller (St.Catharines, On)
(Label Owner BPM Recordz)

"I feel that diversity in a DJ is very important and must touch on every genre to give respect to them all not for the mindset of the DJ but the mindset of the people that Love electronic music"

www.facebook.com/bpmcanada
www.thedjlist.com/djs/MILLZ.C/
www.mixcloud.com/Millz_C/

Born in Niagara Falls, Canada
 Coming into the scene mid 90's becoming a part of the “Rave” culture and Electronic scene.

The relentless and uncompromising dedication Millz.C has given to the Electronic music scene for more than a decade has landed him gigs all over Canada and United States and the recognition from International DJ's and Producers alike such as J.D Miller/ Santi Taos, Ferry Corsten, Tiesto, Gabriel Ben, Ed Whitty, Ian Carey, Laidback Luke, Mickey Red Venom, Donald D of Ice T's Rhyme syndicate, to name a few.

Listening to anything Millz.C can get blasting through my headphones, specializing in Electro House, Tech House, Hard style, Techno, Trance, breaks, House (subs) and Drum & Bass

Millz.C production style is more on the heavier end of the bass and dark beats using Many DAW's, Ableton, FL studio, Cubase and Reason.

In 2000 Millz.C was introduced to the art of DJing and Mixing starting off with tech 12’s and an old Gemini mixer upgrading to CDJ’s then finally got tired of lugging around Equipment, went right to the software applications and all the other crazy toys that were being developed in recent years.

Millz.C (Chris Tibb Miller) established BPM Recordz in 2008, for the reason Millz.C had noticed unknown DJ/Producers and Artists were struggling to find a reputable label that first and foremost is ran as an artist rather than a corporate suit. Trustworthy and dedicated record label to market their tunes and the chance to get their styles and music heard to the masses who share the same passion for Electronic music that Millz.C does.
Bringing the BPM Recordz label to the forefront of the Electronic music scene for the last 7 years. 


New Album 'Preservation of The Spirit' out 5/18, pre-order vinyl here: http://www.therealdoncat.com

Website: http://therealdoncat.com/media
Instagram and Twitter @doncatmusic
Booking + info:  hello@therealdoncat.com
Licensing: Andrea@castlepeakmusic.com
PR: John Graffo / Baby Robot Media - john@babyrobotmedia.com

DONCAT is Duncan Nielsen, a San Francisco based songwriter and performer with a penchant for rock, soul and folk stylings. His songs draw from the deep history of California counter-culture music and discuss both the hope and uncertainty of the American dream in kaleidoscopic cynicism.

Duncan Nielsen has sported the moniker ‘DONCAT’ since 2013. Since then he’s lived in a vista-abundant neighborhood in San Francisco, CA, just south of Haight-Ashbury perched on a hill. From almost anywhere in his house the eye can reach the eastern edge of the city, as well as downtown. On most days, just on the shoulders of the hill behind his house, fingers of heavy fog quietly creep in. He spends a lot of time just sitting in what he calls the Princess Room - a small, light, airy box of windows - staring out at the panoramic view.

“Sometimes I have a guitar in my hands but I'm not even playing. Like, I forget to play cause I'm just lost in my head and simultaneously staring at the view. I do get things done though, lots of demoing and writing up there.”

Nielsen’s youth both informs and structures his meditative songwriting process. He was raised with horses on acres of land in a pristine, quiet valley, away from the asphalt upbringing of his elementary school chums. As a kid, he spent the lion’s share of his time mucking stalls, playing basketball (his coach gave him dribbling goggles but they were useless in a dirt and gravel driveway) and channeling classic rock on a crappy Squire guitar while his older brother played drums.

His growing affinity for the golden age of music only continued to separate him from his peers. In junior-high, he gifted Led Zeppelin I at a birthday party and was ostracized. By the time he entered high school, he found himself as the token kid-with-a-guitar: loved by all and known by none. This bolstered his penchant for writing iconoclastic songs, as well as skipping high school to surf alone.

These days, Nielsen moves from his grandmother’s Wurlitzer piano to his father’s hand-me-down acoustic guitar writing songs at home. He sits in front of a four-track cassette recorder and gets the bones of his songs together with the minimal offerings of that dusty, anachronistic piece of gear.

Upcoming release 'Preservation of The Spirit' is a brief 8 tracks, but delivers concise themes of artifice, modern myth, disintegrating social fabric, and, as the title namely outlines, preserving ones spirit when it's time to, well, face the music. Each song is a distinctly American narrative rife with poignant satire. In 'Once I Went to Las Vegas' Nielsen sings, "I'm smoking cigars in a cheap suit/eating foie gras in a restaurant, five stars/are these my lucky cards?" The album shifts casually between swirling, hypnotizing textures and reckless, loud, electric-guitar bravado - a tasteful blend and welcome progression from his earlier, folkier leanings.

Nielsen's fourth effort to date explores a more live approach to recording, showcasing the talents of his band of four years.  Current members include Chris Sugiura on bass, Kyle Kelly-Yahner on drums, and Jesse Cafiero on keys.  The bulk of it was recorded at Phil Manley-owned El Studio - yes, as in The Studio - over the course of 5 long days.

To date, Nielsen’s songs have been featured in network television series and independent films such as Jessica Biel's "The Sinner," ABC's "Nashville" and "Through The Rye." He’s opened shows for The Walkmen’s Hamilton Leithauser, Hayden, and Julia Holter. He's done several nationwide tours as guitarist, vocalist and keyboard player for Geographer. 'Preservation of The Spirit' is due out May 18th via Marble Eye Music.

A songwriting balladeer with soaring melodies and acoustic sweetness mixed with vibes of home and sunlight draw you into the charm of John Newsome’s music. With three independently released albums receiving National airplay and appearances on Channel 9s “Wesley Impact” John’s music is sure to inspire. Calling Newcastle NSW home, his songs are personal stories and experiences of faith, hope and family. He is a song writer and educator with a passion to write songs that engage your spirit, cause it to soar and give the experiences of faith and life a song to cling too. Singing from a young age and drawn inexplicably to create, his passion is evident on songs across all his work. He and his vocalist wife, Mindy once packed up their young family for a 6 month big lap around Australia, connecting with audiences and personally delivering CDs to radio stations all over. He has a love for free camps and country Australia, singing in churches and schools where music might now reach. Balancing being a Primary school music teacher with a songwriter has its challenges, yet his determination to live his calling inspires many. Of course, he is a humble bloke who just wants to sing new songs and go places with them which is why writing about himself in the third person doesn’t really suit his style. Still, that’s music for ya. Check out John Newsome’s music on Spotify, Apple Music and through his website at johnnewsomemusic.com.

BIOFREQ studio is an independant recording studio based on the Sunshine Coast, QLD Australia. Currently our focus is around utilising the mobile multitrack recording studio to record live shows pending the build of an acoustic room to house the permanent studio gear. We have two studios running and plan to build a permanent acoustically treated room in 2015.

BIOFREQ studio's Mobile Multrack Studio consists of: Saffire Pro 26 direct into a Macbook Pro for live gig tracking. Following which your project will be transferred to the main studio. A full suit of emulated digital and analogue plugins await to polish, edit, mix and master your live show.

BIOFREQ studio's main studio gear consists of: Boutique UAD twinfinity pre's with onboard 1176 compressors matched with a UAD apollo with 6 shark processors for an absolute onslaught of DSP processing power. This all headed up by a 2014 MacPro 6 core computer. The pre amps and the digital converters are all top of the line and will track and convert your music into the BIOFREQ studio at the highest audio quality possible. 

From here your music is sweetened by many great timeless analogue plugins such as Manley Massive Passive EQ's, LA2A, LA3A, Fairchild and 1176 compressor / limiters. Tape units such as the Studer A800 and Ampex ATR-102. EQ's such as the Harrison and Pultec and a full range of Neve pre's and EQ's, the famous Lexicon Reverb and much more. 

Basically every tool utilised on just about every famous record you have ever listened to are all available to make your recording come alive. 

Don't stop there cause if you are into your electronics then we have a huge range of digital sonic FX's from renowned manufacturers which can add that sugar over the project should you desire it. The scope here is truly massive with over 10000 instruments/FX's of cutting edge sonic fidelity.

Contact us today for your next recording.

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