With all the time signature changes, this should be in the subgenre of Progressive Rock.

Great song, Robert! The lyrics are very touching and the music fits it perfectly. It really resonated with me.

Definitely a different approach, not my "thing" but it sounds really good anyways

Creative and eclectic arrangement.  i enjoyed this.

I like how it sounds kinda old school. Great work!

Robert, i appreciate your feedback on my track! You really outdid yourself on this one man. Great job!

Ladat’s Support Feb’25 vol.1

FIREFLY  MAGIC

Deviation

Aire Libre

"Downhill" is a rock/pop anthem rooted in the frustration and heartbreak of watching a once-stable connection unravel. Inspired (surprisingly) by a fallout with my ex-landlord, the song explores shifting dynamics, emotional confusion, and the sting of unmet expectations. While it sounds like a breakup song—and is framed like one—it was actually born from a non-romantic fallout, which is part of my songwriting signature: turning everyday conflicts into grand anthems.

Produced by Jay Ives, Downhill blends gritty rock instrumentation with a polished pop structure and a soaring, catchy hook. Its dynamic build mirrors the inner turmoil of navigating miscommunication and power shifts in any kind of relationship—romantic, professional, or otherwise. It’s for anyone who’s ever felt blindsided by someone they once trusted.

Lyrics:

VERSE 1

We met the first time
And you were all smiles
I had great plans for us
Could be good friends, and then some
I wasn't looking for nobody new
But I was starting to 
warm up to you

PRECHORUS
Then you started mind-twisting
And you like to play the victim
The lies started out white, then turned gray
Now they're so dark, I can't find my way

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

VERSE 2
I thought I got you
One moment you're so good
But then the very next
you're acting so sketch
You went back on everything you said
Went from rosy pink to seeing red

PRECHORUS
You have such a good facade
I wanna know who the architect was
Once so nice, not so much twice
I won't stay around for thrice 

CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

BRIDGE
We both got our lasts
You got the word 
and I had had the straw

Every word flashes past
The lessons learnt
The storms I saw     
         
CHORUS (x2)
I feel, I feel
Us go downhill
I build, I build
So you could break it down again

OUTRO(x2)
I feel, I feel, I feel, I
Feel us go downhill
I build, I build, I build, I
So you could break it down again

Downhill

A great Collab With Jigs Tripping Belgium and Gary Hayward Australia some of our collabs that im so proud of doing,jigs mixed the music in belgium and the sound of being played on a vinyl gives it that feel,then jigs sends me the music ,.i play with lyrics and vocals in Australia at Ramrod studios with Herman Kovacs mixing and mastering we all do out part,theres so much more i wanted to do with this song but my time was out at the studio anyway daydream great music by jigs and bass playing how cool are the bass lines enjoy

Daydreaming (3)  © Copyright  Gary Hayward Lyrics and Vocals + Jigs Tripping music

All about LOVE

Love is elusive
Just when I choose
It takes a turn
And then I learn
That I'll forever yearn
For it's return
I'll never sleep
I'm in so deep
I wish that I could keep it

Give it away
I'll take it today
It's all I need
It's something
Don't you see
From you to me
The love you've
given freely
Something more it's
More than gold, gold to me
Its the key, the key, the key
The key to your heart

Two loves like ours
Had drifted and parted
From other souls
That we had found
Love never lost
But just restarted
How many times?
We all lose count

We are only blessed
With the ones
God will deem so
Only a few
It would seem so
Only a few
And on and on and on
it goes, it goes
and on and on

I was lucky
One last time
What were the chances
That I might find
Another beauty
To fill my eyes?
And take away
The pain inside?
Take away the pain inside

Keep coming to me
Keep coming baby
Keep coming to me
Keep coming baby
Bring the key
You can count on me
Just wait and see
It's meant to be
I will open your heart

I found Heaven in your eyes
Such a beauty no one can disguise
I found Heaven in your eyes

Key To Your Heart-Feat. Brian "Red" Moore

A deep RnB/Soul production carried by a tender vocal sample that expresses the longing for love and connection. Smooth and intimate groove designed to touch the heart.

I just want to feel love

Exploring the darker side of romantic love in the modern era. influences include early British Metal and early American Gothic music. A moody and haunting tribute to distorted guitar and at times dischordant harmonies.

The One To Call - John Goldrust

Exploring the darker side of romantic love in the modern era. Influences include early British Metal and early American Gothic music. At times harmonically dischordant with a moody and haunting vibe

The One To Call (Live Version) - John Goldrust

The Story

Im actually pretty stupid haha, and hopelessly romantic. I fall for too many people and thats a downfall cuz I get hurt. tbh I should stick to my own, then id be safer! but, unfortunately Im too silly for that x3... dslffweojfiweo 

anyways new music soon prolly, gonna see how this performs cuz sc loves guitar tracks from me for the algorithm for some reason lol

letter to the valentine that wont hear this song or my heart prod perry pressey n kerel

Empty rooms make louder sounds
than bombs ever could.
My bed's still warm but I'm not there
haven't been for good.

Phones light up with "how are you?"
Each pixel burns through.
I've got responses stockpiled high:
None of them are true.

I'll be fine, like static air
when radio waves die.
I'll be fine, like vacant eyes
in a porcelain lie.
I'll be fine, supposedly,
Like flowers pressed in formaldehyde.

Coffee's cold before it burns,
Time splits at the seams.
The mirror shows a person there
Who's nobody it seems.

Every "just reach out" feels like
Hands through heavy glass.
I'm here, I'm gone, I never was—
All three statements pass.

I'll be fine, like dead sea salt
That forgot to float.
I'll be fine, like autumn leaves
That never wrote their note.
I'll be fine, theoretically,
Like stars that burned out centuries ago.

There's an art to absence
That nobody taught.
I've mastered disappearing
While staying in one spot.
My lungs remember breathing
But forgot to tell my chest
Now even nothing's something
I fail to possess.

I'll be fine, like church bells in
An abandoned town.
I'll be fine, like paper boats
That learned how to drown.
I'll be fine, apparently,
Like prayers in empty sound.

They say the void stares back but mine
Just keeps looking through.
I've got a PhD in Hollow,
And the walls do too.
My pulse keeps perfect rhythm with
The silence in between.
I'm here, I promise, just like all
The things you've never seen.

I'll Be Fine

I Know, You Know

LoNe WolF - "Modern Maverick"



Mixed & Mastered By: LoNe WolF





#TheDive #Amped #newmusic

Modern Maverick

Featherstoned

MISS EVIL PROD BY[ KAYMAN SCOTCH AND GAXILLIC.]

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Robert E Flynn III is a software-developer, author and musician from San Antonio, TX. He is living with his beautiful fiancé, Claudia, whose delightful, positive outlook on life has given him the motivation to finish this work. He has two wonderful children, Caitlin and Zachary, who are grown and exploring their own fantastic lives. He has spent his entire life pursuing creative endeavors. Music was his first love and still is, and writing was always part of his life. 
Robert lived in Austin, Texas for many years and was part of the music scene in the city during that time. He was a member of several bands during those days and tremendously enjoyed playing live in many venues in the music rich area. Music is a great example of our creativity, which speaks to the Creation of all things. He also lived in Denver, Colorado for several years when his children were young and then relocated back to San Antonio, Texas to be close to family.
Night of the Living Dead was recorded at Salmon Peak Studio in San Antonio, Texas.  Mark Sinko acted as the recording engineer and also contributed a guitar part on the song.  Robert Flynn’s longest friend, Brian “Red” Moore played bass on the track as well.  Brian is the lead recording engineer at Q Productions in Corpus Christi, Texas. Q Productions is owned by the famous music artist, Selena Quintanilla-Pérez’s father.  Brian also plays bass and sings on most of the tracks I currently have on Soundcloud.  In addition to Brian, other contributors and long time friends are on these recordings also.  Jerry Bazil, from Michigan, plays drums on several tracks. Bobby Lancaster, from Texas, plays drums on several tracks as well.  Also, Joe Mota, from Texas,  plays keyboards on several tracks (Sadly, Joe is no longer with us, but he was a genius in many ways musically and an inspiration to me). 
I play keyboards, guitar, drums and vocals throughout these tracks.

http://itunes.apple.com/album/id1547160428?ls=1&app=itunes
https://music.apple.com/us/artist/robert-flynn/1526505616
https://open.spotify.com/artist/3lx8cQlclBh1slpwByR0Tk?si=wDa3nJWAQ6qL1btF0hp6WQ
https://www.youtube.com/channel/UCKdR_YZQ5AlfByTdQEDtFDg

https://www.facebook.com/robert.flynn.1000/
https://www.instagram.com/reflynniii/
https://twitter.com/reflynniii
https://robertflynn.musicprosite.com/
The Touch: A Supernatural Story - Part 1 is available now on Amazon
Connect with Robert on Facebook or http://roberteflynn.com
https://musician.artistpr.com/p/robert-flynn/

Key To Your Heart-Feat. Brian "Red" Moore

Robert Flynn

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