Coming together...  Brian "Red" Moore, master engineer and musician brought some GREAT ideas!!

You feel you're always on the run
Though the day has just begun
I know I know

Always burning candlelight
Working late into the night
I know I know

It's very hard to understand
All the stress and those demands
I know I know I know

The future is the thing you plan
Take a look at the other hand
You work too hard just so you can
Find your place in the promised land
I know I know

Even when they're in plain sight
Many things don't work out right
You find it hard to sleep at night
You forgot to kill the lights
I know I know

Work so hard about to drop
You feel as though your head will pop
I know I know

Working hard with all your might
Never giving up the fight
I know I know

Feel the need for a place to be
Maybe a little sympathy
I know I know I know

Move on up the ladder then
Wonder if it ever ends
Try so hard not to pretend
Now its time to start again
I know I know

Whoever said this would be fun
Must be sleeping in the sun
I know I know I know

Why don't you just catch that train?
Grab a seat and ease the pain
I know I know

Figure out which road you're on
Give yourself a simple song
I know I know

Take a stand and draw the line
Everything will work out fine
I know I know

Future is the thing you plan
Take a look at the other hand
You work too hard just so you can
Find your place in the promised land
I know I know

You know this stop has just begun
Take some time and have some fun
Before you really come undone
Find that really special one
You know You know

Even when they're in plain sight
Many things don't work out right
You find it hard to sleep at night
You forgot to kill the lights
I know I know

Even when they're in plain sight
Many things don't work out right
You find it hard to sleep at night
You forgot to kill the lights
I know I know

Plain Sight - Feat. Brian "Red" Moore

AV Soundworks is your home for collaborative mixing and mastering. We're dedicated to helping artists like you bring their sound to the next level. We're also scouting for fresh talent to join our sister label, Abandon Vehicle Records. Drop us a line—we'd love to hear what you're working on.

Kolaido - Composer/Guitar/Vocals/Drums/Synth/Producer/Performer
Solo Artist from Oxford, UK
Shoegaze, Alt Rock, Ambient Jungle, Breakcore, IDM
Dopamine 🔥
Music Inspired by Yeule/Grimes/sewerslvt/TOKYOPILL/Aphex Twin/my bloody valentine

▼WE NOW OFFER PREMIUM PROFESSIONAL SOUNDCLOUD AND SPOTIFY PROMOTION!▼
https://bit.ly/2GKafCT
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Our Network: 
@imperium-net
@imperium-universe
@imperium-global
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@imperium-team1
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Demos: demos.imperiumnet@gmail.com
Contact: contact.imperiumnet@gmail.com
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Official Designer: @ankianofficial

Electronic music artist & producer


Dance & EDM, Electronic, Hip Hop, Pop, Rock
I like to work on different music genres and mix them up

I was born in 1983 in Västervik, Sweden. I got early inspiration from my very talented older brother “M Stage” to play keyboard. Since then I compose and produce music in different genres with both hard- and software. I'm influenced by all kinds of music, including soundtracks from movies and games. My ambition is to create dynamic songs with melodies that catch your mind for health.

Robert E Flynn III is a software-developer, author and musician from San Antonio, TX. He is living with his beautiful fiancé, Claudia, whose delightful, positive outlook on life has given him the motivation to finish this work. He has two wonderful children, Caitlin and Zachary, who are grown and exploring their own fantastic lives. He has spent his entire life pursuing creative endeavors. Music was his first love and still is, and writing was always part of his life. 
Robert lived in Austin, Texas for many years and was part of the music scene in the city during that time. He was a member of several bands during those days and tremendously enjoyed playing live in many venues in the music rich area. Music is a great example of our creativity, which speaks to the Creation of all things. He also lived in Denver, Colorado for several years when his children were young and then relocated back to San Antonio, Texas to be close to family.
Night of the Living Dead was recorded at Salmon Peak Studio in San Antonio, Texas.  Mark Sinko acted as the recording engineer and also contributed a guitar part on the song.  Robert Flynn’s longest friend, Brian “Red” Moore played bass on the track as well.  Brian is the lead recording engineer at Q Productions in Corpus Christi, Texas. Q Productions is owned by the famous music artist, Selena Quintanilla-Pérez’s father.  Brian also plays bass and sings on most of the tracks I currently have on Soundcloud.  In addition to Brian, other contributors and long time friends are on these recordings also.  Jerry Bazil, from Michigan, plays drums on several tracks. Bobby Lancaster, from Texas, plays drums on several tracks as well.  Also, Joe Mota, from Texas,  plays keyboards on several tracks (Sadly, Joe is no longer with us, but he was a genius in many ways musically and an inspiration to me). 
I play keyboards, guitar, drums and vocals throughout these tracks.

http://itunes.apple.com/album/id1547160428?ls=1&app=itunes
https://music.apple.com/us/artist/robert-flynn/1526505616
https://open.spotify.com/artist/3lx8cQlclBh1slpwByR0Tk?si=wDa3nJWAQ6qL1btF0hp6WQ
https://www.youtube.com/channel/UCKdR_YZQ5AlfByTdQEDtFDg

https://www.facebook.com/robert.flynn.1000/
https://www.instagram.com/reflynniii/
https://twitter.com/reflynniii
https://robertflynn.musicprosite.com/
The Touch: A Supernatural Story - Part 1 is available now on Amazon
Connect with Robert on Facebook or http://roberteflynn.com
https://musician.artistpr.com/p/robert-flynn/

OTK is an Italian DJ and producer active since 2010.

After immersing himself in London’s underground Drum and Bass scene, he developed a powerful and distinctive sound.

Later, in Milan, he earned a master’s degree in music production, sound design, and sound engineering , refining his sonic identity.

Today, OTK focuses on techno and drum and bass, crafting DJ sets that unfold like musical stories: hypnotic progressions, aggressive basslines, and moments of tension exploding into pure collective release.
His name, short for Outbreak, embodies his mission: to spark a true sound revolution.

With little to no experience of making music before Summer 2020, Stopyral armed nothing more with an iPad, imagination and desire decided to experiment in creating sound textures & blending beats in a variety of interesting & unique ways. 
 
With over 140k plays on SoundCloud since January 2021 and hitting the top 20 RepostExchange Underground Charts on a consistent basis suggests this was not a bad idea after all😉
 
If you like what you hear - feel free to follow me on the links below:

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The stars had dissolved into pale threads of light, bending endlessly around them. Driftspace was never silent; it hummed—low, unstable, alive. Neon pressed her hand against the bulkhead, feeling the vibration pass through her skin like a second pulse.

“We bought time,” Thorne said, hands moving across the helm. “But the Vantoth won’t stay scattered for long. They’ll recalibrate, triangulate our echo. Mystica’s reach doesn’t end at the corridor.”

Neon studied him. His voice was too calm, the same way it had been when he bluffed the cascade. She hated how convincing he sounded—even to her.

“What aren’t you telling me?” she asked.

Thorne hesitated. His eyes flicked to the navigation screen, where a single glyph burned faintly in the corner: ∴.

“That’s not a drift marker,” Neon whispered. “It’s a seal.”

Thorne nodded once. “Old code. Buried before the wars. Coranthium doesn’t just power ships, Neon—it opens gates. If Mystica wanted it, it’s because they’ve found the lattice.”

Her stomach dropped. The lattice. A myth, or so she thought—an interlocked network of corridors between sectors, some stable, some collapsing. Legends said the ancients locked it to prevent entire systems from folding into each other.

“And you… you have the key?” she pressed.

Thorne’s hands stilled. The hum of driftspace grew louder, or maybe it was just the pounding of her heart.

“Not the key,” he said finally. “A shard.”

Before she could respond, the console flickered. The ∴ seal pulsed once—twice—then spread across the screen like veins of light. Driftspace around them warped, folding inward.

“They found us,” Neon breathed.

“No,” Thorne said, jaw tightening. “Someone else did.”

The ship shuddered violently. Outside, driftspace cracked like glass, revealing a sphere of impossible color—a station, suspended where no station should exist, thrumming with signals older than their war, older than Mystica.

The shard in Thorne’s hand glowed to life, resonating with the fractured seal.

“Welcome to the lattice,” he muttered.