The Night Fall

Emma McWalter @emmam-7 - Shiny Seaside Backing Vocals
Rick Medlock @rick-4-1 - Salty Drums and Percussion programming 
Phil McWalter @phil-mcwalter - The Other Arcade Stuff

French Fries

I’m standing on the seafront
Holding a cold metal rail
The sea is performing an acrobatic stunt
And rusting my chain mail

I could wipe my eyes
But I’m in disguise
Looking out for spies

The seagulls shine in lung darkness
Above me and below me
They’re pulling something dead apart down on the stones
That’s been dead for a while already

I don’t want no surprise
Just harmonise with
My unshared french fries

You can get a little closer to you
When you’re by yourself
You can get a little closer
If you stood in a book and looked out

I’m running flat out through the arcade
Throwing coins up into the lights
The traveller king spins around
"Kiss-me-quickly" hat on
But he doesn’t see my surprise

Now don’t act all wise
Like you know the franchise
You don’t like the cries
From the rooms where blood dries
You don’t like the cries
From the rooms where blood dries

Things that you said were taken for granted
But I realised they never were
All the bad things happen miles away
So what were you doing ‘round here
Things that you said were taken for granted
But I realised they never were
All the bad things happen miles away
So what were you doing ‘round here,
Today?

© Oct 2019 Phil McWalter

French Fries

Tonight

Writing on the Wall

“ Colpi Dritti “  by Luke 

During Medieval & Renaissance days the fencing word..
“Colpi Dritti”…means: “Vadi blows from the right side used to defend one self” as the warriors had to do…

Just a fun experimental piece …

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Colpi Dritti”  by Luke

Humans are the only species who preserve a lasting relationship from parents to children and vice versa after the offspring has reached adolescence. This can be curse and blessing at the same time in some cases, but overall it is a gift in my view. We will stay the children of our parents for a lifetime obviously. Once you have realized this and don't consider it a threat anymore you are given the chance to close the circle in a peace- and beautiful way.


Photo (c) Laurent Bayeux

One Day When it was Time to Come Home

Give Up

VIDEO LINK! https://drive.google.com/file/d/1C__pptxJljIeaIrOwFYjcqTr56xt5HcF/view?usp=drivesdk

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, composition and video production.
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpani, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. Finally, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham - video in description!  (Eclectic Collective)

Un nouveau titre french pop traditionnel, strato caster & tout.. réalisé sur Teac 4 pistes et revox …Merci pour vos écoutes et  chaleureux !!!feedbacks
Written and performed by Dgé breton
Fender Strat guitare, Bass ARIApro II and drum   by Dgé breton pour
Prod: Dgé.BSoundProjectMusic
-----
On YOUTUBE : https://youtu.be/HwZ9Hb8gT1M
——————
a new title... traditional French song, straight from my Revox & Teac 4-track tape players... and 2 strat guitars, a bass and a drum kit... Maybe a little nostalgia, including the way of making my music at a certain time... less confused than at present. In any case, thank you for listening
     Porcelaine sans couleur,quand tu danses
Elle a des fumées dans les yeux
Un coeur comme ça mètronomique
Qui bat tout seul ou si tu veux
Comme celui d’ une poupée mécanique
Elle a des cils moitié baissés
Un raz d’ marée dans le regard
Et des vagues de lumières glacée Qui perle derrière du brouillard
Elle est maquillée noir et blanc
Elle est comme un feu sans chaleur
 Le ciel et l’ enfer en même temps
 C’est une porcelaine sans couleur
REF:
Mais quand elle danse, tu crois t’ y croire Elle se balance et sans savoir,
C’ est toi qui lance comme un regard dans ses silences , dans ses miroirs
Et quand elle danse, tu tends les mains Elle se balance et sur ses reins
Tu brûles un peu tu voudrais bien
Dans ses silences, aller plus loin
Elle a des fumées dans la tête
 
Et des parfums qui restent là 
Sur une vie qui va faire la fête 
Avec un masque qui lui va pas
Elle est maquillée claire obscur Entre le soleil et la nuit
Mais dans ses yeux on voit d’ l’azur Derrière un grand rideau de pluie
tuptuptidou, tuptuptidou
Mais quand elle danse, tu crois t’ y croire Elle se balance et sans savoir,
C’ est toi qui lance comme un regard dans ses silences , dans ses miroirs
Et quand elle danse, tu tends les mains Elle se balance et sur ses reins
Tu brûles un peu tu voudrais bien
Dans ses silences, aller plus loin
REF....
 Traduction google
She has smoke in her eyes   A metronomic heart like that
Which beats by itself or if you like   Like that of a mechanical doll
She has half-lowered eyelashes
A tidal wave in her gaze
And waves of icy light Which pearl behind the fog
She wears black and white makeup
She is like a fire without heat
Heaven and hell at the same time
She is porcelain without color
REF:
But when she dances, you think you believe it She sways and without knowing,
It's you who casts a look into her silences, into her mirrors
And when she dances, you stretch out your hands She sways and on her lower back
You burn a little, you would like
In her silences, to go further
She has smoke in her head

And perfumes that remain there  On a life that is going to party
With a mask that doesn't suit herShe wears light and dark makeup Between the sun and the night
But in her eyes we see of the azure Behind a large curtain of rain
tuptuptidou, tuptuptidou
But when she dances, you think you believe it She sways and without knowing,
It's you who casts a glance into her silences, into her mirrors
And when she dances, you stretch out your hands She sways and on her loins
You burn a little, you would like
In her silences, to go further
REF....

PORCELAINE SANS COULEUR, QUAND TU DANSES

A pop song medium tempo trying to be catchy with nothing in mind except that. Sunged out of tune, even with some help from Autotune. I am a challenge to Autotune

Let it go

Whatchu Up To?

I was born in 1963. I write songs since 1980, always as amateur. I just can't help It.

Let it go

Juan Carlos Alquézar