This turned out beautifully. In for a second listen now. Thank you. 

Drone & Crab

Yellow Salamand'r - Realms Of The Mind

Transduced (2020) for percussions (3 snare drums, cymbal, Tibetan bowl), 3 transducers & electronics performed by Yannick Monnot at the Center Pompidou, Paris.  
Lights:  Pauline Falourd, 
video: Année Zéro,  
sound engineer: Jérémie Bourgogne, 
Cursus IRCAM tutor: Jean Lochard,

Transduced explores the inner relationship between physical models from the snare drum used in the electronics part and electronics transferred back to snare drums inviting to experience the imagined atmosphere of being inside the instrument itself. More: www.justinarepeckaite.eu

Transduced (binaural) for percussion & electronics

1st Section: Bb Major
synthesizers performed by DD

2nd Section: A major/minor. 
Performed by
Flute (Bobby Rangell, Denver USA)
Percussion (Nico Arnicho, Montevideo Uruguay)
Fretless Bass, bowed basses drone (Daniel Diaz, Buenos Aires, Argentina)

Recorded circa 2007 in Paris, reworked and remixed Friday November 13th 2020.

Photo by Louis Maniquet 

For this challenge:
Step 1: Think about how a gradient functions, as one thing transitions into another.

Step 2: Make a short piece of music that aims to explore the idea of a gradient in sound.

As mentioned on a previous junto, lately, when I have time, I’m recycling old masters I got back this summer from a publisher deal, I have dozens of 10 or 15 years old tracks to re-listen, re-work and release or use at will.
For this junto I decided to do a gradient between two old tracks: one completely electronic (synths and treatments) and one acoustic (live in the studio performance with actual musicians and instruments)
It starts with the electro-drone song , and instead of just crossfading volumes between tracks I decided to make my own interpretation of gradient: the second song’s tracks start unmuting one by one, starting with the flute and some percussion, then bass, etc, while the first song’s tracks start fading or muting one by one.
To make things interested, the first song is in the key of Bb major, while the second plays around A major and A minor, so the long middle section of this track, where the mutation happens, is in two superimposed keys, providing dissonance and instability instead of the original track’s clear mood.

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…aking-the-gradient/

Two Memories Gradient (disquiet0463)

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 02

Meta Mode

Dararat Chemnasiri - Alto  Sax
King Imagine  -   Sampler  ,  electronics

King Imagine  & Dararat Chemnasiri -  Flash

Like a dodecahedron packed with protein pellets

That feeling when they've added fresh enrichments to your enclosure

Live recording with Microphone, Kaossilator, Kaosspad, Boss SY300, Arq96, a bass. Preparation for an Ambiosonics concert.
Raw, what comes around goesaround. A collage in the making.  The uncut truth.

More on this 478th weekly Disquiet Junto project – Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) – at:

https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:

https://cba.fro.at/series/kopfkino

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0478-collage-of-collages/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by the late Jeffrey Melton (a very early Junto participant), and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/4zoz46

https://creativecommons.org/licenses/by-nc/2.0/

kindness in the key of E - disquiet0487

Bee Kind

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