https://bephoanggia.com/bep-tu-bosch.html

corcho

Spotify: https://spoti.fi/2rt6ISV
Tour Dates: https://www.timmcnary.com
Instagram: www.instagram.com/mcnarymusic

A song about lucid dreaming accented by  strings and haunting melodies.

Above The Trees

Above The Trees - Tim McNary

Dreamer

Taken from: Leaves & Trees - Bridges and Borders EP
Available at:
http://www.butterfly-collectors.com/leavesandtrees
https://www.facebook.com/leavesandtrees

Watch the video for ' Who Is That Man' here:
https://youtu.be/CTeGj-boqQY


Buy here

02 Leaves & Trees - Who Is That Man

The first song from Book on Tape Worm's new EP "Songbirds of North America"


Even the brightest stars in the sky burn out sometimes
but the light they leave behind still reaches our eyes
quietly guiding us home

No matter how dark the night gets, I will try to be the brightest for you.

If your constellation starts to come apart
and you find yourself among the falling stars
I will catch you in my spiral arms

If the light-years give way to heavy ones
and the weight of all the world obscures your son/sun
I won't dim or make you wonder what I am

No matter how dark the night gets, I will try to be the brightest for you.

Brightest

The Fox & the Sparrow

Empty

All songs written and performed by Katlin Mathison except:
Little Mersey and In The End written by Katlin Mathison and Nils Martin Frisk Børstrand
Additional Vocals by Nils Martin Frisk Børstrand and Gøril Nilsen
Additional Guitars on When She’s Not Around by Joey Landreth
Pedal Steel and Fiddle by Brenton Thorvaldson
Guitars on Little Mersey by Nils Martin Frisk Børstrand
Drums by Cody Iwasiuk

Engineered by Katlin Mathison and Nils Martin Frisk Børstrand in Winnipeg, Canada and Liverpool, UK
Mixed by Chris Hewitt at LA Sound Studios in London, UK
Mastered by Robin Schmidt at 24-96 Mastering in Karlsruhe, Germany
Produced by Katlin Mathison and Nils Martin Frisk Børstrand
Design by Adam Globa

© Copyright Okay Mann, Unauthorized reproduction, copying, and rental of this recording in any form is strictly prohibited by law. All rights reserved.

It Wont Be Long

From the album 'Honey Waits', released on November 17, 2017
Buy here: https://goo.gl/WfT5Wh

⇩⇩⇩ Lyrics ⇩⇩⇩

Support Keilan Creech
www.keilancreech.com
facebook.com/keilancreech
instagram.com/keilancreech

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~ Lyrics

I once saw a beautiful town
One filled with hope
And smiles all around

The trees they blew
With cordial arms
Somehow I knew
To no alarm

This could be my home
If my heart would just not roam
Around I think found
A place to settle down

There I saw a beautiful girl
Her eyes sparkle brown
And a smile to change your
world

Her hair would blow
In the breeze
I did not know
That so could she

This could be my home
If my heart would just not roam
Around I think found
A place to settle down

From all of my goings away
They say some day I'll have stay
But your pretty face
Begs my haste
To slow its pace
And settle here

Indie Folk Central ~ Discover the best new indie folk

Honey Waits

Roaming

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Keilan Creech - Roaming

Berlin Wall

This song feels like a whispering secret to me. There's times when it's hard to make sense out of everything we live. Sometimes the only thing we need in order to feel we're not alone is just a gaze into our eyes. 

LYRICS: 

I was chasing down my luck 
You went walking through the bar, 
I’m just looking for a gaze into my eyes 

There’s a full moon in your dress 
There’s a filled up void inside my head 
I’m just looking for a gaze into my eyes 

I long to hear your voice 
before I feel I’m lost 
inside this maze, amazed by beauty’s loving grace… 
beyond the wall of smoke, 
meet my eyes… know my soul 

I’m looking for you 
I hope you’re looking for me too 
It’s sad to be wandering 
wondering who am I for you 

It’s ten years past that summer night 
I remember it like it’s tonight 
I’m still looking for a gaze into my eyes 

A secret lies within this song 
that goes on and on and on… 
it’s “to be” and it means “yes” 
in my mother tongue... 

I long to hear your voice 
before I feel I’m lost 
inside this maze, amazed by beauty’s loving grace… 
beyond the wall of smoke, 
meet my eyes… know my soul 

I’m looking for you 
I hope you’re looking for me too 
It’s sad to be wandering 
wondering who am I for you

A Gaze Into My Eyes

Listen to Marti West's collection here: smarturl.it/MartiWest

Join Marti West online: 
www.instagram.com/martiwestmusic 
www.facebook.com/martiwestmusic 
www.twitter.com/martiwestmusic 
www.martiwest.co.uk

Scratching all the salt off our backs again
And quiver at the sweetest sting
Driving down the dust on the tracks again
Leaves a lustre on your skin
Leaves a lustre on your skin

Day by broken day, I could keep driving for miles
Frame by frozen frame, I could keep driving for miles

Big black cloth on the windowpane
Diamondback moth on the sill
Lies on its diamonds and whispers
Winter's gonna steal from us all
Winter's gonna steal from us all

Day by broken day, I could keep driving for miles
We're far too far away, but I keep driving for miles

Music & Lyrics by Marti West 
Produced by Marti West

© all rights reserved

Salt

Hosea - EP

C'est La Vie

Better When We're Together

Stream/Download:  https://song.link/InTheDawnOfMyDaysEP

connect with me: 

https://www.benjaminstittmusic.com
https://www.instagram.com/benji_stitt/
https://www.facebook.com/BenStittMusic/
http://benstitt.bandcamp.com/album/in-the-dawn-of-my-days

Fade

Changing Choices

Taken from the Album Salt catch Michael Baker on tour
March 19th The Brunswick Brighton
http://bit.ly/39wJpfG
March 29th The Duke Whitstable
free admission
March 30th The Finsbury London 
http://bit.ly/3awkRUf
April 5th The Loft (Above The Kings) Portsmouth

BIOGRAPHY, by NME’s Andrew Trendell
“I lived in my van for two and a half years to pay for the making of my first record,” casually laughs singer-songwriter Michael Baker. “I moved into the van after a typical period of heartache. I had nowhere to go, but it was pretty good actually!” 

From this, you can gather a lot about the Anglo-French troubadour. Mainly, he takes nothing for granted and lives for his music.  

Spending his childhood near Brighton (where he went to the same school as Rag N’ Bone Man), Michael got his first guitar aged eight after seeing Oasis live and needing to learn ‘Wonderwall’. In his teens, the songs soon started to flow. It wasn’t long before the purity of his voice, the direct rawness of his writing and the sheer scope of his sound found him regular gigs and a devoted fanbase – one that only grew bigger and more in love with the release of his magnificent debut album Dust & Bone. 

A soaring collection of heart-wrenching indie-folk and cinematic sounds, Dust & Bone was recorded with Massive Attack collaborator Dan Brown, and was a staggering first showcase of Baker’s ambition and soulful style. “I’m really proud of the songwriting on that record,” he admits. “I was in such a bad place in my life when I made it, but it got such a great response from the people who heard it.”

Early sessions for Salt started when Baker hit the studio with Dan Brown and Oliver Baldwin, who had recently finished making Aldous Harding’s acclaimed album Party with PJ Harvey collaborator John Parish. While promising Michael says ‘’It felt like I needed more time to experiment than we had scheduled in.” So Baker headed back to record and produce the album with long-time friend Ed Martin. 

After discovering that his childhood home would be empty for a few weeks while his parents were in the process of moving away. He went in and stripped everything away, begged and borrowed all the equipment he needed, crammed the band in, drank a lot of wine, got a little stoned and naturally just flowed through the album – playing all day and all night. The recordings were so impressive, that Baldwin agreed to mix the record at Real World Studios and gave the songs a whole new dimension (as well as inviting Jack White’s pedal steel player Maggie Björklund to play on the album too). 
“I absolutely love artists like Cat Stevens and Bon Iver,” says Baker. Salt is a record that maps Baker’s journey through darkness and vulnerability to something a lot more hopeful. 
Among the key tracks that show Baker’s road to recovery, ‘Baby Books’ was inspired by being in close proximity to someone taking their own life – and totally changing the way he saw the world. Single ‘They Look Just Like They Know’ also deals with how “the mind can be a deadly place” and “feeling trapped in the prison of your own vision”. He’s looking for the sunrise on the horizon, too. Baker’s personal favourite ‘Claire’ celebrates the “the beauty of space in a relationship” and the escapist ecstasy of ‘One Good Damn’ has won over scores of new fans with its feel-good magnetism. 

Salt is a towering accomplishment that will win hearts with its adept handling of love, loss and hope, and there’s more to come. For now though, you’re about to get to know the real Michael Baker. “I feel like I have too much of a personal relationship with anyone who says they like my music,” concludes Baker. “I’ve been getting letters and messages from people saying that my songs have got them through a very hard time, and I don’t know how to reply to them other than as if I’d known them my whole life. That’s the way that I would do it. I hope that my music gives them as much as it’s given me.”

C'est La Vie

Hosea

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