My mind boggles at trying to figure out how this grew from a single pass -- impressive!  I hope that your wife and you are both doing well in what must be a stressful time.

Interesting song that's hard to put down. But that's not really necessary, because if you let it sink in, you can feel it. And I think that was your intention. A piece that you can feel. And you succeeded very well.

An excellent digital landscape.  Very immersive.  Good healing.

This synthetic bass or something similar feels literally like a live instrument!

Of such chaotic tracks, this one really finds its way to my heart! I wish your wife a complete healing!

Really cool textures - impressive improv.

The chaos against the steady bass is really nice.

Really enjoyable listen. Great soundscapes. Wishing your family healing.

Really interesting.... and great bass sound.  I also like the effects stuff on the sides a lot.

A dark grumbling atmosphere changes step by step to happy swing. Enjoy!

This track was created for the OneSynthChallenge OSC Jan. 2025 with the great DAW MuLab 10 using
11x Zebralette 2
Transpire, Reverb (Abstract Chamber), Loudmax, MHorseP3, TheMasker, Wider and internal EQ on Bass and Toms only.

Darkness fades away

DarknessFadesAway.Wav

Real Time Improvisation captured from a single pass. A meditation on healing while my wife is in the hospital.

DAW: Presonus Studio One
Zebralette:  x7
VST Plugins:
Presonus Autofilter
Melda MTremolo
Presonus Fat Channel
Klanghelm IVG12
Presonus Ampire
Presonus Beat Delay
Valhalla Supermassive
Presonus Analog Delay
Presonus Room Reverb
Frontier Limiter

Note FX:
Presonus Note Repeater, and ARP
SEQUND for Bass

FRANKH-Noise Medicine Healing Dream

Made For KVR OSC 191 Zebralette(2) - 
Using 20 instances of Zebralette (VST2 version) in Mulab 9.5
All sounds created from scratch except for Factory Preset HS Atlantic Swell (Howard Scarr) and a touch of Taron's Choir patch at the end (both heavily modified).

DAW Fx: limiter, high and low pass filters.
Third Party Fx: OTT (just a touch on the master channel)

Cover Artwork by Jenny

KVR OSC 191 Zebralette

The Crossing (OSC191 Zebralette)

Bringing Back The Memories

hennessey - b.o.t.w.

My entry for OSC#191
11 instances of Zebralette

Reaper: DAW
Dead Duck: Limiter, Compressor, Filter, Autopan, Delay
OrilRiver Reverb
ReaEQ, ReaXComp
Supermassive Delay
JS: Stereo Width
kHs Gain
Limiter No6
SPAN
YouLead Loudness Meter

God Knows Where I'm Going - He Told Me

OSC191 Zebralette 2.  51 Instances in Logic Pro X.  Logic EQ, Reverb, Compressors.  Nova Free, Molotov free, Koltelnikov free, UAD Plate (free), 

Zoned

I tried to finish something, even if it wasn't a completed track. My experience with Zebralette became inspiring at the very last moment.

7 Instances of Zebralette 2 in Cakewalk.
FX: Ducking Space, Ethereal Verb, LoudMax, M/Ster Balance, OTT, kHs Transient, Triple EQ, Wider.

IV - Zebralet[s]trip

Just an album inspired by inner turmoil and introspection. Going for a bit more of a darker triphop to ambient feel. Thank you for listening!

Pensive

Adrenaline Slip is the ambitious and progressive debut full-length from Textbook Maneuver, the solo project of Michael Keane. This is an artist and composer to watch, presenting interesting new music with each release. He creates music that takes listeners on an atmospheric journey, taking his classical piano training but transforming his composed themes into organic electronic music.

Songs are born from improvisational sessions, where melodic themes evolve alongside harmonic and rhythmic progressions. Each track, supported by narrative-driven song titles and artwork, tells a story. The result is a unique fusion of nostalgic prog and contemporary electronica, offering an immersive listening experience.  Current success includes 5 released tracks, and part of Life Science Records. 

The album’s apex is the four-part suite, known but untitled as Space Trip. Starting with “Tell Them I’m Not Here (Still in Outerspace)”, a trippy long-form chill out. The video has garnered 47K+ views. The album moves into “Spacewalks”, Michael’s personal favorite right now. The suite closes out with the two-punch, highly melodic and emotional “Re-Entry” and “Controlled Landing.” Michael says, “these songs were inspired by the nearly nine months our two NASA astronauts spent in space in 2024 into this year. For each part of the suite, I wanted the title and musical themes, timbre, tempo, and overall emotional effect to be my interpretation of what it might feel like to be suspended out there, doing what you love but also wishing you were home.” There is a self-described coda, “Murmur 3 Home” which wraps up the album. Two other “Murmurs” appear. “Yeah, these are meant to be kind of like segues as the album moves through themes but serve as stand alone songs. I have many other ‘murmurs’ composed, planning on having on all future albums.”

Well, onto the music; over an hour to get immersed in. This is a very ambitious endeavor, for a debut, mixed and mastered with headphone wearers or listeners with long drives in mind. Looking forward to everyone’s reaction and what the future may hold for this talented new artist. 

FRANKH-Noise Medicine Healing Dream

FrankH

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