Fantasy Variations on a Wooden Peg
The creation of this work was drawn from composer's memory of childhood. When he was a child, while he was crying, suffering, or in a restless state, his mother would turn the wooden pegs(https://drive.google.com/file/d/1DHiu2gUKPZE8e-ree2Jg-02NfoqmVOyQ/view?usp=sharing) on the bed to create some sounds to attract his attention to let him calm down! The main function of wooden pegs installed on bed is to hang the clothes while sleeping. But if you use different strength to poke it or turn it in , it can make interesting sounds like birds chirping, doors squeezing, or even piercing screams. 
Based on this bedside memory, the composer recorded the sound of wooden peg on the 60-years old ancient bed. Just like his mother, he improvised on this installation, trying to create various possible sounds, even a sound art piece. Those recorded sonic clips were then manipulated through the technique similar to “developing variation” to work out all the possibilities of transformation of the material.The processed sounds were then “organized”(in E. Varèse’s word) or “digital micro-montaged”(in H. Vaggione’s word) to build up a musical composition with artistic interests which may bring endless and fantastic imagination to the listener.  
Fantasy Variations on a Wooden Peg was created and finished at the Sound Lab at National Yang Ming Chiao Tung University(NYCU) in Taiwan on October of 2024.


Fantasy Variations on a Wooden Peg

the forest to hear-naviarhaiku592

A selection of eclectic short works that were previously unpublished.

08 Tozmevoco was created using processed voice samples from Tom Ze's "Jogos De Armar (Faça Você Mesmo) [Bonus Disc]". Thank you, Tom Ze!

13 Blackbird Pie

another contribution to the haiku challenge of Naviar Records.
As always, this little poems spark musical creativity like nothing else.
Thanks Marco!

slanting sunlight rays
a warm hazy afternoon
the forest to hear

- Marc Sheridan -

hazy rays (naviarhaiku592)

the forest is listening_NAVIARHAIKU592

This is the third part of the fourteenth piece in a series of Concrete Music pieces. The sounds come from pots and wooden bricks. The music is generative. The source-code can be found at github.com/danielstahl/concrete-music-14.

Dots and Strokes Part 3

Faint yet clear (naviarhaiku606)

This is my response to this week's @naviar-records haiku challenge. Here's the information about that:

"slightly faint
yet clear
the milky way"

Toshio Kiyosaki (1922-1999) was a Japanese haiku poet and scholar of Japanese literature. He published a biography of Kyoshi Takahama in 1966 and co-authored Kyoshi Monogatari, another study on the renowned haiku poet, in 1979.

The Milky Way (amanogawa, or "Heavenly River" in Japanese) is a kigo for Autumn, mainly because that's when the galaxy is most visible in Japan.

Haiku by Toshio Kiyosaki

Extract of picture by Yong Chuan Tan
 

Submission deadline: 20th August 2025
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

the forest is listening_NAVIARHAIKU592

mike shockley

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