inter-spatia (2020/22)
Catherine Lamb

performed on March 18th, 2022 at Nykirken, Bergen, Borealis Festival

Microtub (Robin Hayward, Martin Taxt, and Peder Simonsen), Rage Thormbones (Mattie Barbier and Weston Olencki), with MO Abbott and Henrik Nørstebø

tuba trio + trombone quartet

recorded by Weston Olencki

inter-spatia (with Microtub and Rage Thormbones)

section X from Divisio Spiralis (2019)

JACK Quartet

February 25th-26th, 2021, Oktaven Audio, Mount Vernon, New York
Mastering engineer: Ryan Streber
Editing/Mixing: Christopher Botta and Christopher Otto

Catherine Lamb

Divisio Spiralis X (2019)

THE BEST OF DANCEHALL MEGA MIX. A timeless mix featuring classic hits from Beenie man, Vybz Kartel, Gaza slim, and more mixed by DJ DENNY HUS
Bookings: DJ DENNY HUS
Instgram: DJ DENNY HUS
TIK TOK: DJ DENNY HUS

DANCEHALL MEGA MIX  by DJ DENNY HUS ft VYBZ KARTEL, BEENIE MAN, POPCAAN, GAZA SLIM, MAVADO

Step back in time with this Old school R&B mix from the early 2000s. Featuring chart-topping artists like Usher, Ne-Yo, Beyoncé, Ashanti, and more, this DJ mix will take you on a nostalgic journey through the smooth and soulful sounds of the era. Let the sweet tunes transport you back to a simpler time filled with classic tunes and unforgettable memories.

OLD SCHOOL RNB MIX , 2000s ft NE-YO | ASHANTI | BEYONCE | USHER and more.. mixed by DJ DENNY HUS

String Quartet written for New Music on the Point 2023. Performed by JACK quartet.
Audio : Brian Riordan

Sérénité (string quartet)

Florentin Ginot • double bass
Pablo Garretón • recording

Desert bloom is a piece for double bass and electronics, which highlights the natural harmonics of the strings. These sounds, played quickly and rhythmically, create a sonic fabric that is both delicate and virtuoso. A wobbly pulsation frames this music close to caprice or baroque invention, to give it a dreamlike and repetitive, even psychedelic, character.
Double bassist Florentin GINOT, leaning over his instrument, dances with it, brushing against it, touching it delicately but with precision. It is an intimate performance, a close listening, which invites an attention which does not impose a direction, but rather which encourages the abandonment of a search for the consequence. We allow ourselves to sensitively listen to the sound in its present moment, losing the notion of time.

desert bloom [2022] • for double bass & electronics

From of a set of solo cello pieces by 12 composers, written for Rostropovich in honor of Paul Sacher. always the renegade, Boulez not only submitted his late, but also had written it for 7 cellos (ensemble of 6 + 1 solo) instead of just one.

if curious, more information about Boulez's treatment of proportion, rotational procedures, time, etc., can be found in an article I wrote for John Zorn's ARCANA VII

Performed in September 2010 with the Lucerne Festival Academy.

Pierre Boulez -- Messagesquisse (1976)

Live electronics with vibrating shells looking at the vitality of eco-anxieties and corporatized blackness fueled by:

"brushes of swiftness of adrenalines,
swirling anxieties,
late night snacks,
burst of laughters/cries,
sweeps of turntables states,
eradication and amplification of blackness,
vibrating collected trophies,
absences of resilience,
sweetness of life,
bent physicalities,
sore braiding fingers."

Porcelains/eco/#stillmagical

Jan Błażejczak (2000 — Poland): mon sort était de ne poursuivre que des fantômes…

David Fulmer
within his bending sickle's compass come (extrait)
pour cor et ensemble 
Jens McManama, cor 
Ensemble intercontemporain
Matthias Pintscher, direction 

Créé et enregistré le 21.04.2015 à la Philharmonie de Paris 

David Fulmer, within his bending sickle's compass come (extrait)

descensus trio (2020)

first 15 minutes (pages 1 & 2) of premiere performance (55 minutes total) performed by:

Biliana Voutchkova (violin), Lucy Railton (cello), and Cat Lamb (viola)

commissioned by the DARA string festival, Berlin, August 2020
recorded by Roy Carroll

Sérénité (string quartet)

AlyssaRegent

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