I like the shimmering, creating a cinematic visual for me, and the sense of foreshadowing. Great unnameable tones coming in that are wonderfully mysterious dark golden lights shining down low in the darkness from another way of life I want to explore, but it's also perhaps dangerous: one never comes back from. We have revelations about it as the song goes, and at the end, in the distance, it all becomes clearer...

A track full of mystery and awe. Beautiful and slightly eerie atmosphere and sounds. Lovely piece.

really a good track very cinematics and deep, I like it!

Nice ambient track creating an atmosphere full of mystery. I like the sound texture that you chose. Well done!

great track with amazing sound textures which create a mysterious mood!

Beatiful cinematic atmosphere! Very evocative!

Great composition, sounds all blend together nicely. Quite captivating.🔥💯

EP_One

STREAM ON SPOTIFY

Retcon

I never thought... we’d see each other
Just where we met, so long ago
Shy soft glances we shared back then
Repeated over with sad regrets

I can’t believe... It’s you beside me
You look just like..., so long ago
When you smiled and you talked too much
When you were nervous... it made me laugh

We both have moved on, I've got a family
There’s nothing left for us to share today
It's the way we used to be
Shadows in the past

That little spark....That made me love you
I see it's back again tonight
There not room left for me and you
and closing doors won't make it right 

So how are you? I guess you’re married
Are you still working for the company?
Never knew you at all that well 
I had a chance, but... that boat has sailed 

We used to be... so good together
It seems so many years ago
Many summers have passed us by
They Fade to brown then into grey 

We both have moved on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

Still in the past... My heart is racing
I want it back... But I just can't.....
Everything that we used to share
It's broken now.... can't be repaired...

We both must move on
We both have changed our lives
We've both got loves and we've got families
It's the way we used to be
Shadows in the past

I have to go
I need to go
It was so nice ..But oh
It's the way that we used to be
Shadows in the past


Album - Hopes and Dreams (C) 2019
Song - Shadows in the Past
Music - Russell Lucas and  Tania Knight
Lyrics - Tania Knight
Vocals - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas 
Mixing - Romano Erafficci

Shadows In The Past (EP - Hopes and Dreams)

Uruk

D2PT

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - III. Done With (Ann Stanford)

Hey there, Billy, steady your hands
They call you a man, call you a man
Hey there, Billy, stay in the lines
I'm a special kind, a special kind

Hey there, Billy, I know you can
Avoid what you can do with these hands
Hey man, believe, this isn't forgone
Pull it along, pretend I belong

Circle the flames, eventually, you'll get burned
Hear my name, perpetually, forget what I learned

Hey there, Billy, I know it's hard
Restrain a river with your hands
Hey there, Billy, the current pulls
Buries the ground and pulls you down

Circle the flames, eventually, you'll get burned
Hear my name, perpetually, forget what I learned

The before, the after, the ripples in between
The before, the after, the ripples in between
The before, the after, the ripples in between
The before, the after, the ripples in between
The before, the after, the ripples in between (Don't you wanna see what these hands can do?)
The before, the after, the ripples in between (Don't you wanna see what these hands can do?)
The before, the after, the ripples in between (Don't you wanna see what these hands can do?)
The before, the after, the ripples (Don't you wanna see what these hands can do?)

Circle the flames, eventually, you'll get burned
Hear my name, perpetually, forget what I learned

Hey There, Billy

Behindism

Music Maker JAM

loudly

Try it on is a short psych garage rock track. This track is influenced by the likes Primal Scream And 60's American Psychedelia bands.

Try it On

Try it on

ALFONSO LLORENTE: LYRICS, VOCALS, ACOUSTIC GUITAR, ELECTRIC GUITAR, BASS, CELLO, SYNTHS, DRUMS.
MRS. A.: VOCALS

SUEÑOS DE LIBERTAD (Alfonso Llorente)

Embark on a sonic journey that'll take you from the nearest asteroids to the most distant known Dwarf Planets.
Best enjoyed with headphones!

Solar System Suite nº2

Frozen Queen of the Seas: Salacia

Producing ambient pieces, stock library music and assorted electronica. Re-ex top 40 in multiple categories.

Uruk

The Infinite Wimshurst

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