Binary Finary, an electronic dance music (EDM) duo consisting of Stuart Matheson and Sasha Vatoff. 

Binary Finary first gained widespread recognition in 1997 with the release of their hit single "1998." This track made a significant impact on the club scene and became the first electronic dance track to enter the UK Top 30. Over the years, the track has been re-released and remixed multiple times, solidifying its status as a Trance Classic.

Now, 25 years later, Binary Finary continue to captivate fans and critics around the world with their innovative music and live performances. Their live shows are known for their technical prowess and immersive experience, as the duo expertly combines visuals, lighting, and live mixing to create a memorable experience for their audience.

In addition to their original productions, Binary Finary has also built a reputation for their remixes, giving new life to classic tracks while introducing them to a new generation of dance music fans. This ability to continuously evolve and stay relevant in the ever-changing world of electronic dance music has been a key factor in their longevity and success.

As the duo continues to produce fresh content and explore new avenues in their music, Binary Finary remains a prominent force in the dance music scene, consistently delivering high-quality releases that resonate with fans and keep them coming back for more.

We promote music that we like and help those who got talent.
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Now, we have started accepting demos for exclusive releases, effective from January 1st, 2024.
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We repost 10 to 15 tracks every 48 hours maximum! (depends on the number of requests!)

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We support/listen to all kinds of music. (No genre exclusion)

If we haven't responded to your repost request within 30 days, it means your track doesn't meet the standards, but don't give up! Keep progressing, and you will meet the standards one day for sure! (the standards are personal and subjective!)

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Keep checking reposted tracks and support other artists/producers with likes, comments, and reposts!

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Note: Free reposts are currently unavailable due to Covid-19. Our financial situation is in bad shape, and the AG TEAM needs your help to continue operating.

Pete Maxwell is an Australian Hard House DJ and Producer. He also plays Trance and Techno under his Pete.M alias.
Pete has played for Tidy/Ideal, closing out the 2017 Summer Gathering Festival and has played on line-ups alongside DJs including BK, Andy Whitby, Technikal, Steve Hill, Dark by Design and Rob Tissera. He regularly played at events in London for Hard House Korruption and has also played in Brisbane, Australia for Beatwave and played in various Adelaide Clubs in the late 90s and early 00s. 
Pete is part of the Global Awakening Records admin team and helps with social media and promotion.
Pete has had numerous Toolbox top 10s and several number 1s. He has been featured on Cheeky Tracks, Nu-Skool Recordings, Global Awakening Records, Sin Records, Tempo Trax, Global Hard House and Hi-Five Digital. Pete has several tracks coming out soon including a massive release on Tidy Trax. 

For all enquiries please contact HHRDJs Artist Management:
www.hhrdjs.uk / bookings@hhrdjs.uk / 0161 823 0886
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<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!

Tomasz Bernaczyk (born 23 September 1988), better known by his stage name NEUROFUNQ/TULAMOR is a Polish DJ and producer.

A native of Poznan, he started his career as Neurofunq in 2013 he became known for a single "WONDERFULL", which was a collaboration of Ruslan Radriges and Neurofunq featuring the trance star voice Tiff Lacey. The single collected a number of awards at the ASOT (Open epidode track and Future Favourite and ASOT compilation in 2018).

The TULAMOR project was created in 2021, is a style of Trance / Techno / Progressive genre. The first single debut is „Night Rider” released on the legendary BeYourself Music label, specifically on the In Charge Recordings label from the Dutch star Marco V! The single "Night Rider" is gaining popularity and more and more support from artists of the world scene! 


(Genere; Trance/Uplifting/EDM).
As TULAMOR  
(Genere: RAVE/Techno/Trance Progressive)

Supported by; Armin van Buuren, MaRLo, W&W/NWYR, Blasterjaxx and many more.

We are an independent music production company who specializes in the production of country music writing and production.

GreyStone Music Productions is following