Pre-save "Rebel Diamonds", coming December 8th, here: https://TheKillers.lnk.to/RebelDiamondsPS

Formed in London 2012, Bear’s Den have amassed a dedicated and international fan base with their anthemic indie-folk-rock. With 3 studio albums under their belt, as well as recent collaborative project “Fragments"with composer Paul Frith, they have been a regular fixture in the charts of UK and Europe since their inception. Their Debut album “Islands” also garnered a nomination for an Ivor Novello Award for Best Song Musically and Lyrically.  

Having toured around the world playing theatres, arenas and festivals (including Reading and Leeds, Glastonbury Festival, Pukkelpop, Lowlands and Bonnaroo), in 2019, following the release of their third album “So That You Might Hear Me" they returned to their origins for a tour of tiny "Highlands and Islands" venues across Scotland and a supporting documentary.  No stranger to music documentary making, the band also featured heavily in the award winning documentary Austin To Boston alongside Ben Howard, Nathaniel Rateliff and The Staves. 

The band’s most recent release, 2020’s “Fragments” is a collaborative work with acclaimed composer/arranger Paul Frith (Bear’s Den, The xx, Radiohead), taking highlights of the band’s back catalogue and rebuilding them from the ground up, alongside an orchestral ensemble, creating a completely new body of work from pieces of the originals.

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

Mekin toons and haven fun

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https://open.spotify.com/artist/52mPjEZdol14zbvy2ifj6V

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