See "We're gonna eat the rich" video here: http://youtu.be/fg9Nq1gqDB0
Want to join the protest? Upload yourself singing the line "We're gonna eat the rich" to our Soundcloud dropbox and you'll be added to the track.

River Valley Giants are music makers specializing in sync-able mood altering music. River Valley Giants are Paul Hope and Julie Bartley with some of the best guest musicians money can't buy! 
Paul Hope studied modern music composition at Wakefield Music College and passed with a distinction. He then went on to found Sleepy People (underground, anti-fashion rebels) producing three albums on various indie labels and toured constantly for a decade.
Julie Bartley studied Music Production and Music Enterprise at Newcastle College and passed (also with distinction!) then went on to set up Rolling Audio Services - a mobile recording service providing location recording, tuition and other services.
Paul and Julie formed the River Valley Giants in 2009 with the intention of creating quality music for synchronisation, as well as fulfilling their irresistible creative urge to playfully and lovingly hybridise genres. These tracks are excerpts from their debut album, Broadcast to Nowhere. 

Another very interesting Irish prospect are The Smoking Giants. Their single ‘Push It Forward’ is a proper alt-rock number with a great riff and a big sound. The members of this group have played in different bands before and toured the UK and Ireland plenty, which explains why they sound like they’ve been together for years.
Their debut so far has already been nominated for best Single from pureM Dublin based magazine also Festival gig guide Ireland made it track of the week, , it has hit the airwaves with TXFM, YAGFM, Dublin City FM, 2FM, FM 104 live session/ interview.
Watch this space as the band hit the road with live shows to promote their debut "Push it Forward".


Mark Kelly; guitar
James O' Connor; bass
Mike Holton; drums
Jay; vox

BUY BEATS : https://www.beatstars.com/jessejamesbeats

Comedy for Giants is the songwriting vehicle of Spencer Granger (i.e. me), a Californian-born-but- D.C.-based music teacher, home recordist, and all-around nice guy. I write songs, do my best to pick the ones that are the most tolerable, and post them for all the nice people of the interwebs. Styles range from your typical 21st century Beatles rip-offs to drop-tuned bluesy numbers, folksy existential meltdowns, overdriven-guitar yell fests, and the gray areas in-between. Whatever comes out when I push the record button. If you like what you hear, let me know and tell your friends. And if you're local, come hang sometime. I make a mean Manhattan. 

Labelowner: https://soundcloud.com/soundavenue
https://soundcloud.com/3rdavenue https://soundcloud.com/crossfadesoundslabel https://soundcloud.com/futureavenuelabel https://soundcloud.com/southamericaavenue https://soundcloud.com/daydreamerslabel https://soundcloud.com/ambientavenue

Madloch has never been one to fit neatly into a box. As a DJ he thrives on range and adaptability, moving fluidly between ambient soundscapes, dub techno, electronica, deep house, progressive house, breakbeats and beyond. It is this eclectic spirit that has carried him from intimate clubs to fashion industry showcases, from underground European residencies to marathon all-night journeys across the Americas.

His formative years in the early 2000s were shaped by residencies in Belgium and Holland, where long weekends behind the decks forged the patience and perspective that define his sets today. For Madloch, the art of DJing lies in storytelling, something that cannot be captured in a compressed one-hour slot. The longer the night, the deeper the connection, with an eight-hour performance at Miami’s legendary Do Not Sit On The Furniture standing as one of many reminders of his love for extended narratives.

By the time international touring beckoned, Madloch had already established himself as a trusted selector at home. Tours followed across North, Central, and South America, as well as every major European capital, often with Sound Avenue label nights anchoring his appearances. These experiences revealed an artist who is not only versatile, but equally at ease guiding a packed dancefloor as curating atmospheric journeys for more unconventional stages.

Beyond the booth, Madloch has built one of underground electronic music’s most respected label families. What began with Sound Avenue has expanded into a group of successful imprints, including 3rd Avenue, Crossfade Sounds, Daydreamers, Future Avenue, and more. Together, they have become a home for both established voices and emerging artists, with Madloch curating compilations that offer new talent the opportunity to grow alongside industry heavyweights. This balance between nurturing the next generation and working with revered figures has defined his role not just as a DJ and producer, but as a cultivator of scenes.

As a producer, Madloch’s work has attracted the attention of some of the industry’s most celebrated names. His music has been remixed by Hernan Cattaneo & Soundexile, Eelke Kleijn, Petar Dundov, Budakid, Tim Engelhardt, Charles Webster, Dmitry Molosh, Cid Inc., Sascha Dive, King Unique, Martin Roth, Nhar, and many others, ensuring his sound continues to resonate far beyond his own discography.

For all his accomplishments, what sets Madloch apart is his refusal to be confined by a single style or context. Whether headlining a label showcase, playing deep into the morning hours of an all-night set, or presenting cutting-edge artists through his labels, he remains driven by the same ethos: music as a story that unfolds best when given the time and space to breathe.

Bookings & Remix Requests: info(at)soundavenue.be
Promos: promo(at)soundavenue.be

Since 2009, Land of the Giants have been pulling crowds to tents to groove until they sweat with their foot-stomping beats and contagious enthusiasm.  A brass section that will  make you grin from ear to ear, a heavy toe-tapping bass line and Andy Quick’s sensuous, soaring vocals will make you wonder why you’ve never danced your socks off to The Giants before.

In 2015, the Plymouth based boys brought a brand new, funk-inspired EP to the table in the name of “Surrender”.  A collection of high energy summer sounds, with just a lick of calypso, that absolutely demand to be played at full volume out of your car stereo.

Last year saw The Giants tour the length and breadth of the UK, spreading their new sounds to venues and festivals the country over. From packed out stages at Glastonbury and Beautiful Days to rocking stages from Ireland to India - LOTG are well on their way to global domination.

Now, after six months of studio time, the Southwest band are hitting the country with a new lease of life and a brand new set ready to fill your ears with upbeat, feel-good sounds and your soul with cheery, uplifting vibes.

The six-piece collective scooped Best Band in the Southwest Music Awards and have been tipped by many as one of the best emerging live bands in the country. So put your hands up, surrender, and get those dancing shoes on!

"Mothers, lock up your children; fathers, lock up your beer..." So begins Bad Blood and Brushfire, the debut album from Boston based electro-pop quartet Provocateur. Featuring the sly, sultry vocals and darkly witty wordplay of frontman Matthew Connor, and anchored by the sinuous, silky synths and beats of Stacia Tucker, Provocateur have crafted a sound that is sexy, smooth, and polished to an electric sheen by producer Jeremy Page of That Handsome Devil. Including twelve irresistibly danceable tracks about addictive love, sexual confusion, and Twitter-generation aimlessness, Bad Blood and Brushfire draws on diverse sounds ranging from Depeche Mode to The Faint to Justin Timberlake to create a seductively brooding, yet immediate pop sound. 

Matthew and Stacia are joined on stage by the debonair yet dangerous Adam Hodges on the bass and the ever charming Berklee grad Chris Lampner on the drums. With festival appearances, headlining gigs, and opening slots for artists such as Client, IAMX, Freezepop, and My Life with the Thrill Kill Kult, their high-energy performances have won over fans and filled dance floors throughout New England. 

PRESS PHOTO: <a href="http://www.provocateur.us/Provocateur.jpg" target="new">web</a> | <a href="http://www.provocateur.us/Provocateur-hi-res.jpg" target="new">hi res</a>

http://www.provocateur.us
http://yourfriendsarenaked.com

Douglass' evocative, alternative sound blends "Rufus Wainwright´s opulent musicality and Justin Timberlake´s accessible soulfulness," according to OUT Magazine. His recent spotlight on NPR's "Morning Edition" has coined him "one of New England's best-kept secrets." Douglass has shared the stage with artists like They Might Be Giants, Shawn Colvin, The Weepies, Jason Mraz, Regina Spektor, and Margaret Cho. Douglass' 2009 release BATTLER features duets with friends and fellow Vermonters Grace Potter (Grace Potter & The Nocturnals/ Hollywood Records) and Anais Mitchell (Righteous Babe Records), and he is currently touring in support of his latest release, LUCID, a dream-themed concept album, and ode to Kate Bush.

https://www.eml-recordings.com Electronic Music Lovers s a dynamic collective at the forefront of underground dance music, uniting three powerhouse labels—EML Recordings, Sub Generation Records, and EDM Addicts—under one electrifying banner. 

Since its inception, we’ve championed cutting-edge producers and vocalists, delivering everything from rolling Drum & Bass and pulsating Techno to euphoric Trance and infectious House.

Fueled by a true passion for melody, rhythm, and innovation, our roster spans established pioneers and tomorrow’s breakout stars. We craft every release with meticulous attention to sound design and emotional impact—whether it’s a jaw-dropping bass weapon, a lush atmospheric journey, or a dancefloor anthem guaranteed to ignite any crowd.

Beyond records, Electronic Music Lovers runs a non-stop internet radio station, hosts remix contests with thousands of global entries, and operates a publishing arm to secure sync, broadcast, and performance opportunities. We live by one motto: unlocking the trip—because when great music meets heart and hustle, the possibilities are limitless.


Specializing in all styles and sub genres of #Trance #Psytrance #Techno #electro #house #breaks #dubstep and #DrumandBass
Consisting of EML, Sub Generation Records, EDM Addicts and LayZee Records. 

We have something for everyone, so feel free to have a look around, and enjoy the music.    
 

Sub Generation Records, which focuses solely on Drum N Bass, Dubstep, and Breaks.

LayZee Records, which focuses on Deep House, Down Tempo, Chill, and Electronica.

******You will find tracks from all 3 labels posted on this profile*****

Sharron Lamar is following