Off our soon-to-be-released album, this song is one of our "glitch style" pieces - all extra short, they avoid traditional structures and include playful instrumentation. This one includes Gina's surprise "sampled" vocals. 

Water can get in
Wherever air may go
Wherever air may go
Water can get in
Water can get in
I won't let you make me be the mad one
No no no
I won't let you make me think they're the bad ones
I won't let you make me be the mad one
I won't let you make me think they're the bad ones 
Wherever air may go

water can get in

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Speedcore, noise, industrial, industrial hardcore, experimental, abstract techno, death industrial, power electronics, powerviolence, digital hardcore, breakcore, hip hop, rap, gangsta rap, drone, dark drone, ambient, dark ambient, ritual ambient, terrorcore, hardcore, acidcore, acid, noisecore, 8bit, chiptune, breakbeat, hnw, harsh noise, harsh noise wall, splitter core and extratone professional musical artist, producer, mix engineer from Darwin, NT, Australia. Currently living in Wodonga, VIC, Australia. Making extreme music and funny skits/sound collages since 2011.

External links: 

https://www.facebook.com/cornholecrucifixion/
 
https://www.youtube.com/channel/UCqk6JGm4fyOFHR_g2gLdOuQ

https://cornholecrucifixion.bandcamp.com/

https://bandcamp.com/cornholecrucifixion0

https://www.discogs.com/artist/4820783-Cornhole-Crucifixion

https://www.mixcloud.com/cornholecrucifixion/

https://www.mixcloud.com/blaze-vansyl/

https://enderecords.bandcamp.com/album/ende85-dj-california-crisis-cornhole-crucifixion-dj-californiacrisis-cornhole-crucifixion

https://speedcoreworldwideaudionetlabel.bandcamp.com/track/armee-der-toten-cornhole-crucifixion-remix

https://cornholecrucifixion.bandcamp.com/album/cornholecrucifixion-album-bitchezzz

https://cornholecrucifixion.bandcamp.com/album/the-crucification-of-cornhole

https://brokentothecorerecords.bandcamp.com/album/bttc-03-cornhole-crucifixion-vs-low-entropy-extreme-speedcore-disorder-ep

https://cornholecrucifixion.bandcamp.com/album/rift-in-anal-prolapse

http://extratonerecords.blogspot.com/2018/08/cornhole-crucifixion-rift-in-anal.html

http://lowlifehighvolume.biz/LLHV-16.html

https://lowlifehighvolume.bandcamp.com/album/enjoyable-cornhole

https://plataformarecs.bandcamp.com/album/hell-machine-series-001-03-cornhole-crucifixion-antoine-trauma

https://plataformarecs.bandcamp.com/album/split-misantropskia-vs-cornhole-crucifixion

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'maisey moore' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

I'm an avant-garde musician. I like to experiment with software, instruments, and everyday objects when creating on a song.

Music is my latest artistic passion; aside from being deeply invested in making music, I create digital art, drawings, paintings, mixed-media pieces, photography, photomanipulations, poetry, and short stories. All of which can be found on my DeviantArt: Leehon.

Thank you for reading and listening.

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

i like pretty boys with ribbons :3
Telegram: https:// t. me/trashmaiden

archive/dig
archive since 2022, if something went missing, wave/witch/break/dnb/otaku electronic, i might have it, i archive netlabels/soundcloud profiles

soundcloud dosent let me follow some people or let me like thier tracks, I don't know why ( º ╭╮ º )

I am amazed at the level of talented artists encountered on this site.  Sharing and providing feedback is such an effective way to nurture the creative process.  I am so inspired by many of you.  My songs consist of mostly live instruments and voice.  An organic approach to song writing with a few surprises in the mix.  Please feel free to comment and download if you like!  Todd

Loud and clear folks: Watchglass do NOT use any AI in any part of their song creation. Neither pitch correction or autotune are used on Gina's vocals. All nuance and emotional expression are preserved. All songs are 100% humanmade!

Hello, thankyou for stopping by! If you had a listen and liked what you heard, the best way to help us forward in the great sea of music would be to follow us on Bandcamp if you possibly can.... really depends on whether you have a Bandcamp account. If you can't then we still very much appreciate a show of love here in the form of likes, comments and re-posts... thank you very much for these :) 
Watchglass are a duo who like exploring 
musical directions and having fun making songs and albums. We have been working as a partnership since 2017, or most of the time since then. Gina is the singer and lyricist. Mark is the guitarist and everything else and makes the songs and is the one who Gina will forever hold responsible for showing her she could not only sing well enough to front a band but also write passable, and sometimes even excellent songs. 

We have 5 albums which earned acclaim from Chief Editor Bandcamp, Joseph E Keyes:

Every Conversation in June 
(Featured in BandCamp's Best of Spring collection 2023)
“The album plays out like one long, slightly spooky fairy tale…A magic spell drifting in from lands unknown, Every Conversation in June is a quiet marvel.” - JE Keyes, Chief Editor Bandcamp Daily

Beautiful Dust
“...delightfully enigmatic pop songs built from enchanting melodies and eternal optimism.” - Ben Salmon (Bandcamp Daily)
“..as hushed and evocative as a ghost story whispered around a campfire.”- JE Keyes, Chief Editor Bandcamp Daily

Raw Colours 
“It’s another irresistible album from a band that gets better with each go-round.”- JE Keyes, Chief Editor Bandcamp Daily

Longways Conversations
After listening to this album one of our fans took a dive into our back-catalog and had this to say:
"I’ll get around to writing something more formal, but I have been listening to Watchglass almost exclusively the past few weeks. I’m genuinely apologetic - songs like With a Trice, How Will You Know Me, what it means to believe, just to name a few, deserved a tonne of superlatives from myself, and I said nothing until now. Really, please pass on to Mark that his arrangements and production doesn’t go unnoticed - I delight in hearing something new each time.
You guys are seriously talented, and works class, really, and the new album is incredible. Let’s push it out there.

With a trice - that makes me teary. You’re such a nuanced singer and you guys are an amazing duo."

Wheels in an Elsewhere
"Another gorgeous new LP from Sydney's watchglass, this one branching out slightly into what Jon Hassell once called "fourth world music.""  JE Keyes Bandcamp New and Notable



All available on Bandcamp.

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.