For Bookings: 084 250 8301 or email zealouszeebee@gmail.com

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Twitter: @zealouszeebee
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R.C. Improvisation Music! My Style ranges from anything from Absurd to Zealous. I can read notes like Stevie Wonder. Here you will find my personal HD selects from Happiness, Meloncholic, Angry, Madness, and All-in-All Love. I am talented in playing other peoples music via YouTube and often extremely lucky in a sense that I can mimic Russian Folk music and K-Pop as well even though I don't know what the hell is going on... I guess that's what Friend's are for, especially if they got a far out empathetic music addicted dude like me around. I'm always inspired.

You can find me also at https://www.reverbnation.com/rainbowceiling which has other songs and a couple of alternative versions

Unfortunately, all recordings prior to 2015 are all physically lost.  There were a few gems that I would have tried to remake now that I consider myself on a master path.  Oh well, it was mostly oversampled anyhow except for the vocals... I did sing at one point back then. Currently, I try to refrain from sampling except for mini-samples via MIDI keys (no copy, paste, pencil tools) and drum-samples, since I don't have a drum set and only minimal drumming experience.  As far as guitar samples go: only one track here has a sample used for a 10 sec mess-up caused by false interpretation through headphone use. I am up for DRM free collaborations so hook me up so I can try some new things! I believe in try before you buy so if it works effectively, we can talk cash after the demo later!

Rainbow Ceiling's Gear:
Two Hands, Two Feet
Proud Yamaha TRB1005 Bass Owner
Rare Roland ME-8B MultiFX
Yamaha FX900
GFI System : Cabzeus (My Mac is too Old)
Morley ABY Mix / Korg Toneworks Echo
Boss Compressor / Dr.Green Filter
Zoom RT323 DrumMach 
SIRUS MP234 Crossover for the DrumComp
Monacor MPX-7000 (insane mixr)
Novation X-Station
Casio HT-3000 (Casio's last Synthie)
Aria Pro II E-Guitar
Epiphone Gothic Studio - Customed by me using EMG Humbuckers
Cheap Accoustic Bass and Guitar for the Bicycle Tours
Akai MPD18
Akai Microphone
Fostex MR8 mkII Field Recorder
Apple Logic Pro 8

Chances are that I will move back to the Ohio ASAP in 2019, I haven't been able to find a place to stay and thus I will have to leave my Mom and German friends/family behind. Positive thinking says at least I can play it real loud and I'm sure my mom would like me to have that again too!

In case your wondering why I chose the artist name: Rainbow Ceiling, I found it first back as 90s teenager doing my first sound experience.  The name was not taken by any organizations back when Google and Co were ad free. I'm Hetero so you know, but I never had anything against homos/lesb and honestly big MIDI rigs turn me on. Finally, I hereby leave you my tracks to listen to.

Sincere Regards,
Try the RainbowC, taste the RainbowC :D
everything is in vibration, I will ride the waves forever with Love and Peace!

Rainbow Ceiling is Stephen Rinehart (Age:33)

M.Shahbaz.Shahid is a proud Pakistani, student of Engineering, loves and believes to work hard with a great potential and determination, as he was a TROLL few years ago but N-O-W is a successful blogger and businessman (of course, thankful), beyond every thing, what he learns he is a zealous to transfer his knowledge via his well-writing and videos. Struggling on!

Hello my name is Mark Hole, if you have any question about the seed please email me on theholeofmark@yahoo.co.uk 
you can check out what I do at www.markhole.com but this is my old band. I was the singer, Sam Hegedus was the G-tar man, Simon (Bob) Desborough was on Bass and Mr Dan Wylie was on Drums. It's over now but I figured anyone who liked what we did would want to hear the old tunes. So I'm up loading them all.

The Seed, The Seed was a band, a band no more The Seed is Dead..... but it's part of my past, past I choose to remember, I will never forget. LONG LIVE THE SEED

The seed is spreading

By Rob Castell, Guardian Student Travel Writer of the Year 2005 

Musically speaking, the 21st century is a potential wasteland of pastiche and repetition, already engulfed by mind-numbing covers, regurgitated monotonous drawlings and wannabe Dylans. Thank God then that the embers of originality are still smouldering somewhere. Indeed, the roots of this hope are already burying themselves and the rain of public opinion is moistening the soil. I speak of The Seed - and don't scoff at my over-zealous epic poetics because this band deserve as much. They make you buzz about a musical moment that none of us born after 1980 have had the chance to enjoy…yet.

The Seed have balls. You won't find an apologetic drifting middle section that so epitomises the likes of Coldplay and Travis. You won't find a meek solo that stays safe by the melody or a hallmark card lyric that makes you cringe. The Seed riffs are fresh, the solos are raw, the vocal is superb, soaring, rich and the lyrics are often bizarre, sometimes cheeky and full of creative mind. These are musicians by the way. Often it's the case that a group of guys with the best spirits in the world will thrash out something energetic, sing something with gusto and decorate the drum-kit with the best-intentioned frills…but it just won't sound very good. Not with The Seed. Bob on the bass colours the chords and the rhythm, steady, funky, he is as the best bassists are - an unsung hero of syncopated sexiness. Dan drums with the intuition and intricacy of a jazz player, but with the boldness of an old rocker. And, if anyone hadn't noticed that it still remains a startling problem for many - he can keep in time. Sam is I believe destined for the status afforded to few guitarists - the league of Clapton, Knopfler, Hendrix. He has a great feel for it, phrasing, an ease with it that makes him stand out and it's clear he is doing his own thing. The licks, the fills, the catchy style of the opening riffs - it's his sound and it is tasty stuff. And Mark, the man with the mic, can really sing, with a tremendous range, he'll break into a blues scat-style flow as easily as he'll blast out a dirty rock chorus. Jumping, skipping, cavorting around the stage, doing press-ups mid song (in truth), this is the forgotten front man, a charismatic contagious and undeniably watchable treat.

So what is the style? I don't know…umm…it's…The Seed. It's new and innovative, but don't be worried that you're in for a rock/pop version of Poulenc with odd clashes and 162/33 tempo that apparently 'takes music forward'. No, Seed songs are all accessible. It's a jazz/funk/reggae fusion with soul and a little bit of rock, blues and ska as well…with the exception that it really is. There's nothing worse than a band describing themselves by referring to as many styles as they can, but this description really rings true here. A laid back MTV base guitar riff will turn into a soulful driving chorus will turn into a Clash-esque dirty ska thing will turn into… You must hear it. It's arranged superbly and produced with a sound free of the clinical nonsense so much radio ga-ga becomes trapped by. Comparisons, if you need them, float around in the excited murmur of post-gig conversations - "like the early Chilli Peppers" and "Sublime"…literally.
 
They look good. They are lovely young men. They represent something that I think has lost its way - an unpretentious and unguarded approach to this beautiful thing called live music. See them. Listen to them. Let the seed grow within you and a beautiful feeling will flower.
 
Very sad indeed that The Seed is dead. "Brake Down" was the last song we recorded together before it all started to fall apart..... we went on a brake.....down a slippery slope towards our own demise. We tried to keep it together and even met a possible savior in Mr.Brown's top form studio..... helping us through he gave us a new direction, some sort of hope. So we recorded 5 last songs and put together a new (and in Mr.Brown's opinion best yet) EP named 'Kiss The Seed' which you'll find this very moment on www.myspace.com/myseed and can buy right here right now, my plan is to sell all the copys we had made and get The Seed in the Swan for a pint to hug it out.... for gods sake.... before you go, listen to the last song The Seed ever wrote and never got to record properly. It's funny really, maybe this song was never meant to be recorded. https://soundcloud.com/the-seed-is-dead/useless-in-love
It's about us and I fucking miss you.x

HYPNOTISM is one of the most lauded figures in the Mauritian underground scene with nearly two decades on the forefront of the music industry. His own DJ journey can be traced back to the early 2000s, where he was deeply influenced by progressive pioneers such as Sasha, Hernan Cattaneo, John Digweed, and local legends like Giovanni Paul, Bernard Desmarais (Ramik17), Lebo & Paul PaniK. He kept the spirit of true progressive house alive and showcased the best of the genre, hitting the best parties of the island.
Throughout his career, HYPNOTISM has shared the decks with international juggernauts such as ATB, Da Hool, Funkagenda, Oxia, Popof, Jaydee, Nathan Coles, Bodyrox, Daley Padley (Hot Since 82), Kiko, Matt Minimal, Alessandro Spaiani, Tom Hades, Julian Jeweil, Charlotte de Witte, Third Son, and many others. His passion and skill for DJing led him to explore other genres, including the psychedelic trance genre, which he now primarily plays.
As a talented producer, HYPNOTISM has released several tracks that showcase his musical creativity and expertise. He has proven to be a true master of the turntables, always delivering energetic and electrifying performances that keep his fans dancing all night long. His music embodies the true spirit of the underground scene, with a focus on pushing boundaries and exploring new sounds.
HYPNOTISM's dedication to his craft and his ability to connect with his fans has earned him a loyal following and the respect of his peers. He continues to play at some of the biggest parties and events, and he has become a sought-after name in the international music scene. With his innovative sound and unwavering passion for music, HYPNOTISM is sure to continue making waves in the industry for years to come

24 Year-Old Inspiring Passionate Energy
Original Thoughtful, Meaningful, Fun, Wild and very GIVING song-writing; both Rapping and Singing; Sensual Poet; Engineer; Potential Producer


The music industry truly forgot what it means to be a true artist. As a young emcee, the 21-year-old sensational Pride Mnisi, mostly known  as KG (KidGraze) , gives you unbelievable lyrics and smooth R&B melodies on astonishing hit records, often expressed in an exquisite, zealous, and poetic way. As a fairly new American Citizen, this South African youngster is rapidly proving himself to be part of the 5% portion of artists who have raw, unstoppable talents with highly advanced lyrical abilities or melodic choruses that make continuous hit-record quality music. With his 2 upcoming mixtape albums "I.O." and "Women Only", KG plans on breaking through the industry and with those 2 projects and a lot more to build his brand and impact his generation in major ways from his current city (Sacramento,CA) to the rest of the world. Even though a lot of KG's music is for the pleasure of his fans, he has a message and he is a strong voice in his generation and the newer generations. His goal is to spread positivity and peace through his entertainment and influence the youth to pursue their dreams.
A South African-American who grew up in Johannesburg for half of his life and in Sacramento California for the other half wrote his first rap lyrics when he was 11 years old, influenced by the gangsta rap type of music by 50 cent, The Game, Eminem, and NWA. He started with a very aggressive style and later developed more of his sensitive side as he recorded songs about love and based them on his girlfriends in his middle school and early high school years. At a very young age, the more he wrote the more advanced he got lyrically. He loved sharing his music on the internet. "I used to feel like a mini internet celebrity", Kid said, "I used to get hundreds of views and downloads on my myspace page. It motivated me to work on more hits for my fans." So far there's been a few great songs from KG's mixtapes, that a lot of people feel like is under-rated and overlooked and believe that they should be seen on TV and heard on the radio. The harmony and smooth verses from "Gorgeous" and the energy and uplifting spirit from "Rise Up" (Over rapper Drake's "Club Paradise") shows that KG is destined for greatness. Working with other potential rising stars in Sacramento like A. Owens, Jasmine Nichol, Melly, Zariah and Guttie, he proceeds to give his fans even more than they want.
After finishing his mixtape "Official", KG will be releasing music videos on youtube channel(YouTube.com/youngkillamusic) for his singles "Gorgeous" and "Rise Up" and will have the mixtape available on multiple hip hop blog sites, including datpiff, livemixtapes, and more.
Currently, he is composing and recording two mixtape albums "I.O" and "Women Only". "I.O." will express more of his emotions features a few hit records. He wants to express his deepest feels about how he feels about the world and his life. "Women Only" has a lot of songs that modern females love and features sensuality, love, and uplifting messages to women all around the world. This album will have female rappers and singers featured and no other male voice besides KG himself.
While releasing these mixtape albums, KG will pursue live performing locally or even nation wide and will soon be available in your city so you can feel his energy and passion. Once you enter his world you will want to keep up with him, mainly via YouTube (www.Youtube.com/youngkillamusic) and Rever Nation (www.reverbnation/youngkillamusic) and you will experience what he is dedicating his whole life for just for you.

Like many, Jerls learnt to play the piano from young. Unlike few - he wasn’t sent by over-zealous parents but instead, self-taught. His interest in creating music later manifested itself into something a world apart, and soon he found himself immersed in the local hardcore scene at the young age of 15.

After a phase of long hair and tattoos, Jerls found himself at a local underground club - Home Club, where he finally found his calling, Electronic Music. With a copy of Ableton and an M-Audio 'Trigger Finger', he dove headfirst into the world of Electronica, a unique trajectory that lead him to releasing his first LP, Owvle, in 2011.

Having been on both sides of the underground and above, Jerls innovates and contextualise the familiar to engage the crowd, usually accompanied by a third deck paired with pinpoint mixing, resulting in energetic DJ sets never failing to keep a dance floor on its feet with fresh and compelling sounds.

Professional Pianist
Composer
Musical Arranger
Talent Manager
Show Organizer

Better known as “Meru Tignap” Laurente In the Entertainment & Music Industry here and abroad.  His zealous with his profession suffice to ssay has acceded him on this field for more than 30 years.A bonafide member of FILSCAP &amp; KATHA (Filipino Society of Composer’s, Author’s &amp; Publisher’s Inc) are few of his indubitable correlation. Born in Ormoc City, Philippines and regarded as one of the best singing pianist & Keyboard instrumentalist in Takenutsuka Tokyo Japan, Mel Repertoire includes: Latin, Pop, Waltz, Broadway, Jazz, Mambo, Bossa nova, Disco, Cha Cha, Spanish and Japanese.

BLACK as COLE is the brainchild of songstress Cecile Black and bassist Craig Cole, a band of zealous musicians who as friends thought it necessary to express themselves through music. The band performs a genre it calls Jam-on-Dub which basically is a fusion of different genres integrated into the base component of Reggae and Dub music.

 The band consists of seven members most of whom became close during their time in the UWI Pop Society, at the Mona, Jamaica campus and each musician brings their own personal touch and expression to the music. On guitar Denver Downer brings a more alternative/blues sound while Jon-Joseph on keys pulls on his gospel and R&B background. Craig, who is the musical director/producer incorporates his experience in Reggae/Dub-Rock and gives direction to the band ensuring always that the power of Cecile's sultry voice personifies the essence of BLACK as COLE and that the backing vocals, provided by Jade Bronwyn Leatham, compliments her amply. As in Reggae the drum is the heartbeat of the music Mark-Anthony Reid on his drums bridges the gap between the various musical ideas that bounce from member to member.

 BLACK as COLE performs mostly original material and cover versions are usually interpretations of songs with significant impact on the band. It has been together for a little over a year but have graced a number of stages including twice at the Jamaica Jazz & Blues Festival; Red Bones Blues Cafe'; Jamnesia; and Plug 'n' Play @ the Jonkanoo Lounge of the Wyndham Hotel to name a few. To date the band has released two official singles namely, 'Musical Romance' a R&B themed love song of how the founders of the band met; and also a Reggae cover of Adele's 'Hometown Glory'.

 When asked the significance of the name BLACK as COLE, the band explains that the meaning is two-fold in that while it incorporates different cultures into the sound it is at the core, black as coal: Afrocentric, positive and reverential to the rich heritage passed down by the pioneers of Reggae music and also simply a creative combination of Cecile’s and Craig’s surnames. BLACK as COLE represents music vested in love.

 Stay tuned for more from BLACK as COLE as it seeks to ignite your hearts with conscious uplifting messages of truth and love.

 Bookings: (876) 828-1000 | (876) 423-0525 | (876) 344-9667 
 Email: blackascoleband@gmail.com
 Website: http://blackascole.com/

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