I see a point and a mountain; I am a drop and a lake. I am a speck and a beast; I cause a quiver, a quake, look close and you will find a place where small is large. In different space the rhythm that the world sustains unfolds and then unfolds again. I saw a tree inside a seed, phi the sky and shells and hives a sky alight a secret world alive. Invisible leaders, invisible laws of two sides; we take none and turn the third way through the wall a thousand times. In a thousandth time a million eyes see the scions rise a billion sons. Apogee begun a trillion hidden lives, perihelion colored lines and scented signs lead us between what we combine afreet. I see the world with clarity hidden world seen by the third eye, the opulence of a clear blue sky. Heaven's been kind enough to grant us entrance to this enchanted land. 	&#x271e; &#x262f; &#x262e; &#x262d; &#x263f; 	&#x264b; 	&#x2650; &#x264e; 	&#x2658; &#x2655;	 &#x2654;

me name jeff
I create "sonic experiences"
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“Th-that being the case…I, Haruhime, shall take lead…”
Her eyes change. It’s like she’s made up her mind but doesn’t know if she can. Sitting up, she starts loosening her clothing.
My eyes practically jump from their sockets.
She unravels the thick belt-like sash of her kimono. Different sections of the red fabric fall away from her body.
“In no time at all, there’s only one thin layer left—practically underwear.
“P-please, wait…!”
“Please be at ease, my master. Entrust…this Haruhime with everything.”
“I-I’m not…!”
“Try to relax…!”
My tongue can’t handle all these words at the same time. My voice cuts out.
Her pink thighs flash before my eyes. They’re nothing compared to her full, curvy breasts. That kimono hid them unbelievably well. A flash of light off her black collar draws my eyes even farther up to the nape of her neck and delicate collarbones. My heart is beating so fast it could shatter any second.
I try protesting again, but she seems to be in her own world. A look of determination overtakes her face as she lifts her leg and straddles me just like Aisha did. I can’t move.
“I shall provide you with my services, master…”
A quiver shoots through her ears and down her spine as both hands grab onto my shirt.
My body feels pitifully weak; there’s no way I can escape. I try pushing with my arms, arching my back to throw her off, but nothing works. She unbuttons the top of my shirt—what’s left of it anyway—exposing my chest to the light of the magic-stone lamp just above my head.
“……Teh.”
In that moment—the almost naked girl pinning me down freezes in place.
FLICK! Her tail shoots straight out and ears stand on end. Her eyes are locked on my chest.
“M-master, master has such a beautiful collarbone!”
Her eyes roll back into her head, and she collapses on top of me with a dull thump.
Wha…WHHHAAAAAAAAAAAAAAAAAAAAAAAA?!
My soul screams out as two round lady-pillows fall right on my face. FMUMM! I can’t breathe! It’s utter chaos in my head, despite the soft skin around my nose and mouth.
Shaking and wiggling my body, I desperately try to get out from underneath the breasts that I didn’t know could be so deadly.
“Haruhime, you here?”
?!
They’ve found me.”

Eric “Ric Riggler” Rhea is an African-American Snowboarder/Skier/Hip-Hop Artist.  Released in December 2017, “The Black Powder Movement” is Ric Riggler’s Hip-Hop mixtape-style EP of self-written songs all about snowboard & ski culture and lifestyle.

As a member of the 40+ year-old Black ski organization, the National Brotherhood of Skiers / Soulboarders Ski Club, Riggler and “The Black Powder Movement” focuses mainly on the perspective of  mountain winter sports from the eyes of African Americans who live and breathe snowboard and ski culture all the way from the resort to deep in the back country.

What started out as one song and video per season to get his friends stoked for the winter trips they would take turned into an idea for a full Extended Playing release after garnering world-wide attention from the ski and snowboard community for his song “The Back Country”, which uses Drake & DJ Khalid’s “For Free” and reworks the song to be about back-country heli-skiing, splitboarding and avalanche safety awareness and rescue

In classic Hip-Hop mixtape format, the full compilation of songs has some totally original songs and some reworks of popular raps songs that change the content to snowboard/ski culture.  The track-list and synopsis of songs are as follows:

1) Feels So Real (Riding In That Fresh Snow) - EP intro that introduces the concept and snowboarding/ski culture joys and excitement of the powder chase.
2)Japow (The Anthem) - touches on Riggler and crew’s annual trips to Hokkaido Japan, the Niseko/Rusutsu/Asahidake regions and love of Japanese snowsurf Gentemstick boards.
3)The Back Country  - touches on back country riding and skiing and safety using Drake and DJ Khalid hit song “For Free” as the inspiration and music.
4)Black Men Ski - touches on Riggler’s intro as a 4-year-old black kid in the 1970’s to skiing through the National Brotherhood of Skiers/Jim Dandy Ski Club, bringing awareness to the world of African Americans’ passion for the sport and history of some of the Black pioneers in winter sports. With a borrowed sample from comedic artist/band Stew and the Negro Problem for the song’s hook.
5) Until the Chairlifts Close - touches on Riggler’s addiction to snowboarding and ever-growing quiver of boards using rap artist Gucci Mane’s “Both Eyes Closed” song as the inspiration and music.
6) Shorty Wanna Ride (The Snowboard Anthem) - The first song Riggler recorded around snowboard life and culture, this track flips G-Unit’s artist Young Buck’s song “Shorty Wanna Ride With Me” from a gangsta track to a snowboarder’s adventure.
7)Powder Love (Let's Ride)(feat. Tunesia Turner of Black bottom Collective) - touches on living the snowboard life and blending love for powder and the mountain with love for a spouse or significant other that either shares the passion or has no interest in it.
Although told from the perspective of  broadening the often, little-known  awareness of African Americans’ passion and involvement in the sport on all levels, and it’s racially targeted title “The Black Powder Movement”, the full compilation of songs can be truly enjoyed by people of all races, genders, and ages, however as Riggler states on the intro song “You don’t have to be Black to listen, but you do have to ski or ride”.  To fully enjoy and understand the musical experience of this project one has to be knowledgable about snowboarding and/or skiing and have a genuine passion for it and have some affinity for hip-hop music.  “The more knowledge and passion you have for both the more you will realize how good the content of the EP is” - Riggler states.

Labels: Warner Music Group, Armada, Revealed Recordings, Smash The House, Darklight Recordings, 2-Dutch, Effective Records, Zero Cool, Dirty Dutch, Metanoia Music, Crash &  Smile, TurnItUp Muzik, Black Hole Recordings, Playbox, BODYWRMR, Release Records, Arcadia, NoFace Records, Radio Record Label

Requests/Promo: m.s.magicsound@gmail.com

Bookings (Worldwide): 
m.s.magicsound@gmail.com

Subscribe our Podcast: https://itunes.apple.com/by/podcast/mag-fm/id1409746275?mt=2

When riddled with the question 'Who Am I', I can't help but remain mute. Commonly I would answer with the infamous saying, "You are what you listen to". Given my quite anonymous yet symbolical mark of Dissociative Identity Disorder, I would then sum up that indeed if one where to judge me with what blossom's my soul (Or at least I believe), then one has to consider what kind of personality would identify Jazz (Mostly Bebop and Swing, I prefer my jazz old & matured, although Smooth Jazz does medicate me at times, House (Of all electronic music, my first preference would be House Music, or Deep House to be specific, just something about hearing Erdbeershnitzel's Crossroads cruising at 105 bpm), Hip Hop (Mostly Rap, old school and conscious, but its really a mouthful listening to the instrumental works of J Dilla, Eric Lau, Tom Misch, well you get where I'm going with this), I suppose the rest we'll leave for those with a token for intuitive esteem.

Founded in 2016, Kirschbaum are Lord Gloom and Valtteri Void. One specializing in auditory soul crushing darkness, the other responsible for blissfully eardrum-piercing harmonies; one is the last heir of the romanian Gloom-dynasty, the other was born to a fisherman and an institutionalized former geologist in a desolate village on the southwestern shore of Lake Baikal.

Driven by their appreciation of their own genius and the firm believe that the determination and the quality of any bands work is inversely correlated to the seriousness of the statements they make about themselves, they are well on their way, achieving what they set out to do. What exactly that might be, they have not defined yet, for it is their opinion that that would only distract them from their goals.

Together they produce what some consider beautiful music, others may say it is an abomination of something that a bipolar ear trauma patient might call music. The vast majority, however, does probably not have an opinion on Kirschbaums output since they do not know them... yet. And they are also 2/3 of Basels infamous "electro pop" band Cinder Tapes.

"Established now as the 'go-to' act for when rock comes to Liverpool." - Mean Fiddler

"Next to play were punk band Dirty Vagrants. They gave the most raucous performance of the night with singer Lazlo Hockerville (great name) leading the way. They were heavy and energetic and the best track of their set was the catchy ‘Dead Man’s Shoes’. Worth checking out in the future." - Nicola Denton, www.ericslive.com

Dirty Vagrants are 4 dick heads from somewhere. They have no sense of decency and lack the basic understanding of society to function properly as individuals and certainly not as a unit. Their rash, indiscriminate decision making may make them look slightly intelligent but often leads to a sense of mind-numbing indifference for everyone involved in their shenanigans. In certain cases this had lead to death. 

While there are no indications to suggest any kind of health issues amongst this group it is widely suspected that they may have been the cause of the infamous ‘swine flu’ epidemic. Although it can never be assumed that anyone can live without the ability to string more than one rational thought together at any one time, the enduring existence of these four delinquents suggest there is hope for the ‘Celebrity Gossip generation’ yet.

Consider this to be a public service message. Do not be sucked into the morally bankrupt vacuum that is Dirty Vagrants, do not listen to their music, do not like their facebook page and please, please do not approach them. Any form of physical, mental or telecommunicational contact will surely render your life null and void.

People of the world I urge you DO NOT PAY ANY CREEDENCE TO THIS PACK OF PHILISTINES and justice may yet prevail.

Sincerely

Clementine Sprucenik
Deputy Sheriff
Urmston Crime Unit
Greater Manchester, UK

Ahmmi Harkness (pronounced ah-me) was born and raised in the Queen City also know as Cincinnati, Ohio. Learning to exceed the odds became second nature to Ahmmi, who was born in 1978, to a mother who would later be diagnosed schizophrenic and placed in a mental hospital and a father who would end up in jail only to return over eighteen years later. She grew up with her grandfather who would teach her the value of hard work and instill in her the passion to become dedicated, and persistent at her goals and strive to accomplish them. At the age of 3, Ahmmi began singing around the house and with the Rose Buds her church choir. This love affair between music and Ahmmi would grow stronger and continue to flourish well into her teenage years. By the time Ahmmi was in the 7th grade she had already started her own singing group and was performing in local talent shows and at family gatherings. She began attending the School for Creative and Performing Arts in downtown Cincinnati, which gave her a structured environment for her poetry and music to grow and develop into a true art form. 
Music gave Ahmmi the ability to escape from the reality that her life was not like her other friends who had both parents and gave her the opportunity to express how she really felt about her life and the neglect and pain she experienced inside. With influences such as MC Lyte, Queen Latifah, and Salt-N-Pepa, Ahmmi’s poetic song lyrics would soon turn into forceful and direct rhymes. Her hip-hop career began to sprout as she began to practice various ways to combine her poems and stories to the beats that she was given by her first producer Mike Tucker. Even at the age of 14 Ahmmi’s musical career was heading in a positive and social political direction. Her first demo included a song entitled “Black Woman” which focused on the lack of direction and the anger that black women felt in society and how black women needed each other for future survival. This set the pace for Ahmmi as a female emcee and gave her the confidence and ability to continue forth and pursue her career as a rap artist. 
While attending Cincinnati’s School for Creative and Performing Arts, Ahmmi met fellow creative writing classmate Deena Philpot and the two hooked up and formed rap duo “Nadanuf” (not enough). This union would prove to be destiny as the duo would make a name for themselves in Cincinnati by winning various talent shows and performing in local clubs. Nadanuf would enable Ahmmi to gain the needed performance experience and taught her how to compromise and work with other artists with different views and styles. After graduating from high school in 1996, Nadanuf moved to Los Angeles, California to pursue their dreams of stardom in the music industry. 	


After 8 months of much hard work and dedication and working with producer Aaron “BabyBoy” Griffin, Nadanuf landed their first major recording contract with Warner Bros. Records. Ahmmi’s first album entitled “Worldwide” was released in May of 1998, her first single a remake of the classic Kurtis Blow hit “The Breaks” entered Billboard Rap Singles Charts at 14. Ahmmi began touring the U.S. and Europe opening for other major artists such as Destiny’s Child, Faith Evans, Master P, Usher, and Wyclef Jean to name a few. This would herald as the beginning days of a young super star in the making. After one year Warner Bros. Records would downsize and leave Nadanuf where they began, without a record deal. But this blessing in disguise was exactly what Ahmmi needed being that she was 20 years old and now a young woman viewing the world through different eyes with different ideas and a different point of view. Ahmmi began working on her solo career in 2000 when she moved back to Cincinnati to be closer to family and get herself grounded. 
In the summer of 2001, Ahmmi dropped her first EP entitled “Future, Present, Past” which she released and co-produced on her own through her indie label FiveTwentyEight Music Entertainment. Ahmmi sold over 500 CD’s out the trunk of her car and on the streets of Cincinnati. Songs like “Young and Restless” served as a street anthem for the city and inspired many to begin thinking about the community and how they could use their own talents to change the world. Lyrics like “I’m introducing solution, dilution of pollution/my attribution’s to spit rhymes that spark revolution!” encouraged Ahmmi’s listeners to be strong and continue to stand up for their beliefs during the infamous Cincinnati Riots and for Timothy Thomas who has killed by Cincinnati Police in April 2001. 
Ahmmi Harkness has continued to stand strong and encourage others with her music regardless of what set backs she may have experienced during her life. From 2000 to present date Ahmmi has featured on many local Cincinnati artists projects such as Piakan, Ood-T, and Diggit. She also has been a ghostwriter for various emcees and R&B vocalists. Ahmmi began FiveTwentyEight Music Entertainment so that she could express herself and release the kind of music that allowed Ahmmi to speak her mind and address the many ills that we face growing up in this society in the 21st Century. Her dominate voice over spine-tingling hip-hop tracks will leave with goose bumps and have you wondering whether you should get up and dance or thank God for such a spiritual experience. “ I would consider myself a world changer, I just want write music that changes the industry and the minds of the youth that listen to rap music, we have a lost generation out here that needs positive leaders with positive messages”, Ahmmi said while recording in the studio. Ahmmi would hope to one day become a multi-platinum selling rap artist as well as a best selling author. Her poems have inspired many spiritually and have uplifted the hearts and minds of her readers. With rap hits such as “Never Gwan Stop” and “After The Rain”, Ahmmi is guaranteed to make her self well known to the hip-hop music industry and to the world. Ahmmi Harkness will one-day change the history of hip-hop itself, so be sure to keep an eye to the sky and continue looking for hip-hop’s next superstar. 


This record was made with no money, in a bedroom closet, fully nude.
It’s full of pops and hisses and freeway noises. Some songs are louder
than others, just like some days are worse. This album is about
sentiment, the texture of something different. An escape from
something inevatible yet unattainable; Success. Because really, in the
fuckin end we all succeed at getting to the end. This is DIY and Lo-Fi
and RAW not to prove a point but to feel a purpose, a freedom, a
depth, a hope that others can see the merit in things that aren’t easy
or shiny or graceful, to prove to myself that I can still see them. A
Hail Mary thrown, that even dead broke with no equipment and a guitar
that got ruined in a flood in Philadelphia, that my story translates
somewhere and my songs still hold weight somehow. That someone wants
to hear me as bad as I want to be heard. I’v been right here, I’ve
been listening to you.
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On this record I wanted to say the most with the least, let the white
noise do a little of the talking. The way that symbolism flaunts big
layers and folds down into the mind, thats what I want for these howls
and grunt and strums. For them to resonate in places it didn’t seem
like they could get to.
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I hope that humor and quiver and tone can be felt if I hit the right
note, even if its struck on the wrong chord. Forever hopeful and
grateful and slightly nauseated, I push and pull against these tracks.
Even if your eyes go wide and you whisper “what the fuck” or laugh out
loud while you’re listening to em, then I moved you. And if I moved
you than I’m just as big as gravity or the ocean. I can keep going
knowing that. keeping pushing, getting shoved and getting up.
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Disclaimer. No money was hurt during the making of this record.
Nobody got tamed either.
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- BoomGoon/ R.V.

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