Danny Phantom
Aka Maliko 
Young GhostBoy 
Young Phanto

Music producer.
@futuristicmain
Ghanyomusic@gmail.com

'@weareoverused' was founded by Paul Grünberger and Robert Millwitsch in early June 2014.

ᗍ BOOKING: bookingovrsd@gmail.com

After releasing several bootlegs of well known tracks, the project raised really fast and got big support by artists like Martin Garrix and Tom Swoon. Until now their biggest success was an official remix for Martin Garrix, Sander Van Doorn and DVBBS of their track ‚Gold Skies‘ which was released on Spinnin‘ Records. Their remix peaked on place 25 in beatports electro house top 100.

In February 2016 they launched their own imprint "@puregoldrecords" to offer young talented artists the spotlight they deserve.

Music Producer / DJ

Previously: @BloueBart

"LOVE SONG" by AL Sharif & Alonso is out NOW — https://ffm.to/codrd061.pbt

DEMOS: jp@northborder.co

“If you want to do something good, you have to do it yourself”. 

It was that belief that led @marcusschossow to begin the Code Red Music project in 2015. Based upon the concept of having talent meet talent, the label’s values as both an institution and record company were quickly acclaimed by many.

In Marcus’ words, “we wanted to create a place where our musical dreams can run wild”. A core value of this belief is to “speak to each other daily, seeking to help and assist wherever possible”. Not in the form of a constitution or set of rules, but creative freedom.

Code Red is focused on the musical journey and experience. Here, we value charts just as much as discovery. At the core of this journey is interaction. Through the shared vision of Marcus, our artists and our fans, we aspire to expand our quest for musical freedom and friendship.

Friendship is an important construct, and this involves you. Through interviews, tutorials and feedback sessions, we at Code Red want to hear your thoughts and help you improve your music. We want you to become part of this shared belief, and “have the options to create what we really want to do, without anyone telling us how”.

We want to you get know you just as much as you want to get to know us.

Send demos, press inquiries or favorite recipes: 
jp@northbordermgmt.com

STARTED AS A DJ, RECORD PRODUCER AND REMIXER IN MY HOMETOWN, BREDA. ULTIMATELY VOTED THE WORLD'S NUMBER ONE DJ ON DJ MAG IN 2013 AND AGAIN IN 2014. NOW A MUSICAL CREATIVE FOLLOWING MY OWN PATH, BACK FOR MORE.

#REBELSNEVERDIE

www.djhardwell.com

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

Stealth Beatzz is following