Fantastic Atmosphär Sound. I like this Composition. 🎼🎸🎶😊❤️

Sweet combination of instruments in a beguiling melody and arrangement. Nicely done.

Fake Pharaohs - Ψεύτικοι Φαραώ

Instrumental: DAN-DT @dan-t-3 
Vocals and lyrics: DelhyA

Échos d’ Automne 

Si l’automne vient surprendre les amants que juillet a laissés « naufragés »
C est le temps des regrets, le temps dépassé: celui de tout donner, il faut abandonner.

(All summer can bring may just leave in autumn with a breeze)

Le temps d’une larme,le temps d’un regard, il est déjà trop tard…
Le temps des silences, de l’indifférence, puis de l’évidence que le “doré” vire au noir…
C’est le mois des “mais”, le mois des “mais “, plus de mois de mai…du mois d’aimer!

Le temps de l’automne, le temps où tout détonne, le temps désormais se conjugue au passé
Le temps des tourmentes, le temps de ne plus prétendre,
Le temps le temps qui court et qui s arrête et puis…
Le temps,qui s en va, qui s en va, qui s en va, tout se fane!

Le temps de t’attendre, le temps de se comprendre, le temps d’apprendre, le temps dépassé, le temps des regrets, de tout donner!


Echos of Autumn 

If autumn comes to surprise lovers that July left "shipwrecked"
It is the time of regrets, the time exceeded: that of giving everything, we must give up.

(All summer can bring may just leave in autumn with a breeze)

The time of a tear, the time of a look, it's already too late
The time of silences, indifference, then evidence that gold turns dark
It is the month of "buts", the month of "buts", no more months of May... the month of love!

The time of autumn, the time when everything stands out, time is now combined with the past
The time of torments, the time to no longer pretend,
Time the time that runs and stops and then
Time, who goes, who goes, who goes, everything fades!

The time to wait, the time to understand each other, the time to learn, the time exceeded, the time of regrets, to give everything....

Échos d’ Automne (with DAN-DT)

I feel so lucky that Dave Orestes 1 allowed me to record a rendition of his wonderful song " What Is Rich" ! 

Written by Dave Orestes 1 
https://on.soundcloud.com/JG7gH

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini
Tam Jennifer: Interpretation, Vocals, Guitar, Mix & Master

Lyrics (Dave Orestes):

What is rich? You're asking me
Rich is so simple, don't you see
It's not what you own but what you do and say
.
What is rich? You're asking me
It's not hard to explain
It's all about what you feel
And not what you touch
Every day
.
Rich is how well you sleep at night and
your thoughts on your own death bed
when you have few regrets
few regrets
.
Rich is passing on
the prospect of hope
so that all have a chance
to prosper and grow
Rich is not how tall 
Your sky scrapers grow
no no no no
.
Or the number of seats
in your stadium row 
It's not how many toys
in the attic you've stowed 
oh no no
that's not it
.
What is rich? You're asking me
Oh it's not hard to explain
It's all about what you feel
Not what you touch every day 
.
Rich is when
All the children are fed
And each of them has 
A warm safe bed
Rich is how 
You care for people 
That, you've never met
.
It's not hard to explain 
It's all about what you feel 
And not what you touch
Every day
.
Doo da doo da doo
Laa la laa la laa
Laa la laa la laa
Laa la laa
La laa la la
.
© Dave Orestes 1, Tam Jennifer Hastings, 2024. All rights reserved.

What Is Rich (with Dave Orestes, 2024)

Life is one big adventure. There are many challenges to overcome, many paths to take, many decisions to make. Pursue your goal even if it is difficult or precisely because it is difficult. And when you have achieved it, you will look for the next adventure.

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Evo Elysium
Apollo
XPhonica
CRE8 Poly Engine
CRE8 Wave Engine
Colors LoFi Tapes
Taped Vibes
Kalimba
Halion Symphonic Orchestra
Iconica Sketch

115 bpm

Picture by Cilvarium on pixabay

adventure

Antonella Eye Porcelluzzi: lyrics and voice
progettosonoro: music

Un discorso vecchio
Un discorso vecchio
Un discorso vecchio
E perché vecchio buono
Una nuova prospettiva
Questo vecchio è moderno

Ho cercato il progresso
Ho cercato il progresso
Questo vecchio è buono
Questo vecchio è moderno
Questo vecchio è attuale 
E’ difficile andare più avanti
Fermiamoci per il momento al vecchio
Prima di sapere dove avanzare

Sono su un cammino difficile
Sono su una strada minata 
È per questo che è buona
Mi faccio strada
Fra le nuvole
Infiltrandomi tra l’una e l’altra
Facendomi spazio con le mani

Nei giardini pubblici 
C’è solo gente vecchia
Eppure è il più bel posto della città
Sono andata a sedermi
Tra I canarini
Che sopra gli alberi 
Urlano volano predicono il futuro
Al cantautore muto 
Seduto sulla panchina con la guitar
Urlano 
E si sono fatti una città di canarini
Come fanno un po’ dappertutto nel mondo 
Si riproducono e restano li
Verdi e gialli

I giardini pubblici
Mentre andavo via 
Un uomo dal viso orientale
Ha cantato forte una preghiera
Come fosse stata per me
« Ah ecco, guarda, - diceva al suo amico- 
sta passando il Cristo ! »

Ok, magari vado a bere una birra
O a farmi un sonnellino
Beato sacro giardino
Pietre
E andrò’ sempre più indietro 
Verso la
Culla del Mondo

Culla del Mondo

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS: Of the Shimmering Seraphs

The Professor

Love. You can learn all the math in the 'verse… but you take a boat in the air that you don't love… she'll shake you off just as sure as the turn of the worlds. Love keeps her in the air when she ought to fall down… tells you she's hurting before she keels. Makes her a home. -Capt. Mal

Day By Day

I wrote this song when I was a sophomore. 

Ginnel [Demo]

Lyrics and Vocals by FRAWSTAKWA
@frawstakwa
Produced by Chief Red Squirrel, Cosmic Keanu

Ambush Of Tigers (FRAWSTAKWA & Cosmic Keanu)

"They don't do one thing but sing their hearts out for us."

Acoustic steel string, for two main guitars, with occasional single note line decoration from a third. (All parts played on my Maton M225.)

Songbird Boo

Just one guitar and sax, (somewhere in my mind)

https://youtu.be/Pazn-lrLRZM

here is a title where I wanted to associate, classic guitar, alto sax & electric guitar on the coda. I played all the instruments except the sax played by Claude CAMPENET, great musician who plays, alto sax , tenor, baritone, flutes .. and I thank him for having played on this title. I expect other collaborations with him. You can see the clip on Youtube.

All tracks are written, performed, mixed and mastered on Mac Power PC G4 by myself.Cubase 5,0
Dgé breton :Written and performed by Dgé breton/
Dge breton:/guitar, drum, bass keyboard/
Lead guitar: Clasic YAMAHA APX10 N Guitar
Lead electric guitar STRAT With overdrive at 2’ 07
Piano of SY YAMAHA
Prod: Dgé.BSoundProjectMusic
lien youtube:https://www.youtube.com/watch?v=Pazn-lrLRZM

 A VENIR

JUST ONE GUITAR AND SAX

I am a guitarist by training, self-taught, multi-instrumentalist for my compositions & arrangements, bass, keyboards and others, therefore, composer and arranger Music has been my main passion for many years, I have made it my job. This has allowed me to play in pretty much any style, following the currents of the moment, rock, jazz, blues, variety and many other implications, groups, collective, accompaniment of singing stars, studio recording.
Here are some compositions, for the moment instrumentals, like brock 'style guitar. 
——-
je suis guitariste de formation, autodidacte, multi instrumentiste pour mes compos & arrangements, basse, claviers et autres, compositeur arrangeur.La musique est ma passion principale depuis bien des années, j’ en ai d’ailleurs fait mon métier. Cela m’ a permis de jouer a peu près dans tous les styles, suivant les courants du moment, rock, jazz, blues, variété  et biens d’ autres implications, groupes, collectif, accompagnement de stars de la chanson, enregistrement studio.
Voici donc quelques compos, pour le moment instrumentaux, genre guitare brock' style.

JUST ONE GUITAR AND SAX

Dgé breton

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