INTRODUCING...

The World Famous, Quintuple Prize Winning, Sextuple Record Setting, 60 Years Celebrating...

TSE crashing, football field dashing, alcohol stashing, Jumbotron flashing, Royal York trashing, fountain splashing, joke rehashing, Oktoberfest bashing, button mashing, joke rehashing;

Stealth-bnad stalking, impostor bnad mocking, Gradball shocking, Con Hall rocking, Scavenger hunt jocking, Chariot Race clocking, United Way walking, Speakers Corner talking, hockey game socking;

Pop machine filling, ready and willing, Crown Royal swilling, yo' we jus' chillin'!
CN Tower ascending, peace and quiet ending, Cannon defending, many patents pending;

Coke machine wiring, world take-over conspiring, instrument acquiring, fear inspiring, introduction is tiring;

Seven year old Scotch decanting, ALL NUDE ALL THE TIME!

Vanier Cup rejectin', premium beer selectin', Godiva resurrectin', mascot collectin', tastes good with pectin;

Wheel of Fortune spinning, stereo winning; Swiss Chalet eating, Santa Claus greeting, Atrium meeting, Smash Bros. beating;

Mad integrating, Nathan Phillips skating, Aramark hating, triple X rating;

Yonge St. cruising, Varsity Bluesing, music abusing, ear drum bruising, Blue Jay enthusing, Iron Ring perusing, Hart House Farm carousing, Rum & Coke oozing, referee accusing, S&R boozing;

Graffiti Suds glowing, John K. Hall knowing, chair throwing, money owing, Stolen Toike stowing, should I keep going?!

Gamecube playing, Trogdor slaying, artsie laying, fine paying; Police escorting, lecture aborting, broomball sporting, cheerleader courting; S-Dance boating, Homecoming floating, proxy voting, sticker coating;

Note nailing, scale scaling, song wailing, movie delaying; Football loss cheering, spaghetti monster fearing, alumni suds beering, fire bell searing; Pride Parade priding, traffic abiding, trombone sliding, mustache riding; Queens Golden showering, Sourpuss souring, gin devouring, F! deflowering;

Funeral halting, mascot assaulting, beverage malting, artsie insulting;

CN Tower, Skydome, Eaton Centre, Pratt Building, Four Seasons, Innis Condo, Scarborough RT, Bahen Centre for information Technology, Ontario University Fair, Varsity Stadium, Skulenite, Spadina streetcar and Sheppard subway OPENING...

AND SUBWAY CLOSING...

Lady Godiva Memorial Bnad! Renegade Musical Terrorists, Marching Gregorian Chant Society, and White Noise Brigade!

Since 2013’s debut album album ‘New Addiction’, Melbourne band 2 Inch Tape has delivered music in a manner considered prolific by today’s standards and perhaps more what you might expected from a band in the 60s or70s. And they make no apologies. The name, the feel, and the delivery is influenced by that golden age of popular music when boundaries were few and experimentation encouraged. 

With the release of ‘America’, 2 Inch Tape presents a concept album in all its glory. Inspired by the people, socio-political climate and adventures surrounding his personal pilgrimage, Simon Rigoni penned ‘America’ during a three week visit to the country in 2017. 

Throughout his journey he recorded street performers, preachers and everyday Americans to create a soundscape that combine with the songs of the album. The songs themselves explore a range of genres from folk to punk, country to rock, with a (sometimes not so) subtle nod to the location that inspired the music. 

‘America’ is 2 Inch Tape’s fourth album and follows the release of the‘Nashville Wife’ EP earlier this year ‘America’ was brought to life by  the performances of Simon Rigoni (Vocals/Guitar), Fiona Broussard (Keys/Vocals), Mark Petrilli (Bass), Julia Bebenek (Drums) and Greg Milton (Pedal Steel/Mandolin/Guitar/Harmonica). 

Notable guest performances from Samuel Cope (Hammond Organ) and Phil Carroll (Piano Accordion) assist in delivering an album that takes you on a journey from the blues harp of a street band in Venice Beach to a busking accordionist in Boston, as well as a Mandolin player in a bar in Manhattan. 

Whilst the songs exist in their own right, the preferred way to consume ‘America’ is as a whole, the way an album should be.

“Eclectic and Graceful” --Time Out New York
“Rustic and worldly.” --New York Times
"Astonishingly beautiful" --Lauren Laverne, BBC Radio 6 Music

Sans Parade are inspired by the dystopian present. The Finnish trio creates immersive songs riddled with literary quotes and sci-fi sayings. The songs are mixed with pious attention to artistic detail within an ethereal popular music setting to provide an exploration of human emotions and behaviour in a world heading towards machine-learning and singularity.

The third album Fugue State originates from a feeling of misplacement, memory loss and crumbling identity. It highlights the human need for shelter and belonging in order to survive and thrive. Fugue State is a collection of contrapuntal voices that build and amplify and finally shatter into an ocean of noise.

Sans Parade’s main server lies on a secluded farm in southern Finland, where producer Jani Lehto combs through audio files sent by Pekka Tuppurainen from Stockholm and Markus Perttula from Helsinki. Originally, the band started in 2009, when singer-songwriter Markus met disillusioned electro pop artist Jani who asked him to join in a project that would draw from baroque pop and contemporary indie rock. Markus already had a fitting band name in mind for the introverted but exuberant soundscape, so work began immediately with Jani and his associate producer/experimental jazz musician Pekka.

Producer. Singer. DJ. 

Hear the sound of an R&B flow floating over an electronic bed bouncing with a Caribbean / Afro rhythm, body-rolling to a hip-hop groove and you might find Benjamin Shaffer (aka Jāmin, pronounced jaymin) at the fader. A producer, songwriter, singer with roots as a DJ, he has made a career collaborating, connecting and sharing through music. 

His songs bring artists and styles together from around the globe. The pulse is rooted in his perspective as a DJ – move the body. His tracks are made for movement and speak to both the shared human experience and issues of our times, calling for light, leadership, community, unity and beauty. A strong current of personal responsibility flows while he creates sonic space to also contemplate vulnerability, sacrifice, loss, pain and human dynamics. 

After going on global tour at 18 as a DJ for Geffen Records’ Girls Against Boys, he built Brooklyn music studio Ishlab (a$ap Rocky, Jet, Jadakiss, MIA, Roberta Flack, Mac Miller (RIP)) and gained acceptance into NYU’s Steinhardt School—a first for a DJ who couldn’t read or write music. He then founded Project Rhythm, a non-profit that equips children with life skills through the collaborative process of producing their own original songs.

Benjamin Shaffer's music is made to celebrate the human experience. With his music, he aims to invite movement and spark movements, whether to make moments, make change, or make babies, each song reflects the ties that bind us all together.

New York-based country songwriter Cliff Westfall writes songs about heartache, loss, addiction… you know, funny songs. Or he can turn on a dime and dive headlong into a sentimental weeper. The Kentucky native delivers with a mixture of wit and bravado that, for Westfall, is central to what country music is all about. On his debut album, Baby You Win, released July 13, 2018, he’s assembled a crew of some of New York’s best musicians to explore a new idea of Americana, drawing inspiration from sources often forgotten by the current country scene. 

To record Baby You Win, Cliff Westfall enlisted producer Bryce Goggin (Pavement, the Ramones, Antony and the Johnsons, Evan Dando, Phish, Akron Family) and renowned New York guitarist Graham Norwood. The three drew from their extensive connections to assemble a band with a massive list of credits on the scene, like electric guitarist Scott Metzger (Shooter Jennings, Phil Lesh, Joe Russo’s Almost Dead), pedal steel player Dan Iead (Norah Jones, Valerie June), bassist Jeremy Chatzky (Ronnie Spector, Bruce Springsteen, Laura Cantrell), drummer David Christian (Danger Mouse, Mary Timony’s Helium), even the keyboardist from Bruce Springsteen’s E Street Band - Charlie Giordano.

Westfall was born and raised in Owensboro, not far from tiny Rosine, Kentucky where Bill Monroe invented bluegrass music, and he grew up listening endlessly to Kentuckians like The Everly Brothers who changed the path of popular music. Though he got his start playing cowpunk music in Kentucky, he soon left his home state behind for the bright lights of New York City. “The term ‘country music’ is almost a misnomer anyway,” argues Westfall. “A big part of the original audience was people a generation or two removed from the farm who had migrated to the city. People more familiar with factory work and honky tonks than with the back end of a mule, you know? The music they wanted to hear was as much about cutting loose, dancing and having a good time as it was about sadness and hardship. That was kind of the story of my family. Or maybe I’m just attracted to neon lights, I don’t know.”

Just in case you hadn’t noticed from the music industry bunker Pledge Music collapsed and took all the pledged music with it. This left many industrious artists adrift.  After the Static Brothers realized that local laurel canyon folkies Boat to Row were caught in this they stepped in to secure the release of their new (second) album.

 

Two years in preparation and working closely with long term collaborator Francis Gorini to mix and master the songs and realize the album artwork, ‘Rivers That Flow In Circles’ is an album that sees that band expanding their musical horizons, from the golden laurel canyon sounds of the latest single ‘On Your Own’, through the ever changing soundscapes of the four movements of ‘Fledgling’, the band have taken every opportunity to develop and redefine their songwriting. Written and recorded through a tumultuous period of lineup changes, corrupted recording hard drives and studio closures, ‘Rivers That Flow In Circles’ captures the band at their resilient best, refusing to know when to quit. Drawing on the talents of band members past and present as well as colleagues from their native Birmingham scene, Boat to Row have created an album which captures their musical explorations perfectly.

 

The last single before the release of ‘Rivers That Flow in Circles’ is 'Moth To The Light', a blast of psych folk that that opens the record, roaring into view with a wonky energy, slowing down just long enough to glide through a chorus or two before disappearing in an off kilter waltz, all in less than two and a half minutes.

'Rivers That Flow in Circles' follows the release of their 2015 debut album ‘I Found You Here’. Since then Boat to Row have garnered support from BBC 6 Music, Radio 2 and many local stations, as well as receiving glowing reviews from websites as diverse as DIY, The 405, Counteract, Folk Radio UK and Gold Flake Paint. They have toured extensively appearing with acts including Slow Club, Johnny Flynn, Willy Mason, Ryley Walker, Kate Rusby, Tom Williams, Sweet Baboo and graced stages at many of the country’s favourite festivals including Glastonbury, Cambridge Folk, Green Man, Truck, Wood, Moseley Folk, Y Not and No Direction Home.

​

"It's great to hear they're back in style" -

Tom Robinson, BBC 6 Music

​

"I love this band...glorious stuff" -

Janice Long, BBC Wales

The Muve Forward Podcast is all about living life to the fullest and making the intentional choice to move past trauma. Michelle is a registered massage therapist and a whole food lover with farm roots. It’s important to slow down, take time for healing nourishment, and shine a positive light. 

During this journey, Michelle will be speaking openly about her personal experiences with cancer, loss of a loved one, wellness, and infectious optimism. Plus, you’ll get to hear interviews with many truly inspirational guests. We’ll tackle each challenge with courage and care. Thank you for joining us on a mission to Muve forward in body, mind and soul.

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