Dj Guillermo Quinteros is a native of the city of common but that most development or career as a DJ and producer in the capital of Formosa. An artist with a particular taste that lies nestled in the most minimalist trends houseras, always embracing an aesthetic avant-garde musical spectrum travel from deep house, minimal tech, tech itself up and some techno. Since its inception was drawn to the idyllic sound of house music and since he got behind the turntable has stopped playing until now. He had a very important residence in one of the most emblematic clubs Formosa and there established their guidelines to lay the groundwork and become the dj is today. An intricate groove explorer always try to meet their needs and tastes in music with the track, thus transmitting a session full of energy and an increasingly frantic beat that never fail to hit 126 bpm. In 2008 became the visible face Orbeatal cycle, being the official resident of the same, opening every day with a delicious warm up always alternated between warm house sounds with rhythmic contrast tech house scheduled. Shared booth with renowned djs and producers such as Bs AsDeep, Carlos Shaw, Mariano Trocca, Tato Piatti, Romix, Margot, Dos Santos, Ronan & Leo Portela, just to name a few. He has played in several major cities in the Northeast, as well as abroad. In Paraguay to be more accurate in many prestigious events. Currently his role as producer is very busy and restless, following its spirit of transgression and merge the styles he likes with his personal touch, creating pieces filled with vitality and a very marked groove. Guillermo Quinteros is without doubt one of the most visible faces in the new spectrum of electronic music, an authentic harvest grooverman has known adherents in each of their presentations and will continue in the ongoing development of a pop career.

For bookings: michiel_verweij@live.nl

Music expresses that wich cannot be said and on which it is impossible to be silent. - Victor Hugo

'Gevoel voert de boventoon' is wat voor Giliano telt bij elke productie of DJ-set. 'Het is voor mij belangrijk dat er melodieën, ritmes en groovy baselines in een track zitten, ongeacht het genre. Of het nu om een 110 bpm deep house plaat gaat of een 130 bpm techno plaat, muziek moet je raken.'

Vanaf zijn 15e kwam hij in aanraking met house muziek en niet veel later begon de zoektocht naar gevoelige platen. ‘Al snel kwam ik erachter dat ik warm werd van platen met soul, funk en afro invloeden van onder anderen; Charles Webster, Âme, Christian Prommer, Dennis Ferrer, The Martinez Brothers, Afefe Iku, Osunlade, Boddhi Satva, Kenny Dope en Louie Vega to name a few. Hun platen hebben zoveel diepgang en zijn niet alleen maar gemaakt om je helemaal los te laten gaan, maar ook om je te laten genieten. Het grappige is eigenlijk dat deze mannen qua muziek niet eens onder dezelfde genres vallen, maar hun tracks hebben 1 ding allemaal gemeen; ze hebben een ziel!’

In de jaren die volgde kwam de liefde voor deep house, maar ook voor techhouse en techno steeds meer bovendrijven, dit was ook te horen aan de producties. ‘Ik wil groeien als producer en een eigen EP releasen. De huidige producties zijn voornamelijk edit’s of deelnames aan remix competities waar ik veel van heb geleerd. Hopelijk resulteert dat in sterke eigen producties voor 2013’.

Where words fail music speaks.

<a href="http://nl-nl.facebook.com/people/Michiel-Verweij/608285387" rel="nofollow" target="_blank">Michiel Verweij</a>
<a href="http://nl-nl.facebook.com/people/Michiel-Verweij/608285387" rel="nofollow" target="_blank"></a>
<a href="http://nl-nl.facebook.com/badges/" rel="nofollow" target="_blank">Maak je eigen badge</a>

Wide vocal range - from deep,warm, Movie Trailer, story teller, friendly, wonderful character voices - cartoon and game voices. Brent Lewis is a passionate voice actor who’s only focus is to communicate your message with the color,  emotion, voice, and impact every single time you need it!  Without Fail! He has done national and international commercials, radio imaging,  and many more for 16 years!  Brent understands that we live in an age where excellent customer service seems extinct. That is why he guarantees that you will receive consistent, friendly professionalism, with amazing customer service. Regardless of your budget, your project deserves the best! 


Psyler is a mixed media arts curator, dj, producer and obtainer of antiquities.  

Before time was known to be a physical interlocked rule of nature. When life was nothing but mere primordial stew oozing, bubbling and slurping though mother earths veins.  With a violent crack sliding throughout the now very quiet antisocial universe, there was heard a devastating sonic discord tearing at the seams of the atmosphere.  In a cacophony of chaotic vibrational pandemonium, birthed though what they called "Red Smoke" a massive meteorite emerged descending towards this young round object now referred to as Earth.  Nothing like this event had ever been witnessed and never will be again in this realm.  Even the gods were thrown back in their expensive gold and ivory lazy-boy's their pipes strewn though centuries. 

Little be known this massive meteor was carrying a very intriguing cargo… 

A strange bio-matter from another universe, unspeakably distant (distant indeed) from this hilarious solar system was stowed away frozen in peace.  This bulky, unflattering and odd shaped vessel compacted the dirt with such force it sent shock waves though time-space and YES!  Twas' even felt in the nether sectors cognitive ether-sphere of "life/brain-cloud". This location that had been chosen for landing was prefect for life to prosper as well as vastly unappealing, at the time.  The right type of footwear to traverse this muck had yet to be manifested. This murky bog swamp, somewhere privy to the coast of what we now consider "South America" had been chosen as it's final stop on 3 trillion light-year trip though the tangible Multiverse. 

Out of the ashes of this Moldavite super-storm the once frozen and preserved bacteria began to take form and grow. Spreading like wildfire this awkward mass was rapidly evolving and beginning to take shape.  This atypical life form wasn't going to let this foreign territory overcome it's destiny. Source had chosen this fractal timeline and location and Source gets what Source wants.  Source longs and beckons for harmony to once more reign true. The very entity that created all of what you see, hear, and experience.  You see sometime not too long after this big-bang business the nomenclature we call Source became weary of the bellowing of gaseous unbearable frequencies this universe's planets were expelling.   Without rest Uranus and Neptune would inhale gasses from Jupiter and fail miserably trying to mock the beautiful songs the plants and trees from Nibiru and Earth would sing. 

Surpassing the chaotic bombardment of sound waves upon his arrival and ages along the chain of evolution. Pslyer has strived to bring himself to a very much balanced sonance.  It's about time since he road in here on a damn fiery rock devastating the ear holes of any life form that possessed this sense.  He made a pact with mother earth and source to one day write and perform a symphony that would revoke his rude thunderous entrance to this world.  Traversing the auric kingdom comes as first nature to this interesting light being.  Instantly you will notice something unfamiliar maybe mysterious and misunderstood yet inviting and warm. In his expansive travels though the dimensions he hath found his home in the formidable swamp.  And he has chosen a very comfy bog the natives call, Los Angeles.

With her unique blend of Jazz, Soul and Gospel, Petula Beckles is one of the most vibrant, and promising Gospel artists to date. Her golden array of smooth tones and melodious stories captivates her audience creating a warm effervescent atmosphere of praise. 
No shrinking flower when it comes to expressing her deep spirituality, she speaks life into the words of her songs and the truth of her conviction is clear to all who hear her. 

Born in Tobago West Indies, Petula Beckles began her story as a child protégé performing her first song, “Give your Life to Jesus” at the age of 5. Her natural talent and love for singing led her to become the Golden Star Karaoke Girl in Tobago at age 14. Although not formally, Ms. Beckles’ talent won her a full scholarship to sing with the Chamber Choir and Choral at Navarro College in Corsicana, Texas. 

While attending college, Petula toured with the choir and an African a cappella group called ‘The Zambian Vocal majority’ for 2 and ½ years singing throughout Texas, while receiving invitations to sing solo at various events and concerts. After moving to Florida in 2005 Petula decided to follow another passion of hers; children, she became a Baby Nurse. While using her voice to soothe babies, Ms. Beckles, never forgetting her first love, worked behind the scenes and released her first single “Today I Will Shout” in 2006, which charted at #21 on the Independent International top 30’s in 2010. Though she enjoyed working with children, Petula heeded the call from God and began her music ministry full time in December 2007.

From 2008 and beyond Petula Beckles took the Gospel world by storm releasing her solo debut album “My Song of Jesus” which has aided in landing Petula her current contract with Tate Music Group.  She has shared billing and stages with Gospel greats as Canton Jones, Lexi, DeWayne Woods, Lisa McClendon, Kim Burrell and more, and has toured a great deal of the east coast gracing stages as Gospel Uptown, Village Underground, Nuyorican Poet’s Café, The Triad NYC and more.

Petula’s stage has the quintessence Jazz house feel with a kiss of whimsy—she often performs sitting on a chair with her whimsical jade Guitar on her lap, an instrument she taught herself to play. An upright bass, piano, percussions and bongos complete the Petula Beckles experience. 

As well as a musical artist, Ms. Beckles has founded Alutep Publishings in 2006, and is the radio personality for’ The Motif’ on ‘Alutep radio’. She also is a journalist for BREATHEcast.com a Christian Non-Profit Organization where she has interviewed some of today’s major Gospel and Christian artists: Tamela Mann, Jason Crabb, Guy Penrod, and Ricardo Sanchez.

“If you fail to prepare, you prepare to fail” is Petula’s motto. Using her God-given talents to reach out to the world and touch each soul with her lyrical testimonies, you can expect great and marvelous things from this blossoming flower.

The idea to put together a band originated soon after Martin (drums) and Eddi (bass) met and shared their musical interests somewhere in early 2008. But it was not until later that year that both had a bit more time for new music projects and they started actively looking for other musicians to join. Markus Müller was soon found to play the guitar and a few month later Jens Heiber joined behind the microphone. 
The idea was to have a band where everybody could put in their creativity and let their compositions grow to see what happens. It soon became apparent that everyone had totally different musical back grounds, ranging from heavy metal to jazz from african roots to funk and R&B and back to prog, making it quite an interesting mixture. But the common thread that kept everything together turned out to be the odd meter stuff that every one enjoyed playing. And it was challenging, too, every so often switching from 5/4 into 7/8 passing through 9/4 and taking it home in 11/8. - quite scary. Yes, it was clear, all had monkeys in their heads.
During spring 2009 a lead guitarist was found in Georg Füngling, who'd been looking for exactly such a creative outlet and whose playing immediately made the band sound a lot heavier. Every song or musical idea has undergone several changes over time and each and every one is challenged to make things work somehow. With that said, a name for this somewhat crazy melting pot came quite naturally and Monkeys In Your Head was born.
Late 2009 the band spent a weekend recording in their rehearsal room and soon met the limitations of such an approach not only quality-wise, but also it turned out to be very time consuming and the result was not very satisfying to the majority of the band - in fact, the recording were actually never finished. The good thing about it though was that everyone learned a lot, including the song structures, a bit about recording techniques and especially how not to do things next time around. Unfortunately, that next time around was not going to come soon and the band split for awhile. 
In 2011 Georg, Martin and Eddi got back together and found a new singer in Holger Sauthoff. Some of the old songs were re-worked and new song texts were written. Also a number of new songs were added to the repertoire. Towards the end of the year new goals needed to be defined and it was clear that if the band would ever do another recording session, they'd wanted to get it right this time. So with a bunch of songs and many more ideas a studio booked for August 2012.

With 6 days of studio time planned at the Spacelab Studios in Grefrath, Germany, the band prepared around 6 months, rehearsing to click tracks and working out various parts and soli, leaving enough room for some spontaneous actions when time comes. Eventually it turned out to become an 11 day adventure. But it was a great learning experience for all band members with lots of waiting time and great laughs, but also a fair share of worries of whether MIYH could pull this off as planned. Under the superb guidance of Christian 'Moschus' Moos the band recorded five songs: ‘Suffer In Silence', 'Loosen Up’, ‘Chances-Listen To My Heart’, ‘Hear The Beating Of The Dragon Heart’ and ‘Jelly Pearl’. 
The final mixes were then mastered by Eroc at Eroc’s Mastering Ranch! The band chose for more of a warm and balanced seventees kind of sound rather than a mastering in which everything is compressed and pushed to, if not over, the limit as is common nowadays for a lot of bands. If it sounds good on your stereo at home, it will most likely not fail on your MP3 player and the like either - but the other way around, if it sounds good on a smart phone it does not necessarily mean it sounds good on your stereo.



As most DJs I started my DJing career in my bedroom with good old technics 12:10s. CDs had not even been invented! I worked in a few pubs in and around London to start. I was a keen clubber at the world famous ministry of sound where without fail I would be there every sat night!


As time went by in 2002 I then came across a small club in Farringdon called turn mills, little did I know the club and people there changed my life. It was there I discovered the gallery! It was my dream to maybe one day DJ there and after meeting Gavin Mitchell, the promoter and 6 demos later he finally gave me a shot!

The dream was now a reality!

I played my first warm up set in room 2 were the chemical brothers first started out! After proving myself as a good warm up DJ, and spending every Friday night there sometimes as a clubber sometimes DJing for the next few years, till the devastating news it was shutting down!
So I’m proud to say I played the last warm up set in the main room with myself Marco v ferry corstan and now best friend Gavin Mitchell. It was from there the gallery moved to ministry of sound my old clubbing Mecca ! From there I was playing in room 103 some warm up sets, finish the night sets and finally the big main room sets! From then it was a rollercoaster of a ride..

I lived in Thailand Djing in all the top clubs on the islands and in Bangkok, then after a few years DJing round the globe came home to where the fun 1st started all those years ago.

Back to ministry of sound as official resident playing in the main room alongside the likes of Paul Oakenfold, Starkillers and SHOWTEK. I am now in the studio producing and making my own sound, which recently involved flying out to Los Angeles to hook up with Starkillers.

It's time for the world to not just see DJ Gareth Harding, but now hear the EDM producer and make my mark in music history!!

London-based DJ, Nick Spencer - known more commonly as oddSock or The Sonic Architect - has been gaining traction in the UK in recent years, with his dynamic and eclectic taste in music. 

oddSock is upfront about his personal struggle to define and follow one stylistic direction, and pinpoints his discovery of WUITW (Warm Up in the Woods: a series of underground outdoor/warehouse events) as a turning point in his recent career. This emotional approach to electronic music - driven by melodic techno, electronica, and emotive trance - filled a particular void that had existed throughout his musical journey. 

Somebody listening to a typical oddSock set today, can expect to be taken on an adventure of blissful, euphoric melodies, juxtaposed with intelligent rhythms and powerful baselines.

oddSock excelled musically at an academic level, achieving his degree in Digital Music from Southampton Solent University in 2014. During this formational time, he performed in a variety of clubs across the country, including Fire (London), Mo’s Warehouse (Southampton), The Pyramids (Portsmouth) and Basement 45 (Bristol). He has also held DJ residencies in his University city and current home city. These public appearances have run without fail against a backdrop of legendary, music-centric house parties.

2017 looks equally promising. oddSock is now part of a new monthly show in Southampton, Fractals on The Goat Shed, and is planning a series of events, hinting at his very own woodland rave, curated alongside DJing sidekick, Dave Hall. 

And for the remainder of the year? oddSock aims to get on the 2017 festival circuit, and will be working on new production projects, both with a hope of sharing his highly capable and compelling  sounds with a broadened group of listeners.

For bookings please contact: nlspencer84@gmail.com

Have you ever heard of Evansville, Indiana? No? Well, maybe it's time to revamp your places-to-visit list. Evansville boasts and supports some of the most accomplished artists and musicians/bands in Southern Indiana. One of those bands, Osiella, is ready to speak for the illusive River City with their debut album: Year In Review.

    The latest project invites you to the labyrinth called Osiella. Every listener will easily find the path to the center. Year in Review allows each artist in and associated with Osiella to express their character and musical savoir faire. For starters, the driving guitars are played by Theophilus Akai who just so happens to be a West African Native. His cultural background encompasses a worldly sensation of "...chilled-out chord progressions and smooth guitar licks that never fail to enthrall and entertain" (The Edge Radio). Cynthia Murray as vocalist and songwriter delivers the rich soul that connects Osiella. One of the songs, "Island Love", explores the notion of destroying all inhibitions in the name of love and allowing the other party to have their way with you. "Just do what you do!", the carefully placed hook, presents Cynthia's "...uncanny ability to write and perform an amazing vocal hook" (News4U).

    Dekar Baker as drummer, along with Dene Stephens as percussionist make a peerless team on Year In Review. Mr. "Beat-Maker" Baker utilizes his gospel background and makes his presence known throughout the album. Dene's experience and knowledge of world rhythms show him to be a very detailed percussionist. All sounds you hear from his hand drums are unmistakably set in place to add additional color and air to the project. Lastly, Las Vegas-born Brandon Summers takes the listener to the edges of the world with his sultry and distinct violin. Year In Review is the album Osiella has been waiting to present to the masses. The breadth of musicality and genre-bending within the album will make it and Osiella warm attractions for the upcoming winter season.

    If Osiella is the vehicle, then Kenneth Murray is the mechanic. Acting as both manager and in-house producer, Kenneth has the uncanny ability to realize events in Osiella’s favor. His ambition and faith in the group shine through the band’s feverishly quick, upward momentum. “Maybe I should actually learn how to play an instrument,” jokes Kenneth while putting the finishing touches on Year In Review. You can expect Kenneth and the crew to make appearances in the 2015 festival year in support of Year In Review.

Sage Sinclair is following