I no longer use this channel. I have to carry on with my career elsewhere :) I left you some of my old work just for kicks and maybe i come back to feel the vibes occasionally.

Over two decades in dance music have made Hoj more than capable of living up to his reputation as a sonic storyteller. His cinematic sets explore the deep house landscape with a fervor that resonates through dance floors across the globe.

Close colleagues like Lee Burridge simply refer to his style as “Hoj house” rather than attempting to pin down its eclectic nuances. Although a longer road, staying the course of his artistic vision has paid off. In addition to a residency and landmark releases on Burridge’s All Day I Dream imprint, he now provides a platform for like-minded producers by way of their joint venture, Tale and Tone.

An extensive background in the visual arts set Hoj (pronounced with a long Ō) on a path less traveled by the average DJ/producer. Born in Iran and raised in the Bay Area of the U.S., he grew up exposed to film and music alike. Prior to DJing full time his background was in film, design and new media. He was the brainchild behind All Day I Dream’s brand identity, coming up with the single cloud design.

Hoj also discovered electronic music early in life. He attended his first rave in San Francisco in the early 90s, and he experienced the inauguration of legendary warehouse venue Homebase. After DJing for a few years, he made his San Francisco debut at Qoöl Happy Hour, an event series that took place at 111 Minna Gallery.

Soon afterwards he got involved with outfits like Opel Productions and Spundae, which afforded him audiences at the city’s more prominent nightclubs. He went on to help build the inaugural Opulent Temple sound camp for the 2003 edition of Burning Man. He has performed annually at the transformative gathering ever since.

Upon moving to New York City in 2008, however, Hoj outgrew the category of local DJ. Each passing year after that point brought bigger milestones and more momentum.

After his set on the Robot Heart art car during the 2010 edition of Burning Man, he was booked at the world-famous Berlin nightclub Berghain’s Panorama Bar. 2011 saw Lee Burridge launch All Day I Dream to serve the dual purpose of a record label and event brand, and he enlisted Hoj as a resident DJ of the latter. Since then Hoj has brought dance floors to life across the globe. Los Angeles, San Francisco and New York City account for much of his fan base, but his following has also grown significantly in locations like Canada, Mexico, Australia, South Africa, Dubai, Romania and London.

2017 marked two especially groundbreaking turning points for Hoj: His long-awaited debut as a producer and the unveiling of he and Burridge’s new record label, Tale and Tone. The label features music the founding DJs play at night, unique tunes with both story and groove. Around the same time, his own Telefade EP, released on All Day I Dream. The three-track EP included  “Leap Day” as well as a remix of the title track by Bedouin. Hoj followed up Telefade with his own Tale and Tone release in 2018. Titled “Ramblefog,” it appeared on the imprint’s Prologue compilation,.

Two decades of experience behind the decks have equipped Hoj to captivate any crowd. The twists and turns of each sonic journey almost surprise him as much as those he entertains, resulting in moments that make up unforgettable memories. Given his track record, it’s surely no accident that his audience has only grown over the years.

As far as his own story is concerned, a promising future lies out on the horizon for Hoj. Deep house enthusiasts far and wide are excited to see how his tale will unfold.

It's about what's next.

Scuf Records ® 

Scuf Records is an independent house music record label based in the home of house music - Johannesburg, South Africa. Founded in late 2015, we have constantly been sharing our love for house music from major and up-and-coming producers. Scuf is about great music, a great vibe and unforgettable events.

≡ Demo Submissions (Exclusive Tracks Only) ≡ 
http://www.scufrecords.com/soundclouddemo

≡ WEBSITE ≡
www.scufrecords.com

≡ Our Artists ≡
www.scufrecords.com/artists

Upcoming Events:
-

Past Events:
Scuf Label Party - The Sands, Sandton
Scuf Pres. Bubble Fest

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Scuf Records events in collaboration with Flatline® & Flight JHB coming soon.

we are BROHUG and we are here to fuck shit up!

"THE WORLD IS OUR" 
Anyone who is interested in working with my projects will contact me.
All beats produced by Sonner Base Records are released for use over credits if you register please contact for copyright division.

By @jefobeats @Jstonemg 
are party of SONNERBASE Records @sonnerbase

MY SONGS & TRACKS
https://soundcloud.com/jefobeats/tracks

#Trapslow #Rap #DanceHouse 
#DembowReggaeton #SoulRnB #EDM

Comercial Email: jefobeats@gmail.com

Look into my world.

Demos/Contact | itsKRILLA@gmail.com

Like a stream of consciousness, it's not always precise, but our music is pure, and accesses the root of our soul's essence. Once we can get right down to it, all focus is lost, and we can exist multi-dimensionally. Please enjoy as you wish.  Much love!
Most tracks 4+ months old will be moved to my mixcloud.com account and archived. Please follow https://www.mixcloud.com/myhut_yourhut_ourhut/ for general nosiness..

DST aka "Dustin" is the DJ behind System Recording's "Clublife" mix series. "Clublife" is a six volume series that highlights the best in underground dance music. Dustin's past singles and collaborations have been charted and played by John Digweed, Deep Dish, and Sunshine Jones, to name a few. Enjoy the music!

Affiliations - Instereo - Guesthouse - Fogbank - Instant Groove - Ammo - Disco Legends - Ultra - Pornostar 
Legendary for his role in the birth of the electronic music scene in the Baltimore / Washington DC area, Charles Feelgood has built a reputation as a DJ in the international dance community through his versatile remix skills and a a Dj style that incorporates many styles of House Music.

An Integral part of the Baltimore/DC scene, Charles if often credited with helping  put the scene on the house music map. In the early nineties he joined forces with fellow DJ Scott Henry to launch Fever, a club event that introduced the sounds of electronic music to his hometown. The first event of its kind in that region, the night exploded in popularity almost immediately, attracting upwards of 2,500  people. Featuring such top-notch, internationally renowned talent as Paul Van Dyk, Derrick Carter, and Carl Cox, the biweekly event ran for over 7 years.

Maintaining a seven-year residency at Fever helped springboard Feelgood's  danceable brand of house to widespread exposure across the East Coast. His popularity quickly bloomed thanks in part to his legendary mixed series, "Time to Get Ill." His first major label release came on Warner Brothers Imprint F111. He soon developed a club-heavy touring schedule that regularly took him to famed clubs all over the East and West Coasts, Canada, Europe, Asia and South America. In 1999 Charles Moved to LA and has since been ingrained in the SoCal EDM scene, playing Clubs and Festivals from SanFrancisco to SanDiego. "Being based in such a culturally diverse music scene was really a catalyst for me to experiment with my sets and really begin to mix it up a bit ".

Charles has been busy in the studio as usual, with several releases making it in the top 100 Chart on Beatport and top ten on several  digital music sites worldwide. In 2010 Charles saw several releases on Major and Independent labels such as Instereo and Burn The Fire - remixing everything from Lady Gaga to P Diddy, and a breakout track called "Hands" on Ultra that made the Beatport Top 100 chart several weeks running with an Alex Kenji remix. Look for the new Mix Cd on Dirty Fabric Chicago to hit the streets in 2011 with several of his own original tracks.

Constantly in demand all over the world for his ability to light up dance floors with his sets of funky or tech drenched house, Feelgood has received numerous accolades in his fifteen year career. These include being named Baltimore's Best DJ several years, and being included in Dj magazines top 100 Dj's several years running. Playing gigs from as far away as Russia for the Audi Car Company to working the crowd at 2007's Cochella Festival - Charles is the consummated dance floor rocker - summing up his musical mission in one sentence: "I just want to do what the name implies, to make people have a good time and go home with a great feeling.







Owner/Director: https://soundcloud.com/veilofficialx
Manager: @hannahxkang

△ DEMOS: http://streetritual.label-engine.com/demos  △

△ Label Releases △
 http://music.streetritual.com/ 

Street Ritual is a music label with a deep-rooted history in the American bass scene. Dedicated to the heavy and seditious sounds emanating from the realms of dubstep, halftime, drum and bass, leftfield, and kinetic psychedelia, our label is a conduit for underground culture in the age of sound system worship and dance floor connection.

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

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