your voice tho 😍😍.  sound like something outta a movie

Very nice jazzy track! Love it! The groove is awesome!bravo! [via https://sc.repostexchange.com]

Hypnotic, modally effective in rendering the feeling of the solitude.  Phantasmagorical and impressive sound images! Great vocal interpretation

love this hard panned vocal harmony, also dig the heavy groove followed by the psyche flourish in the outro.

I like this swing. It's kind of nostalgic 👌🏽

A little stronger than before keep it going

A slow and melancholic song, hope you like it.

Excuse me on Spotify: shorturl.at/hstFI
Spotify Playlist: https://rb.gy/hnzhvq
YouTube: https://youtu.be/82n6jeKPRo0

Facts about this Track:
Idea, Arrangment, Audio-Editing and Midi-Programming, Guitar playing, Mixing and Mastering by Ray

Vocals: Audio-Samples

DAW: PreSonus Studio One Professional 5
Guitar: Fender Stratocaster
Drums: EZDrummer Gospel
Percussion: EZDrummer Latin Percussion
Bass: EZBass
Keys: Aturia STAGE-73 V, EZKeys Electric 200A

Excuse Me

'The Darkest Midnight in December' is an Irish traditional folk carol for Christmas night, after Fr William Devereux, 1728. It is from Fr Devereux's collection of Kilmore Christmas carols, called 'A New Garland'. These Christmas Carols are much more like folk songs.
I used to consider this beautiful Carol, as MY Christmas Carol. I have sung it as a solo during several Christmas concerts when I sang with the choir, 'Tonalis Company of Singers' and the choir 'Choros'. I have also sung it in folk clubs etc.
There are actually quite a few verses, but here I only sing verse 1, first solo acapella and then as a duet with myself with a movable drone and third time as a canon with drones.
This Christmas carol can be found in many Carol books with all the many ornaments actually written into the sheet music, true to the sean noes style from the West of Ireland.

The Kilmore Carols are found only in Wexford, and date back more than 300 years. In 1684 Luke Waddinge, the Roman Catholic Bishop of Ferns, published A Smale Garland of Pious and Godly Songs. The cover inscription continues: "Composed by a devout Man/ For the Solace of his Friends and/ neighbours in their afflictions." The book contained 11 Christmas songs, two of which are still sung in Kilmore today. The texts were new, while the melodies were drawn from various traditional sources.
Waddinge died shortly after his book appeared, but interest in the subject was revived by a Father William Devereux, parish priest of Drinagh, Wexford from 1730-1771 (the current Devereuxes in Kilmore are almost certainly related to this priest). Devereux published A New Garland Containing Songs for Christmas. This included some of his own carols along with a few from Waddinge's collection.

Father R. Ranson, who published an edition of the Devereux book in 1949, claims that "the carols were first sung in a little chapel at Killiane, and tradition seems to indicate that the choir consisted of six men." The chapel in question was "no more than a mud hut".

The carols proved very popular, and manuscript copies quickly spread to neighbouring parishes, including Kilmore. Diarmaid O Muirithe, who has assembled and edited a collection of all the Wexford Carols (The Wexford Carols, Dolmen Press, 1982) observes: "They were sung in most of the churches of south Wexford in the 18th century, and even well into the 19th century. I think it's a great pity that they're now no longer sung outside Kilmore." O Muirithe considers that the church hierarchy in Wexford is to some extent responsible for the carols' decline. "For centuries they had been regarded by the church with a kind of benign tolerance, no more than that."

One priest in Kilmore Quay in the 19th century decided to get rid of the carols altogether and replace them with Victorian hymnody. "But the people in Kilmore decided they wouldn't be banished. The priest was banished instead, because nobody came into the church the next year. The bishop had to transfer him."

The Darkest Midnight in December

The Darkest Midnight in December | Irish Traditional Folk Carol | Marianne Lihannah

"Removed from Tomorrow" was influenced by female artists who've inspired, touched my life. Along with hiking daily through mother earth's beautiful forest/garden of life. There were many experiences of double rainbows, butterflies, beautiful colorful various birds, wildflowers. Magical psychedelic experiences along the way. Hope everyone enjoys my latest musical journey.

Best, 
Daniel Lars

C. 2022
All instruments by: Daniel Lars
All songs Mixed, Written, Produced, Mastered by: Daniel Lars

Removed From Tomorrow

24 Aug 2022

Moving Mountains

This music was actually written for the symphonic orchestra. But I created a smaller version of it so that I can play it all by myself.

YouTube

Heaven Has No Favorites, Improvisation e-violin + piano

Cover Art by Leraynne S.

Mike Noegraf - Lead and Rhythm Guitars, Synthesizer 
Zamm Kenoby - Drums
Rafael Freitas - Bass Guitar
Steve Hillier - Piano, Synthesizers,Vocals

Mixed and Mastered by Zamm Kenoby
Pre-mix audio engineering by Leonardus Miez

Lyrics:

Nancy walk unto a dream 
Feel like it's another scene
Open all the doors and shout 
Be a friend and let it out 

And you won't find a back door
You can run into the river from
Heh, yeah, livin' on the second floor 

And you won't write a true song
In a life where you don't belong
Heh, yeah, livin' in a bad dream today

Nancy fly away
No more tears today
Nancy fly away with me

On your side and on your own
Still alive your beauty shone
There are many who will love 
You can be their star above 

And you won't find a back door
You can run into the river from
Heh, yeah, livin' on the second floor 

And you won't write a true song
In a life where you don't belong
Heh, yeah, livin' in a bad dream today

Nancy fly away
No more tears today
Nancy fly away with me

And you won't find a back door
You can run into the river from
Heh, yeah, livin' on the second floor 

And you won't write a true song
In a life where you don't belong
Heh, yeah, livin' in a bad dream today

Nancy fly away
No more tears today
Nancy fly away
No more tears today
Nancy, 
Nancy, 
Nancy fly away with me

Moving Star

Nancy

Buy Track

Dans cette pièce de piano, Albane explore le thème de la vitesse à laquelle l'amour peut disparaître.  "Albane" explore également le thème de l'absence de l'être aimé. Malgré la distance, l'amour peut rester fort et brûlant, comme le vent qui change sans cesse et qui emporte avec lui les rêves et les espoirs, laissant derrière lui seulement des souvenirs. Le piano est utilisé comme instrument principal pour exprimer l'émotion et la profondeur de ce sujet, offrant une gamme de tonalités et de textures pour créer une expérience musicale riche et puissante.

La musique intègre également une citation poétique de Albert Camus:

'L'amour est un vent qui souffle et qui change,
Qui emporte avec lui les rêves et les espoirs,
Qui ne laisse derrière lui que des souvenirs.'

Cette citation reflète la complexité des sentiments et des relations amoureuses, tout en mettant en valeur la passion et la force de l'amour.

Si vous appréciez cette musique, n'hésitez pas à vous abonner à la chaîne YouTube, à liker et à partager les vidéos, et à laisser des commentaires pour aider au référencement de la chaîne. Si vous souhaitez entrer en contact pour une collaboration ou toute autre raison, vous pouvez le faire en envoyant un message à l'adresse mail suivante:

Contact : Mythmakerprod@gmail.com

Merci pour votre soutien et votre intérêt pour la musique!

Albane - Dark Piano Solo

Bluebird

I would like to take you to this place, which is well hidden and where we retreat when we are looking for protection and security. Then we dive into a world full of magic and mystery and there we can be a child again and curiously discover the world - full of colors, full of joy, full of happiness.

"Covert" describes exactly this place that every person, deeply hidden, carries in his soul.

Petite Dances

Covert

Petite Dances - Covert

paranoid (nowherevalley)

Jerred plays the main theme, fingerstyle, and Bret adds fills.

Decompression Stop

Less Is More

Written, arranged and produced by João Gonçalves 

Vocals - Alyssa Placencia 
Drums - Matthew Li
Other instruments - João Gonçalves 

Watch music video here :
https://youtu.be/-DmJtV-HNUo


A little stronger

Bio https://linksome.me/the-rooms

The Rooms is a collective project that started in suburban Lisbon more than a decade ago. It evolves through numerous and constant collaboration, musically and visually.

The majority of its years based in Macau, South East Asia, it has been able to gather from time to time local and international artists and musicians inside a room, located on the high rise industrial buildings down by the city´s docks. 

The Rooms is an audio visual colective of individuals. It lives on numerous and constant collaboration. It crosses worlds, connected, interconnected, interwoven, intertwined, present, and alive. It feeds on cultural fire, references, history, language, music, dance, film, and art.

 It's cinematic.

We're back to the outskirts of Lisbon. Deep in its industrial and production tissue. Where factories meet residential areas and social housing flats. Gas stations and warehouses. Empty fields abandoned or unfilled. Blocks and boxes locked in cold cement amidst the perpetual hum of super highways and city orbital roads.

A makeshift territory to shelter multitudes.

Where we'll be pressing on,  grinding away, hammering on organical mechanics, aiming to continue to do the best music and visuals we can. Inspired by the raw, coarse, rough, and unpolished ways of the worlds that surround and live inside us, we'll be tailoring some new fabric soon. 

The Rooms music is a fruit of love and a soundtrack for the times we are living. Between the dark and the light is where we meet and play. 

Thank you for your ears

A little stronger

The Rooms

Recent comments

HAZPAIN

DJ BmanP(The Ink°)

ShellyCoolSinger

taRka

Related tracks