Dizzingly appealing. Well imagined and well made. Mega appealing vocals.

I'm telling you, Donna, this is a hit! Love it more each time I hear it. Love it, my friend!

So original and so good. Great video on YouTube also

an energetic track with a memorable chorus melody

Related tracks: Marty Andersson: Mamamuski (Remix) | Free Bandcamp Exclusive (Exp. Nov 30, 2025)

ONE LINE LOVE

Timeline
(Verse 1)
Timeline
Can I solve the puzzle? Does the answer even exist?
Is it abstract in the making 
options, choices taken 
where’s the voices?
It’s a cruel game we’re playing, 
did we ever have a choice?
never had a choice is what I’m saying
I know, the question as well, as the answer 
in time we’ll all understand the meaning as well, 

(Chorus)
the only answer is, 
the truth is infinity, infinity is the truth, 
the answer is the question, 
and the question is the root
why so absolute 
not to mention a reason to be, 
existence is infinity, and the truth will set you free, 
never before, never before 
infinite, choices…The answer is …more!

(Verse 2)
What was done in the past
Effecting us now,
 we walk different timelines,  But they’re way ahead …how?
Time vibrates, like tectonic plates!
Given shape to our lifelines, final fate
What’s the cause of it all?
The crisis of it all,    The axis, recall
We exist,   one in all, One and all
Everything and everyone…

(Verse 3)
🎵In a constant state of time,
Doesn’t matter when or where, 
you’ve traveled the timeline, 
existence is existence,
And who are we to say,
What will happen in the future,
If we didn’t exist—- today 
…..in this timeline🎵

(Chorus)
(interlude)
(Chorus)

Timeline

Ideal voices and much beloved
Of those who died, of those who are
Now lost for us like the very dead;
Sometimes within a dream they speak
Or in the ticking brain a thought revives them.

I am thinking back to the time when for the four of us, the known world hardly existed; days became simply the spaces between dreams, spaces between the shifting floors of time, of acting, of living out the topical… a tide of meaningless affairs nosing along the dead level of things, entering no climate, leading us nowhere, demanding of us nothing save the impossible— that we should be. 

Justine would say that we had been trapped in the projection of a will too powerful and too deliberate to be human— the gravitational field which Alexandria threw down about those it had chosen...

from Justine in the Alexandria Quartet, Lawrence Durrell

written & produced by naldo & guillaume
orchestration by guillaume

hear more of guillaume's music here: soundcloud.com/guillaumelecompositeur/tracks
.....

Justine In Alexandria

My latest composition with vocals, piano, bass, percussion, erhu and synths. 
Mastered by my lovely Sander. 😊❤️🎶❤️

Not A Moment Too Soon

Produccion,bateria y teclados San Kajati(desde Valencia)todo lo demas yo.
Los peores sueños
                 Am-Em-Dm-Am

No voy a ir 
Dónde no puedo 
Por ahí pueden venir 
Los peores sueños 
Pensaba en vos 
Mirando de nuevo 
El juego, el color 
El otro veneno 
Las luces veo al fin 
Alumbran el piso 
Cuando vienen a mí 
Se vuelven pasillos 
Perdido en un laberinto 
Cerca del río 
Me pongo a caminar 
La salida persigo...

LOS PEORES SUEÑOS-Christian

She should have left that damn bird alone

Mama Saw A Bird

Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

LYRIC VIDEO : https://youtu.be/FhXG2eUCCJs
This Song is What Can Happen when I have a Bad Week or the Heavy Weight of the World is Spinning in my Head & my Imagination Kicks In :-)  
To HOPE  !!!
It was a Fast Write & Really Fun to Record ~~
Hope Everyone Likes It !
©2025 Donna Dior

UNREST IN THE GALAXY

Composed and performed by „HIN UND WIDER“ (Gunther Benedict – drums, Othmar Eichinger – tenor sax, Axl Hansal – guitar, Christoph Musil – bass, Mario Palaschke – keyboards).

Pancake Groove

-> https://andersson-arte.com

Bandcamp [ https://mkandersson1982.bandcamp.com/album/mamamuski-remix-prerelease ]
Kindle eBook [ https://www.amazon.com.au/Unadulterated-Thought-Mechanism-Andersson-Arte-ebook/dp/B0DBP4WJL7 ]
-
I took an old demo I recorded and tinkered with it in some apps to see what I could come up with. I dare say this is a bit of silly fun, lol.
-
Mamamuski is an exuberant and incredibly catchy remix of one of my old bedroom recordings. This single will be available as a free Bandcamp exclusive up until its official release to major music platforms on November 30, 2025.

… Have you seen him?

Marty Andersson: Mamamuski (Remix) | Free Bandcamp Exclusive (Exp. Nov 30, 2025)

Thursday

Nouveau titre, nouvelle collaboration... Monsieur Madeleine nous raconte et chante la "Complainte de Sailor ZiMad" et Zitou rame en cadence....

New title, new collaboration... Monsieur Madeleine tells us and sings the "Complainte de Sailor ZiMad" and Zitou rows in time.....


La complainte du marin ZiMad By  Monsieur Madeleine & Zitou Itou

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Hi Everyone! I'm a Songwriter / Musician (Keyboards) & Vocalist that loves creating, playing, arranging  & recording Music !
All Songs Available for Licensing !
https://www.youtube.com/@donnadior1/videos

** There is ZERO AI involved in the Creation of My Music **

UNREST IN THE GALAXY

Donna Dior

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