Over the course of almost 2 decades, Naturally Obtained Skillz has honed his craft. Dj N.O.S. , as most call him, is a virtuoso turntablist-style party rocker.  A Native Houstonian has making dance floors quake from coast to coast. Dj N.O.S. spins all of his free time perfecting his craft when not practicing he's executing in some of the top clubs nation wide, and head rocking, fist pumping Mixtapes. 

At an early age, N.O.S. was always a fan of music no matter where the source from listening his father jam to funk and R&B classic as he prepared work or watching his mother dance to music while at home in her free time.  Additionally N.O.S. also played an musical instrument before making the switch to a set of 1200s. Inspired by watching Mixmaster Mix perform 3 MCs and One Dj on a music video N.O.S. the turntablist was born. N.O.S. would practice hours and hours perfecting he's craft til at 17 he began djing for the Houston Nitelife scene. While most his friend were going to high school dances. N.O.S. was rocking the clubs. N.O.S was very versatile and could cater to any audience catching the attention of local radio stations where N.O.S. would occasionally display his mixes live over Houston airwaves and eventually celebrity concerts and events Superbowl, and All-Star Weekends. 

Dj N.O.S. now is one Houston's elite deejays and his talents has helped with the development of the Innofader, Beta Testing products for American Audio, and Showcasing Native Insturments Traktor Z2 Mixer at NAMM 2013. N.O.S. created Dirtyrice a underground forum for Houston Djs and Is the Chapter Leader for Skratch Pad Houston. 

 I play Drum and Bass. My mixes usually tend to focus on blending and mashing up tunes harmonically and keeping the dance floor interested and engaged with different styles of dnb. Taking you on a journey of sound though Liquid dnb, Into Jungle, Techstep, Future dnb, Deep, Jump up, and just good old classic drum and bass.I usually pull tracks from some of my favorite Record Labels (Hospital, Ram, Shogun, Viper, Critical, Technique, Beta ) and producers (Andy C, Friction, John B, High Contrast, Netsky, Ed Rush&Optical, Camo&Krooked *too many to list!*) as well as less known (but equally amazing) labels and producers to bring a full bodied mix that not only moves the crowd but, changes and moves WITH the crowd. Two of my all time favorite djs are the Executioner, Mr Andy C and the BBC Radio DnB Don, DJ Friction. They both have a heavy influence on the way I play tunes (I like to play on 3 deck's whenever I get the chance) as well as give me infinite inspiration to get better. Over the past 3 years  I have also gained valued inspiration and support from many local (SOVA / RVA / NOVA / DC) djs & producers such as Ill Omen, Patrick Currier, Will Miles, DJ Plateau/Sonik, Brian Lindsay, Dj Kimsey, David M,  Deinfamous, Dj Obscure, Dj Massacat, Omar Faison, and many other talented locals. I have also been fortunate enough to "rub elbows" with  and gain even MORE valued knowledge from a few high profile players in the dance music scene including, High contrast, John B, Jon Spero of Hot Pink Delorean/Terravita, Dieselboy and Pho of Dirtyphonics.

Every now and then you can catch me playing tag sets with dj partner in crime Styliferous. We play together occasionally as "No-Style" usually mixing either liquid dnb or deep, sub flexing dubstep.

My motion is harmonic.
My depression is chronic.

Bio isn't a real science.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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nothing ever lasts

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